From June, 5438 to February, 2008, in the 6th CCTV National TV Grand Prix for Young Peking Opera Actors, the play of the preliminary rematch was "Cut the Son", and the final play "The Death of Zhou Yu" won the gold medal in one fell swoop.
————————— (Reprinted from Sina Bingxian)
Hao Shuai, a young martial artist in Shanghai Peking Opera Theatre. In 2008, before he graduated from Drama Academy, he won the gold medal in Wusheng Group in the 6th Youth Beijing Competition and successfully entered the 5th Youth Research Class.
Although Hao Shuai was born in rural Hebei, his family life is superior in the local area. Someone in my grandmother's family is engaged in traditional opera. When I was a child, Hao Shuai painted a gourd ladle, but his gestures were also good. Therefore, the father thinks that the child has a talent for acting. When Hao Shuai was seven or eight years old, his father sent him to the home of a local famous teacher to study boarding. I said, "The conditions at home are good. How can I let my children do this? Or the most bitter martial arts? " Hao Shuai's mother said, "Boys should keep it cheap." 1998, Shanghai Theatre School enrolled students, and Hao Shuai and his younger brother Hao Jie were admitted. At that time, they were not afraid of hard work, and they were afraid of having a holiday on weekends. Because children in Shanghai have parents to visit, they will also bring a lot of delicious food. And they can only look at those novel fruits (such as grapefruit, which they call big oranges) and feel a sense of loss. Two years later, in order to take care of their son's daily life and give them warmth, Hao Shuai's parents gave up their comfortable life in Hebei and moved their family to Shanghai. At first, the family pushed a car to sell fried skewers next to the Drama Academy, and the two brothers would come to help after school. One person wears skewers, one person cooks, and one person collects money. In case of urban management, one person pushes the cart, one person holds the oil tank and one person holds the gas tank to evacuate quickly. Later, the business developed into a small restaurant, and their family already had two restaurants with good scale. Speaking of the secret of doing business, Hao Shuai's mother said, "Diligent!" Parents set an example and passed on the spirit of kindness and hard work to their children. Every progress of children is an inspiration to their parents. Hao Shuai said: "Looking at the word' people' requires mutual support."
Hao Shuai and Hao Jie have a very good relationship. Hao Shuai took a fancy to a dress and didn't want to buy it, so he asked his brother Hao Jie to buy it for him. Hao Shuai said that Hao Jie was more like his brother and took good care of him. Hao Jie said that his brother is an example and inspires him invisibly. I asked Hao Shuai quietly, "You won the gold medal, but my brother didn't. Will he get lost? " Hao Shuaite said seriously, "No, I believe he will win the gold medal next time!" "
Hao Shuai used to put one leg on the back of a desk or chair when chatting. It is also the meridian phase when sitting. He practiced with a heavier weight than the average weight, in order to exchange his efforts under the stage 12 for the ease on the stage. In a professional appraisal of the college, Hao Shuai performed "Exploring the Village in Shi Xiu" by Professor Xi Zhonglu. After the evaluation, Xi Zhonglu was very excited and insisted on inviting him to dinner, because Xi Zhonglu finally fulfilled his promise to the teacher-to find a suitable person to pass on the trick. From then on, Hao Shuai also understood that Peking Opera is not only his lifelong career, but also a responsibility of inheritance.
-Hao Shuai and Hao Jie are students of Class 97 of Peking Opera in Shanghai Theatre School. Seven years ago, Hao Shuai, the elder brother of 10, was recruited into the drama school by the teacher with the skill of continuously rotating 60 twists on the concrete floor, while Hao Jie, the younger brother, was "brought" into the drama school because of his elder brother's efforts. Seven years later, both brothers became famous martial arts students and clowns among this group of students. The two brothers, who are about to embark on the Beijing Opera major, will stage plays such as Pulling Pulley, Wild Pig Forest and Guagua Garden at the Theatre and Shaw Stage from 25th. When talking about Hao Shuai and Hao Jie, the teachers of the Theatre Academy said that the two brothers were "stupid", and their greatest feature was that they could bear hardships, acted with aura and were "crazy" on the stage. However, outsiders don't know that the school took some risks when it admitted two brothers.
