! (Based on "The Plot of Yao Xian Huai Xian Er")! )
I remember reading the article "Seven Years of Rouxing", and suddenly I became interested in Yao Edition and Xian Er!
The following is the story of Xian 2 conceived by Yao Xian! (The story of Xian 2 played by everyone was conceived by Xie.)
If we count from the first proposal, Xianjian II has been developed for seven years, during which it has been continuously cut and internally consumed, making it the most expensive work in the "Xianjian" series. At the beginning of 2002, with the collective departure of Xie and other fanatics, the project was once again paralyzed. Because Li Yongjin promised the outside world that "Xian Jian II" would come out at the end of 2002, and the research and development cycle was too long, Cai Minghong had to transfer artists from the DOMO team to put out the fire, and recalled Yao Zhuangxian, who had been in Beijing, to revise the script.
As time was tight, everyone decided to start with the worst performance. "Fairy Sword II" uses the engine of "Xuanyuan Sword III", and there are no major procedural problems, mainly art and plot. For example, in the initial battle scene, our character looks short and fat, which is out of harmony with the monster in proportion and style. This piece of music was changed for the first time. The time to modify the plot is particularly tight. In order to facilitate the artist's follow-up work, the plot needs to be determined three or four months in advance, so the time left for Yao Zhuangxian to modify the plot is actually only two or three months. Yao Zhuangxian didn't substantially change the script left by Xie, but spent his limited time supplementing and modifying the characters and dialogues of several protagonists in the game, especially in the two versions of Samui and Yao Xie. In Xie's plays, Samui is a pure villain, bent on revenge; In the final version, Su Mei was transformed by Yao Zhuangxian into a woman who dared to love and hate, struggling internally, so she became the most touching and impressive character in Xian Jian II.
Yao Zhuangxian thinks that the plot is subjective, and there is no difference between good and bad. Producers with different personalities will inevitably write different plots and roles. For example, he said that the magic statue "Paris" in "Fairy Sword III" is a typical image of Zhang Zuze. Because both of them are very passionate, the created "Paris" is also very masculine, with a willful, persistent and competitive personality. Yao Zhuangxian is not good at this kind of characters, and most of the male characters he created are gentle.
Before leaving Taiwan Province Province, Yao Zhuangxian also wrote several versions of the story for Sword II, two of which he was satisfied with. Both versions of the story are set in the era of people's poverty. The poor were cornered and forced to become bandits. They generally only rob passing merchants and never harass nearby county towns. Zhang zhen, the hero of the game, was adopted by such a group of mountain thieves, while Tang Xiaoshi, the heroine of the game (the name of "Tang Xuejian" in Xianjian III), was divided into two different versions.
In the first version, the heroine is the daughter of a county magistrate. She was weak from childhood, but gradually became proficient in pharmacology. Once she went out to collect herbs, went too far, met a wild animal at the foot of the mountain, and was rescued by a hero at a critical juncture. The two talked very well and often met after the appointment. The heroine is usually under strict control of her family, so she seldom has the opportunity to go out for a walk. The hero often sneaked into the county to see her and help her collect medicine. In this way, the two got to know each other and fell in love all the way. At this time, a series of unexpected changes happened, and the heroine's life story was gradually revealed. It turns out that her physique is different from ordinary people because the blood of the demon statue flows in her body. Twenty years ago, a fierce battle temporarily sealed the demon king, and the heroine was born at that moment. She is not only the lock to seal the devil, but also the key to open the seal. Twenty years later, she is about to celebrate her 20th birthday, and she has also become the object of contention between Terran and inferno. The inferno inquired about her whereabouts everywhere, trying to take her back and unlock the devil's seal as a sacrifice. W is not her biological father, but he is ordered to guard this "key" to prevent her from falling into the hands of demons. Although there is a deep affection between them, if he can't repel the inferno in the end, he can only choose to kill her for the fate of mankind.
This series of great changes has completely changed the fate of the hero and heroine, and both of them are faced with difficult choices. Yao Zhuangxian designed two endings for this version of the story: first, the heroine accepted the confession of the hero on the eve of the decisive battle, left without saying goodbye the next day, found a secluded place, took the poison prepared by herself, and died silently alone, leaving the hero to look for her in his dream. The other is a happy ending. The hero found a way to seal the devil without sacrificing the heroine, and they finally tied the knot.
