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Haifeng catalogue
1985 was admitted to Jinzhou Opera School in Liaoning Province.

1990 Graduated and assigned to Jinzhou Peking Opera Troupe in Liaoning Province.

1992 entered Guangdong Cantonese Opera Troupe.

65438-0999 began to engage in film and television work in Beijing.

In 2002, he began to follow China famous director Feng as executive director.

In 2009, he began to direct films independently.

20 1 1 won the title of national intermediate director.

2011June completed the 30-episode TV series "well done", which was invested by CCTV media. 30 episodes of TV series "Well Done" (starring; Fan Ming, Ding Haifeng, Li Ming, Zhang Bing)

Dian Ying "The Road to Dreams" (starring; Zhao Bin, Ng Man Tat, Ewang, Li Zixiong, Chen Xiaodong)

Canon film "Tanghe Bath" (starring; Liu Fangyu, Alvin)

TV movie "Biography of Yun Fei"

Digital movie "Tears of Heroes"

Digital movie "The Woman in the Gully"

Digital movie music sound

The movie Basketball Park

TV short film "Don't record aphorisms"

Executive producer (Fu Dalong, Yang Mi, Jing Wong) of 40 episodes of short film "Thousand Feathers Home Textiles" and TV series "Di Renjie 4" in 2009.

20 episodes of Iron Blood Passion, deputy director and martial arts instructor (Chen Jianbin, Qu Ying, Zhao Youliang, Fang Zige)

30 episodes of "Civet cats for princes"-Qian, deputy director of eight sets of the Central Committee.

30 episodes of "Women's Group"-Xiong Jianping, Deputy Director of the Eighth Central Committee.

30 episodes of "Renjie"-eight sets of deputy directors of the Central Committee-director Qian

The 40-episode TV series Zhu Yuanzhang Biography 2005 was directed by Feng (Hu Jun, Ju Xue, Gan Ting Ting).

The 20-episode TV series Mission for Peace was directed by Ma Runsheng (Zheng Xiaoning, Du Zhiguo, Wang Qiang, Ju Xue) in 2007.

40 episodes of "The Story of Lightning"-Art and Wushu Director-Director Lin Hong

The executive director of the film "Super Typhoon"-Feng.

Feng (Zray,) Executive Director of Film Basketball Park.

The executive director of the film Super Typhoon-Feng (WU GANG, director)

Feng (,,Guohua Yin), executive director of the film A Trip to Tibet.

The executive director raised his hand —— Director Feng (Guo Da, Pan Changjiang).

Deputy Director of Point Shadow Destiny Call Transfer

Deputy director of the film "n warnings"

Deputy director of the film "Erwa is Back"

Production director and martial arts director of the film "Blood and Passion".

Production director and martial arts director of the film "Game-writing protocol and Wild Sand"

Director Wei of the film "Light with Fate"

Television and film director Jiang Yu-director Jiang Shen

As for the director, the director can be said to be a careless person in life, and once it comes to work, director Li will immediately become a self-disciplined person, often staying up late to study the script. In the filming process of the TV series "Let's Go Big", Director Li not only strictly controls the choice of actors, but also has high requirements for various cooperation departments. From a large number of scenes in Well Done, we can see that Li Dao, who was born in martial arts, cares about martial arts movements. During the filming, Director Li asked for seeking truth from facts. For the martial arts scene, the director did not advocate too much design and add some fancy movements, but only set the proper state of the role and the best movements that best reflect its character according to different roles. In the design of each movement, the director requires stability, accuracy and reality, which must be done in one go. In the process of shooting, director Li Can can be said to be meticulous, including strict requirements on the design of each prop, which requires that the prop can "speak" and hopes that the appearance of each prop can reflect the story and characters. As it turns out, Director Li also tried his best to make props speak, such as the Luoyang shovel and compass played by the famous actor Li Ming, which can reflect the character and historical background. In today's era when revolutionary films have mushroomed, and when everyone's eyes are focused on some universal heroes or great men, director Li Haifeng focuses on a group of careless little people, with these grassroots people as the core, dedicating a pure anti-Japanese war drama that abandons the traditional sense and incorporates many comedy elements with a unique perspective and breakthrough point, showing the true epitome of countless grassroots heroes in War of Resistance against Japanese Aggression from all directions and angles. The drama, which combines anti-Japanese war, assassination, humor and emotion, tells the story of an anti-Japanese squad composed of folk grassroots. With black humor, this paper tells the story of the anti-Japanese squad composed of this "miscellaneous army" with different personalities and unique skills, which went deep into the Dragon Cave to challenge and complete many arduous tasks. Under the arrangement of the plot, the response of the characters in the play to the crisis can be said to be strange and hilarious. The routine that the team does not play cards according to common sense often gives people a sense of surprise, and at the same time, the anti-routine of the team can make people sigh: these actions are unexpected.

It is not without reason that the play has been well received since it was broadcast. It is different from other movies with serious heroic plots. It gives people a sense of loyalty, does not shy away from covering up the greed and weakness of human nature, and vividly interprets the real little people with the national justice. Its fear of strangers has changed from fear to resistance and strangulation, its unprofessional weapon resistance and killing and destruction in jokes. Its momentum is breathtaking, its behavior is ridiculous, its language is humorous, its process is realistic and human nature is magnanimous, they happen in front of people in a real, primitive and rough way, and finally win applause and applause from people with discerning eyes. At the beginning of the story, its root is the great temptation caused by a box of "gold bars" hidden by Japanese officers, which makes the temporary anti-Japanese group composed of Li Ming, Fan Ming, Ding Haifeng and others have a common idea of winning gold, and the story begins. Attracted by the gold bars, everyone did it in one go. Some are bandit leaders, some make their own smoke bombs, and some are afraid of death, but they can always save the day. Some are like a fairy Taoist. The way to win gold can be said to be thrilling and funny. There are curses and laughter, fraud and purity. Some people pursue fame and gain, some people cheat, some people are afraid of death, and some people really worry about the world first, and then the world is happy.

At present, various themes emerge one after another. With the increasingly sophisticated production and packaging of domestic TV series, and the large-scale capital injection of domestic TV series, the drama has attracted much attention since it was launched, and it ranks first in Shandong Province. Hunan's outstanding achievements, such as the bitter drama Cherry, which surpassed Zhao Benshan, are successfully telling the real strength of its strong ratings. The drama abandons the pure anti-war drama in the traditional sense, injects a lot of black humor and martial arts scenes, and focuses the audience's attention on a group of unruly little people, getting rid of the heroic image of being tall, big and all-round, and dedicating a funny anti-war drama of grassroots heroes to the audience. I believe this drama will inject fresh blood into the domestic TV drama market. For director Li Haifeng, who has been in the film and television circle for decades, this harvest can be said to be that the sword front has been honed, like a fatal move, and once it comes out, it will resist the throat of fate, giving people no strength to fight back. The ratings of the play can be explained, and at the same time, it is on the rise. For director Li Haifeng, this can really be summarized by the title of the play. You did a good job.