Gu, the executive vice president of the school, told reporters that Hao Shuai and he are both from Hebei. That year, the school went to Hebei to recruit students, and Hao Shuai, a boy with long braids (local custom), was very attractive. The boy did many beautiful martial arts moves in one breath, which made the teachers very happy. At that time, other people who took a fancy to Hao Shuai were Peking Opera schools that recruited students together. At the moment when the two schools were deadlocked, Hao Shuai's parents made a strange move: "Take Hao Jie as an example. My brother is more than one year younger and has no foundation in Peking Opera." After careful consideration, the teachers of Shanghai Drama School made an exception by adopting the practice of "get one free" and absorbed a blank film of Hao Jie. Just for the joke of "get one free", Hao's parents quit their jobs in Hebei and came to Shanghai. They opened a small restaurant next to Shanghai Theatre Academy to take care of two bald children. Hao Jie is still very disappointing. At the beginning, this child who knew nothing has now become the first clown in the class.
Hao Shuai and Hao Jie, with a childish face, said that they just want to perform their graduation performance well now. If they can act more in Beijing Opera in the future, it will be the greatest reward for their teachers and parents.
Reporter Cao Zhiyuan (Source: Labor)
-Author: May wind
Hao Shuai, a young martial artist who likes Shanghai Peking Opera Theatre, surprised me a little, which is really puzzling. However, it is inevitable to sort out my muddled life, my lost youth, my restless blood, and my love for Iraq.
Today's China needs too much the spirit of sacrificing one's life for righteousness, and too much the hero who cries for blood and never gives up.
The kindness that reality can't give, the martial arts scenes, are all dedicated to me. Phoenix's eyes are deep in thought, her eyes are flowing, her figure is vigorous and her moves are tough. Hao Shuai is really special.
It was the first week of studying in Shanghai, at the turn of late autumn and early winter, on the stage of Tian Shan Yifu, the drama was at a fork in the road.
Several young spectators nearby shouted themselves hoarse and interacted with peers in the other corner of the venue from time to time.
The beauty of martial arts lies in figure, form, handsomeness and magnificence, and heroism and chivalry.
I was shocked by the beauty of China traditional opera and the profoundness of classical art.
The enlightenment of Sunshine Martial Arts is that of Peking Opera.
In a fantastic life. Weave our dreams with your plays, and also weave a beautiful star dream for yourself.
April day on earth, the "evil tiger village" on the stage of Tianchan: under the heroic spirit of Huang Tianba, is there also a feeling of being immersed in love with children?
You talked to a generation of masters in your way, and you passed by in strokes. Mr. Gai, who is far away from heaven, have you received it?
The cold light of the sword flashed, and the intrigue changed. Mr guy never left, and the legend didn't end.
Wusheng drama always has some heroic feelings. Is there a sense of emptiness hidden under the mighty spirit?
Firmness and tenacity, firmness and beauty have washed away the generosity of ordinary people after death?
Shoulders are tied tightly, young feathers turn over, guns come and swords go, punches come and punches go, flesh and blood are broken, bones fly like powder, rivers are left out, mountains and rivers are broken.
According to your interpretation, I once entered the world of fantasy heroes.
This is not the original title. Because there are excerpts here, the title is added. ) author: the world of mortals crazy.
The martial arts students in Hao Shuai will give you a unique feeling. From the first sight of his stills, you can feel the elegance and clarity of a young Kunqu student on his face. But when you watch his play, you will find that this does not affect his performance of the role of warrior. Heroism, heroism, chivalry and benevolence can still be fully displayed by him! And that elegance, I think, can not be separated from his inner "kindness". He is a child who loves life, is a filial child, and is a child who unites brothers. A big boy talked about the hardships of his past life in front of the camera, and everything his parents did for him could not help but burst into tears. This is the embodiment of truth, goodness and beauty, and the embodiment of purity. Because of this, his image of martial arts students is not only rigid, sharp and heroic, but also full of human activity and agility. Wu Sheng is a human being, too. He made the audience's heart more entangled and experienced the desolation and desolation of the ancients with him! His eyes and face are full of drama. As soon as he took office, he created a penetrating atmosphere and infected everyone. Since ancient times, heroes have produced teenagers. Hao Shuai's handsomeness is not only the charm and charm of his five senses, but also his inner strong spirit and moral stability. However, this stability is actually shown to you in the purest way. How can he not be fascinating?
-Author: Kim
Hero, stop fighting for martial arts, which is the connotation of martial arts in China traditional culture. Therefore, as long as the martial arts of all factions in the past dynasties are positive, they all attach special importance to martial arts. The requirement of virtue is a core idea in China's traditional culture, which used to be the case in all walks of life. Even when learning a trade, the master always attaches great importance to his disciples' virtue, otherwise he would rather bring a good set of things into the coffin than pass them around. So many good things can't be kept, or even if they can be kept, they are only superficial, but their inner essence is still lost, such as Chinese medicine, Tai Ji Chuan. Then, the ancient man-made words to stop martial arts just illustrate the moral connotation of martial arts. The real martial arts show not bad things, but good and beautiful, and keep good and beautiful. In the application of external techniques, it reveals the same spiritual cultivation and climbing, which is the same as that of literati.
