1. Correct pronunciation and pronunciation. When broadcasting and reading aloud, we should use standard Mandarin, pay great attention to disyllabic words, and pay special attention to pronunciation according to meaning in ancient poems. No words, many words, no broken sentences, read clearly and completely.
2. Speak at an appropriate speed and feel with your heart. It is necessary to grasp the characteristics of the article, have a smooth and harmonious rhythm, and combine priorities.
3. The tone is vivid and appropriate. According to the needs, prioritize, distinguish between ups and downs, and express the thoughts and feelings of the article.
Second, the ventilation in the broadcast
1. Pause is to fully express the reader's thoughts and feelings, in addition to rest and breathing. Pause includes grammatical pause and semantic pause. Grammatical pauses, including pauses in natural paragraphs and punctuation marks, should be clearly displayed. Also pay attention to the logical pause in the sentence, and one of the effective ways is to give up the breath. ?
2. Stress. That is, reading more words and sentences, expanding the scope or extending the sound can highlight the key points of the article and express your feelings. Stress can be divided into sentence stress and ideological stress. ?
Third, the control of breath
1. Breathing is the process of using qi. The content of the broadcast is ever-changing, so different methods of gas use are needed. Breathing with qi is a recitation skill. Take gas with emotion, and adopt different methods of gas use according to the development and change of emotion.
2. Ways of supplementing qi: stealing gas, grabbing gas and getting angry. Listen, read and experience. Method instruction: read short and pithy poems, tongue twisters and essays for training. ?
3. nervousness is actually the nervousness of the lips. Do some lip exercises before reciting, for example, the tongue circulates in the mouth for 360 degrees 15 times, and the zero basic knowledge learning outline will take you systematically to learn broadcasting and dubbing.
I want to be a partner in seiyuu, broadcasting, hosting, dubbing falsetto and radio, and bring new people.
Make your words pleasant, lasting and enjoyable.
+VX: MTByby Remarks: Broadcast host
Fourth, the charm of sound.
1. Beautiful voice comes from correct breathing. Shortness of breath and incorrect posture can cause tension. Sit like a clock, head back, feet naturally vertical, take a deep breath and don't shrug. ?
2. The most important thing for broadcast lovers is to express a feeling, a mood, and arouse the resonance of the audience. You should read it yourself. Rub yourself into the article, ignore others, and don't play with your own voice. ?
3. Practice the sense of distance. This exercise is very helpful for us to read the dialogue in the article. Read aloud with the target object. ?
4. Breathe, have a certain breathing reserve, and breathe with your mouth and nose. Take a deep breath, breathe through the abdomen, open the ribs and tighten the lower abdomen. The abdomen is always hard. This is respiratory support. No matter how hard the natural conditions are, we must calm down. Chest resonance can produce magnetic sound. Practice 24 gourds and 48 spoonfuls.
5. Nasal sounds before and after practice
6. You must pronounce the flat tongue correctly: Zhi Chi Shi Li Z C S.
Mastering recitation skills, such as pitch, volume, sound intensity, speed, etc., has contrast, ups and downs and changes, making the whole recitation like a beautiful movement. When reciting poems, we should pay attention to the distinct rhythm and adopt the corresponding speed according to the basic rhythm of the works. Lightly carry your back lightly, and slowly carry the heavy ones calmly. As far as a poem is concerned, the reading speed is not fixed, but varies according to the needs of expressing the content of the work.
language barrier
The meaning is not concentrated; Sentences are like pearls. They should be strung together with red lines of content so that the audience can clearly understand the meaning of the manuscript. If you read the news word by word and put it sentence by sentence, and you can't organize the language according to the content, it will make the broadcast sentences more scattered and fail to achieve the purpose of being lively and smooth, thus bringing obstacles to the audience's smooth understanding of the content.
Such as the following paragraph:
She asked local women's federations to focus on economic construction and give full play to women's role.
We should set an example, train and support a group of female experts in aquaculture and aquatic products, and enhance women's confidence and support in starting a business through them. ?
When the announcer broadcasts the news, he stops at punctuation marks and stops at a full stop, giving people the feeling of ending. Causes the language chain to break, forming intestinal obstruction, and the audience hears fragmented sentences, not complete meanings.
Ocean Lu, a famous announcer of China Central Radio Station, once said: You can't broadcast the news sentence by sentence, but you should attack the whole thing in one go. Just like we buy toys, we want to buy a whole set of parts, not scattered parts. Ren Yue, a teacher of Beijing Broadcasting Institute, also said that news should be stopped more or less.
Only in this way can our broadcast be smoother and the audience can understand it better. In order to achieve this goal, we must broadcast sentence groups carefully so that the complete meaning will not be broken. ?
? (2) Fixed tone
The voice is not good. Due to the influence of thinking habits, some announcers like to broadcast news in a fixed tone. The result has not changed, and the broadcast is monotonous and lifeless.
This can be subdivided into three types:
First, stability. When some announcers broadcast news, they like to use pen and ink evenly, spread words at equal distances, and slowly and steadily.
In this way, every word sounds clear, but it is unattractive, boring and even makes people sleepy. In broadcasting, there should be not only male peaks and plateaus, but also plains, basins and deep valleys. For those important places, we should learn to choose the key points; For those minor places, we should pass quickly. Only in this way, the broadcast will be swaying, fascinating and fascinating. ?
Second, drag the cavity to throw. The drawling of the tune is also an important reason for setting the tone.
Some announcers like to emphasize the prepositions "zai", "according to", "through" and the auxiliary word "de", so that the words move up and pause for a long time after these words. Because the object part is longer, the predicate verb drags on longer.
In this way, a drag cavity is formed, and these drag cavities are shaken much more, so they have the taste of singing. Female voice drags on, drags on, and has no aesthetic feeling; The male voice is slow, masculine and feminine, which is disgusting.
Third, the language potential is single. The single language situation is also one of the reasons for the formation of fixed tones.
Some announcers, because of their breath and habits, tend to decline consciously or unconsciously when broadcasting, and sentences begin with a loud volume. With the progress of sentences, their breath is getting less and less, their volume is getting smaller and smaller, and their language potential is gradually declining.
One after another, such sentences form a fixed tone, which is one of the main reasons for the fragmentation of the content.
? The focus is not prominent; Some announcers sometimes think that every word is important because they don't analyze the manuscript in depth and detail, and they usually bear fruit in dealing with pressure. In this way, you are tired of listening to the radio, you can't hear the key points, and sometimes there will even be confusion, inconsistency and dislocation.
For example:? When most ski resorts in China began to melt, the ski resorts in Heilongjiang Province were very lively, and spring skiing was becoming a new fashion in northern tourism. An announcer overemphasized the word "China" in his broadcast. When people hear the content before the first comma, they subconsciously think that what follows must be a foreign matter, but it is still a domestic matter. Obviously, this is not a good way to deal with stress. The correct way to broadcast is to slightly aggravate the word "big" to form a contrast accent with "Heilongjiang".
This makes the meaning clearer, the logic more rigorous and the content more coordinated. In addition, in dealing with the pressure, some people do not handle it properly and take the way of cracking down on the pressure. These accents pop up one by one, giving people an abrupt feeling and greatly reducing the audibility.
If you want to know more about the dry goods hosted by dubbing, you can ask your teacher to get a tutorial on dubbing. Take you systematically to learn dubbing and broadcasting from all aspects. ? Make your voice pleasant, lasting and pleasant.