Brief Introduction of Flute Happy Meeting
"Welcome" was adapted by Mr. Feng Zicun based on "Touching the Bangzi" by the duet, and its style was rough, bold and enthusiastic. The prototype of the song was originally a kind of folk music in Inner Mongolia, which was later absorbed by Shanxi Bangzi and Errentai and used as clip music in the plot of traditional Chinese opera. In the play, when Qupai is used to express parting or emotional sadness, it is played at a slow speed; When Qupai is used to express the reunion of relatives or the joyful and festive scene, it will be played quickly. The article consists of two comparative phrases, followed by a C phrase with the nature of ending.
The music consists of four parts, using the common variations in folk instrumental music. With the extension and expansion of musical sentences, the feelings expressed are more fully expressed. Section A includes two topics (A and B). The materials in Section A are full of narrative, friendly and euphemistic. The material of B is in sharp contrast with that of A, with a sharp rhythm. In the materials of A and B, music develops in various ways and appears repeatedly. The song begins with a beat, and the first six bars are slow, free in rhythm, smooth and beautiful as a song. At the beginning of the song, exaggerated sliding techniques are added to show the farewell feelings between relatives, and you can imagine the simple feelings of villagers shaking hands and saying goodbye. The melody unfolds at a very slow speed, indicating that relatives tell each other and are kind and euphemistic. Especially in the first paragraph, the large-scale sliding sound from "dol" to "la" in the first, sixth and tenth bars increases the large-scale abdominal vibrato, which reflects the excitement of the inseparable relatives when they say goodbye. In sections 19 and 20, there are two colored bass "xi" with infinitely extending marks, which more vividly depict the scene that relatives are reluctant to leave for a long time.
The next variation is the second paragraph of the music. The speed of music is accelerated from the original slow speed to the speed of the middle board, and the speed is accelerated. In addition, the lively rhythm shows the joy of reunion after a long separation. At this time, the beautiful melody of the music gradually developed into a warm and cheerful one, paving the way for the later music development. In the second change, the speed increases again, reaching a very fast speed of 176 times per minute. In the second variation of music, the 63rd bar has a jumping rhythm. In verse 66, three vomits represent emotional joy. The further acceleration of this speed and the response to three vomiting, coupled with the repeated appearance of the rhythm pattern of happy jumping, further developed the cheerful mood. 75 bar, the speed should be slightly increased again when playing, showing the depth of typing after the relatives meet. The last paragraph is another variation after the first two variations, which requires faster speed and warmer atmosphere. The insertion of fixed patterns and the reuse of coloratura and tongue sounds make the whole music reach the peak of emotion. Through traditional and exaggerated playing techniques, changeable rhythm and speed, and the use of techniques such as pronunciation, sliding sound, stamping feet and tongue sound, the whole piece of music fully shows the rich characteristics of northern folk music style.
This song was first performed by Mr. Feng Zicun at the First National Folk Music and Dance Exhibition in 1953. The performance was warmly welcomed by the national audience and achieved great success. As this performance is the first time that solo works of bamboo flute have been performed on the national art stage, it is considered as a milestone with great historical significance in the history of bamboo flute art development. Since then, bamboo flute has been established as a solo instrument, and a large number of solo works of bamboo flute with high artistic value have appeared all over the country.
Brief Introduction of the Author of Flute Music Happy Meeting
Feng Zicun, flute player. 1904 was born in Yangyuan County, Hebei Province, and 1904 was born in Yangyuan County, Hebei Province. Feng Zicun played the flute in elementary school, and Feng Zicun began to accompany the local opera "Errentai" at the age of seventeen. After liberation, he joined the Chabei Propaganda Team and participated in the 1953 national folk music and dance performance, which attracted the attention of the music industry. Later, he was transferred to the Central Song and Dance Troupe as a solo. Later, he taught at the China Conservatory of Music. Through long-term playing practice, Feng Zicun summarized and developed the northern flute playing techniques on the basis of the "duet" music style. His playing is loud and clear, with the typical characteristics of the northern flute, and his playing techniques are extremely rich and varied. In addition to the flexible use of voicing, sliding and overlapping sounds, he also combines kneading, vibrating and vibrating sounds. Most of his creative materials come from duet music, traditional opera music and folk music in Hebei and Shanxi, and most of them are variations on the same theme. The musical language is mainly dialogue and simulation. He is a representative of the school of Zhuangzi in the flute circle and a veteran with great contributions. He has exquisite skills and rich experience in flute playing and flute music creation, and has made contributions to promoting national music.
After 1958, Feng Zicun frequently performed with artists from China, and his flute spread all over the country. He is not only well-known in China, but also warmly welcomed by the audience in China and other countries and regions. Everywhere he went, applause and flowers were everywhere. Feng Zicun's flute playing is known as the "magic flute" abroad. 1964 transferred to China Conservatory of Music to teach, and trained a large number of flute players and performers such as Liu Sen, Ma Baoshan, Zeng Yongqing, Lu Jinshan, Yang Ming, Guo Hongwu and Wang Xiang, and spread the northern flute to all parts of the country.
Guess you are interested in:
1. flute solo collection.
2. Flute gliding skills
3. A complete set of flute solo.
4.20 17 graded flute audio track
5./kloc-Is it better for boys aged 0/7 to learn flute or flute?