Nowadays, those martial arts competitions in sports have deviated from the traditional connotation of China, paying full attention to the exterior and not paying attention to virtue. This is a common phenomenon in all industries-loss and confusion, which is manifested in the "martial arts" industry. The only thing that can make people intuitively and vividly see the connotation and spirit of China's traditional "Wushu" is the traditional repertoire such as Peking Opera.
As a performing art, Peking Opera focuses on performance, not actual combat. So pay more attention to the excavation and display of Wushu connotation. For the general public, this is a good starting point for understanding China Wushu culture. Today, we will look at the spirit of "Martial Arts" with the performance of another outstanding martial arts rookie Hao Shuai. This image, which only comes to mind when reading classic works, is perfectly displayed by actors on the stage, instantly captured by friends and becomes eternal.
(jiepai Guan Haoshuai is the general of the Tang Dynasty, Luo Tong)
Literally, first. Wu Sheng, we just talked about the word "Wu". Look at the word "life", there are many explanations, so the most intuitive explanation gives people the feeling of vitality, vigor, a vigorous vitality and a feeling of youth. The words "five tones" are arranged together, giving people a good tangible and intangible feeling, a masculine beauty. When you see this word, you may have a general image in your mind. When you see an image consistent with it appearing on the stage, your love may be involuntary. Therefore, traditional Chinese opera carries cultural connotations. When you know something about culture, it is not far from you. Unlike these modern performances, she pursues more sensory stimulation, anesthesia and indulgence. She lets you remember things after all kinds of feelings, because she shows the past and is the essence of refinement.
In modern society, wusheng, a traditional business, seems to be endowed with fashion color intentionally or unintentionally-wusheng and handsome guys seem to be linked. The martial arts students on the stage are so handsome, so handsome, so good at kung fu, and naturally attractive. . . It would be fascinating if the audience were also smart. . . Who says tradition is out of date, out of date? Strict and traditional training makes these boys have extraordinary temperament, and walking on the street is also different.
So, hum, Vu Thang is definitely a dominant stock plus a potential stock. As long as the effect is good, there is no need to change the play itself. Adhering to tradition is capital, and it will definitely catch on! The children of our wusheng are all wangzai. . . Wangwangwang
Let's talk about lovely children.
As students majoring in martial arts, the performances of different actors have both similarities and characteristics. A good education is to teach students in accordance with their aptitude, just as a sculptor carves the most beautiful works according to the different characteristics of jade. These martial arts students are still young, and they are still learning and growing up. We don't pay much attention to our own characteristics, but different teachers and their own temperament will naturally present different stage styles. This paper just tries to list some superficial feelings from the perspective of appreciation. Please correct me if there are any shortcomings. A good actor is glorious on the stage, and so is Hao Shuai. His performance is very stylish, tasteful and full of atmosphere. Here's an online comment from September 2006:
"For the first time, Lion Building, Song Wu, Hao Shuai. If I was optimistic about the gap in this small bend two years ago, now Hao Shuai has shown the weather of a good bend. In the first half, I wore thick bottom pleats, and my gestures were very calm, like a head. After seeing my brother's spirit tablet, my mood changes are also very clear, but it seems that Wu Zhi is not very clear. When Song Wu came out of He Jiuhong's house. The opening of the second half showed the excellent skills of the actors. If nothing else, just the control of the hat. How many actors are afraid to wear this hat! When I went to Lion Building, the flying feet that jumped off the table were high, light and loud. It's crisp and handsome! Qiao Yu, who plays Ximen Qing, is also good at Kung Fu, but he is too formal and a bit rough. . . . . . "
Hao Shuai should not have graduated by then. But it's already bright What is rare is that at such a young age, not only can the performance rules show the external beauty of form, but also the genius of the characters can be shown with heart. Different characters have different feelings and have no similarities.