The heroine of the second version is a young woman in the Qin Dynasty. Qin Shihuang couldn't make an elixir, so he took virgins as experimental subjects for each batch. These boys and girls either died because of the poison of Dan medicine or were killed to keep a secret. The heroine and a dozen other boys and girls are the last batch of experiments. After they took Dan medicine, Qin Shihuang died, and they were put into the mausoleum as funerary objects. No one knows that the elixir they took has actually been refined successfully, and these boys and girls have gained the ability to live forever. They live in the mausoleum day and night, don't eat or drink, and only rely on pranayama to maintain their lives.
One day hundreds of years later, a group of grave robbers began to dig the imperial tomb. They were surprised to find that there were still ancients in the ancient tomb hundreds of years ago. They kidnapped one of the boys in order to get the secret of eternal life. In order to save her companion, the heroine left the ancient tomb and re-entered the mortal world after hundreds of years of isolation. On this day, exhausted, she came to the foot of the mountain and was surrounded by a group of mountain thieves. In a trance, she saw the hero mixed in with mountain thieves, mistakenly thinking that he was his boyfriend hundreds of years ago, threw himself into his arms and suffered, and then fainted because of fatigue and hunger. The thieves thought that there was an emotional entanglement between the strange woman and the hero, so they took her back to the cabin and planned to fix them up. When the heroine woke up, she found that she had mistaken someone, but everyone saved her life. She temporarily settled down in the hut, helped everyone do some housework and continued to look for the captured boy nearby.
Soon she found the whereabouts of her companion, rescued him from the grave robbers, and prepared to take him back to the first imperial tomb. Before leaving, the hero showed his love to her, but she flatly refused. Although she has always loved him these days, she has been suppressing this feeling because she knows that her life has no end. In the face of eternal life, love, affection, friendship and all social relations will become meaningless. Even if they get married, one day she will watch her sweetheart die in front of her, and she will live alone between heaven and earth with heavy memories. Instead of this, it is better to go back to the grave now and face the darkness alone. She left quietly, and soon, the hero left the hut and wandered around looking for her. At last he found the mausoleum where she lived, but he didn't know how to get in. At the same time, people who try to steal the elixir of life are also looking for ways to enter the mausoleum. In order not to let his beloved people get hurt, he deals with them alone. ......
Yao Zhuangxian said that he preferred the second version, but it was a pity that this version had little to do with the worldview of The Sword. "If I have the opportunity to do it myself in the future, I still want to do it." He said with a smile. However, such an opportunity may have to wait until after he retires.
As we all know, Fairy 5 was made by our Yao Xian this time. However, will Yao put the plot of Fairy 2 he imagined in the past on Fairy 5 to complete his plot dream?
Xian Jianwu's script is expected to be completed next year.
Shinkansen, a news game in Taiwan Province Province, held a press conference with Daewoo Information on 14, announcing that the board game "Fairy Sword Online" will begin beta testing on 16, and another Online game of Daewoo, "Tianji Online", is nearing completion and is expected to be launched this year.
The conference invited Megan Lai and Huang Tenghao, spokespersons of the Taiwanese costume "Sword Online", to present a romantic performance combining classical dance and sword dance. Producers Huang Yunling and Zhong Xingmin sang the exclusive theme song of the game "Butterfly Love".
Li Yongjin, chairman of Daewoo Information, revealed that "Legend of the Sword and the Chivalrous Man V" will be developed by Yao Zhuangxian, the father of the Sword, and the content of the game is already being planned and completed next year. The third part of the TV series "The Legend of the Sword and the Chivalrous Man" is also scheduled to start broadcasting in Beijing and Shanghai this summer, hoping to set off a new wave of the sword. Fairy sword series stand-alone version of each generation
Taiwan Province province has 800,000 to 1.5 million sets, and Chinese mainland has 250,000 to 400,000 sets. The ratings of Xianjian TV series in Taiwan are 3.2, which is above 10 in Chinese mainland. It is estimated that about 500 million people know this game from Daewoo.