Hao Shuai has a good expression, a good face, rapid changes, clear and smooth emotional changes, and proper use of eyes, and he likes watching the play in his eyes. Personally, I think this aspect is relatively novel in Wu Sheng's performance. Usually, wusheng plays feel stiff, but Xiaoshuai can relax and let go in some plays, especially the famous Son of Vampire. The performances from "emblem" to "golden palace" are so wonderful that I can't get tired of watching them. The eyes are the windows of the soul. The scenes on the face, especially the use of eyes, can show the psychology of the characters in a delicate way, but they still do not lose the atmosphere and strength of martial arts. Zi Zi's psychological changes after being frightened are extremely complicated and fluctuate greatly. In this drama, kung fu has also become an effective means to show the psychology of the characters, and the expression of eyes can be said to be the finishing touch, with good form and spirit and extraordinary style. This meticulous performance seems to have the kung fu and beauty of some Kunqu towels, and some friends seem to feel the same way. Hao Shuai has some clear and moist towel temperament on the stage, so he saw some comments that there was a shadow of a towel. Indeed, look at his fun run, that kind of figure temperament also has this feeling. Well-proportioned This thing makes his martial arts performance elegant and beautiful, but in the external popularity, it shows the inner ease and looks particularly beautiful and handsome.
Lang Run or Qing Lang, this word seems to be used to describe a temperament on the stage of Hao Shuai. Looking at Zhao Yun in Dragon and Phoenix, it reminds people of a young and gentle general. He is still in a small town in Kanto, and his heroism reveals some warm and jade-like feelings. He is a classic young hero with tough exterior and delicate inner temperament. Young heroes are as smooth as jade.
In the first half of Dragon and Phoenix, Zhao Yun's scenes seem to be few, but they are very important. There are few lines and vocals, and the rest are silent "accompanying stations", and there is no figure. The more so, the more difficult it is to implement. Hao Shuai, on the other hand, grasps the key of the characters here-eyes, which just shows the identity, temperament and mission of the characters in a specific environment. Sharp Eyes (audience comments) left a very deep impression on the audience. This silent performance is quite kung fu, steady, accurate and ruthless. This is also reflected in the worship of mountains by Tianba. Finally, Tianba "left", and suddenly Doulton "wait a minute". Tianba's face changed slightly, and his eyes flashed with fear and accident, and then instantly turned sharp. Then Doulton's "minions, line up to send the bully" (originally a false alarm) was slightly fixed and immediately turned into a positive joy. The details here are very accurate and effective. Hao Shuai's fun run is also the audience's favorite. A person, full of drama, is both arresting and touching, which is really gratifying. Look at the rhythmic figure, effortless kung fu and panting singing. . . It's really beautiful, and the momentum in one go looks exciting.
Speaking of this, one go, coherent charm, a broken pen, which is also a more obvious feature of Hao Shuai's stage style. There was no slack in the performance from beginning to end. This tension seems to last from the beginning to the end, making the stage full of drama even if it is empty. Whether you are singing or performing, it is very important.
The artistic conception of Biography of jiepai is remote, meticulous and changeable, showing elegance in a fiery atmosphere. Hao Shuai has comprehensive skills and is good at bunting for a long time, which can reflect his elegant demeanor. His long-term play has a terrible influence. He is as calm as a mountain when he is silent, and as clean and graceful as a rabbit when he acts. In his Biography of jiepai, the front shows the heroic attitude of the general with quietness, and the back shows the fierceness of the battlefield with difficult kungfu figure. Watching this drama, I feel very much like the artistic conception of Song Ci (the uninhibited school). In its popularity, there are countless lines that are elegant, distant, meticulous, changeable or heroic, which constitute a dynamic picture, fully showing the artistic conception of the ancient battlefield and the beauty of the characters. Looking at the whole play, people are quite moved, not only by the characters in the play, but also by the spirit of the actors.
In "Chopping the Son" and "The Death of Zhou Yu", Hao Shuai accomplished many difficult body movements by relying on feathers, such as continuous tumbling, static jumping from the desktop to the ground in front, three and a half clouds turning over, then three jumping forks connecting the tiger upside down, and then twisting his body to slam hard, which was really amazing and eye-opening. The most rare thing was that these difficult movements were all being played. Hao Shuai plays GongSunZi in the Peking Opera WaZi.
Hao Shuai's basic skills are solid and his skills are comprehensive. He is not only good at kung fu, but also good at singing. The voice is clear, full of emotion, and the figure is beautiful and colorful. His plays show the characteristics of the Southern School, with many characters, great difficulty, hot atmosphere and fast pace. Kun's singing and dancing in "Running at Night" is excellent, and Xue Pinggui's singing in "Ping Gui Bie Kiln" is quite skillful. It is quite touching that a young hero has no choice but to leave his wife. The dialogue between Huang Tianba and Doulton in "Heavenly Sacrifice to the Mountain" is cadence, tense and wonderful, which makes a heroic teenager with extraordinary courage applaud.
Generally speaking, he is full of style on the stage, and his performance style presents a dynamic beauty. As soon as he came to power, he was not idle. His figures were one after another, smooth and charming in one go, with difficult movements, hot atmosphere and strong explosive characters, like a meticulous painting, elegant and smart, smooth lines and full of movement.
Hao Shuai's plays follow the tradition, presenting a more authentic Peking Opera flavor, and it looks a little modern, so modern people will not have a sense of distance. Especially his figure is very beautiful. Whether it's leaning or bunting, it has a rhythm, as high as Yushu's breeze. The performance was acceptable, it was tepid, but it was strong enough but not vulgar. In the fiery atmosphere (martial arts usually have such an atmosphere), the characters have an elegant style. Shang Xiao Heshi Yang Zaixing
According to Hao Shuai, Hao Shuai studied under Zhang, Zhang Shanyuan, Wang Yunqiao, Liang Bin, Liu, Chen Xincheng, Lu Quansheng, Zhong Lu, Wang Lijun, Hong and Su Degui. He is good at performing such plays as jiepai Pass, Chopping the Son, Joining the Army from the Kiln, Pulling the Pulley, Xiao Shanghe, Splitting the Mountain to Save Mother, Song Wudapu, Lin Chong Running at Night, Baishuitan, Crouching Tiger Gully, Shenting Ridge and Mountain Worship Overlooking in China. There are many plays among young people, which are taught by different famous teachers. It's rare for a child to work so hard. It's really touching and cherished. Lianhuan Shitao Huang Tianba
Shuai Wusheng is a sketch, and his performance shows the handsomeness, crispness and beauty of Wusheng. This kind of heroic and handsome is integrated from the inside out and from the outside in. No matter what you do, look around, or how fast you jump over the years, it shows charm and beauty. Handsome and crisp, handsome and practical, handsome and lovely, handsome and touching. . . . . .
Although traditional dramas are dramas, they are not made out of thin air as they are now, and most of them are based on history. In the past, most military commanders were performing tasks and concerned about the safety of one side. They are bold and cautious, have a strategic mind and dare to take responsibility. They are not afraid of wolves before and tigers after, and they can put their lives at risk at critical times. This heroism alone is enough to deter the enemy. . . This kind of handsome, more connotation and mind, it is not only the external talent handsome, more martial arts strategy, mind vision, like to see Hao Shuai's interpretation of this kind of heroism, eyes as he rummaged on the stage, thoughts were brought into just visiting, as if a dialogue across time and space.
The son in "scissors" is handsome and highly valued. It is a good thing that there is a strong sense of unconvinced among military commanders. The only pity is that he shouldn't have miscalculated, used a dark means and was finally killed by a ghost. This is an excellent martial arts drama, not a martial arts drama. It is a psychological drama, a very unique martial arts psychological drama, which shows human psychology and traditional universal morality by means of martial arts. The aesthetic feeling in visual expression and the warning significance of drama content complement each other. The truth contained in it is actually a lasting value through time and space.
I hope to see more martial arts classics, so that the dramas can be combined into a beautiful picture, adding a touch of handsome color to the life of opera fans.
Finally, we end with some comments from our friends:
-"Pulling Pulley" is a necessary housekeeping drama for leading figures in Beijing Opera to rely on Wu Sheng, and it is also a famous drama of Yang () School. Gao Chong, played by Hao Shuai, is skilled in waist and full of strength on the stage. His acting skills are not conservative, and he can combine the achievements of Li, Li and Liang Huichao in one furnace, which shows the ingenuity of the bishop's teacher in picking kindness and teaching. Throughout the whole drama: Yue Fei, Wu Shu and Heifengli are all good partners; It is a "dish" cooked in the same pot, and it is quite skillful! Compared with the trip to Hong Kong over the years, the North-South Group chose classes to perform this kind of housekeeping martial arts drama, and it didn't win or lose! The afterlife is awesome!
Qianyuanshan is a classic of Beggars' Sect in Beijing Opera. Bunt the martial arts students to watch the gun, diffraction and topping the classic! It is also the masterpiece of famous martial artists Guo Yukun, Liang Huichao, Yuan and He. Hannah Quinlivan, Wu Sheng, Yu Jian and Pei Yanling are famous overseas for their plays. Hao Shuaichang, a young martial artist, is also good at bunting. This shows that Guo Kunyu and Liang Huichao were shot in a rare martial arts drama in recent years. The whole play is full of fun and fun! This time, Shanghai Theatre Academy has brought an authentic traditional version, which will definitely make Xiangjiang opera fans shine and open their eyes!
-Hao Shuai is great, with silhouette, personality and voice. It's good.
I didn't watch the Youth Beijing Competition, and I haven't watched Beijing Opera for a long time ... I accidentally turned on the TV the other day and happened to see Hao Shuai's album, so I just glanced at it and was attracted. Great, so I found a wusheng competition online, and I watched it carefully enough ... good-looking, good-looking, with a face, eyes and voices. This is the most rare thing. I like being so young again, haha.
-Zhou Yugui feels that actor Hao Shuai has great potential. -Hao Shuai is really "handsome"!
Didn't see Hao Shuai's semi-final. I saw him last night. As the name implies! First of all, people are handsome, born handsome, and it is exactly the kind of handsome that Wu Sheng needs! The heroic spirit is compelling, and there is no lack of elegance! Nice voice, listen, it's very interesting! Turn around, hit, jump and fall cleanly! Young, only 22 years old, what a hero since ancient times! According to Gao Mukun's introduction, Hao Shuai fell from three tables with injuries, which shows that his professionalism is also outstanding! Exciting and exciting!
I hope Hao Shuai will continue to work hard and eagerly look forward to the all-round development of young martial arts students!
-Look at Hao Shuai's "Peeling the Son" in Jing Qing, which is very skillful. Finally, the high platform turned down in the clouds, and then three jumping forks connected the tiger upside down, and then twisted and fell hard. It's really amazing. Hao Shuai is handsome. I like it. It's super pink!
-Wu Sheng doesn't sing very well ... This time, he came out, handsome, heroic and elegant. So young, not only has excellent skills, but also has character. I like to see his eyes and facial expressions. The details are good, beautiful and supportive! I have watched his fun run several times on the Internet, and his figure is very beautiful. My whole temperament is beautiful, and my voice is beautiful. I didn't steal it at all, and the high notes were particularly nice. Haha, if this goes on, Peking Opera will continue to produce talents and surprises, and the audience will increase-Hao Shuai, I like it. . . Hao Shuai is really who he is. . . Good clothes, good voice and good basic skills. . . That's great. ! ! ! Always support him ~ ~ ~
Most people who go to the theatre are lewd. No problem. Dressing is a part of stage expression.
Lin Chong is a very sad hero. He is the only one of 100 generals who was driven to Liangshan.
Running at night is a very difficult sport. Only one person is absorbed at a time.
I must have seen it many times many years ago, and there were many excellent actors, but they didn't leave any impression.
I don't remember seeing this scene in Hao Shuai before. It's been more than a week since this night run. Looking at the photos, my heart is still surging.
When I first came on stage, I looked a little immature. At this time, Lin Chong should have been a desperate man. How can such a watery young man exert his charm? Watching, I was gradually attracted.
The action is clean and neat, and the play is very good. Although the voice is not very bright, the tone and breath are already top grade, which is really good material for martial arts students.
A little stiff, a little too much. It is not easy for young actors to reach the performance level nowadays.
The frightened bird Lin Chong and the lonely Lin Chong have mixed feelings.
The actor's performance on the stage can completely inspire the audience.
... really touched. Although the performance is not perfect, it already looks like a "corner".
Actors will grow, and so will audiences. Their experiences and experiences will be different.
It is meaningful and enjoyable to watch others grow up hard.
Hehe, come on, young man. (Editor's Note: Very emotional comments. The process of watching a play is actually a silent interaction and communication. )
-
It's actually superficial to write so much, but I just want to make some interpretations from a relaxed perspective, which can be regarded as drumming for the novice, putting forward some thoughts and suggestions for the traditional art to return to the standard. Let's relax and read. ......
China culture has the way of civil and military affairs, so-called military power can protect the country and literary power can govern the country. Martial arts dramas on the stage of Peking Opera have well inherited and embodied the charm and connotation of martial arts in China culture. The display of beauty on the stage is behind the sweat and efforts we can't see. We like these actors, and hope that these classics can be passed down and displayed well, so that everyone can see their style as much as possible and make the tradition not far from us. In fact, watching a drama has different entry points, and maybe one aspect just opens a door for itself. I hope everyone can have the opportunity to walk in, enjoy the tradition, look at history and look at the past, which may be an unexpected gain for today's busy life. . .