Marina, pen name Cedar, 196 1 was born in Lintong, Shaanxi Province in June. Bachelor degree, Master of Arts degree certificate from Chinese Academy of Management Sciences, and successively served as a group cadre, propagandist and director of TV station in Jinduicheng Molybdenum Company in Hua County. 199 1 transferred to the Terracotta Warriors Museum in eight wonders of the world, served as the deputy director of Chuangyou Office and the executive vice chairman of the trade union of Qin Terracotta Warriors Museum. Member of Shaanxi Writers Association, member of China Poetry Society, member of Chinese and foreign Prose Poetry Society, member and honorary chairman of International Federation of Poetry Artists, honorary chairman of International American League, vice president of Chang 'an Laozi Institute of Chinese Studies and Culture, vice president of Chang 'an Laozi Institute of Chinese Studies and Culture, and dean of Lintong Branch. Vice President of Hong Kong Silk Road Culture Promotion Association and President of Lintong Branch. Vice President of Northwest Painting and Calligraphy Institute of China Painting and Calligraphy International University. Honorary Chairman of Lintong Poetry Couplet Association, Vice President of China Contemporary Famous Painting and Calligraphy Institute. Xi. Member of Shaanxi Artists Association. Oriental Philosophy Research Institute, Taiji Philosophy Research Institute, and philosophy researcher of Shaanxi International Philosophy and Art Promotion. Chinese painting won the silver prize of "Olympics and My National Calligraphy and Painting Competition". At the same time, he won the Outstanding Talents Award of the Republic in the New Century and was awarded the honorary title of "People's Artist" by China International Calligraphy and Painting Runge Center. In 2009, he won the honor of "Excellent Artist of Chinese Soul". 20 12 won the special prize of Shaanxi Haodi Cup Painting and Calligraphy Award, and 20 17 won the honorary title of "100 Most Beautiful Workers" by China Chinese and Foreign Celebrity Research Association and Beijing Huaxia Art Museum. Love China to sign up as a painter. 20 17 was awarded the honorary title of "20 17 touched the world's literary figures" by the Royal Academy of Art, and he was a researcher at the Asian Painting and Calligraphy Institute in the United States. 20 18 The poem Colorful Jumping Out of the Chinese Dream won the second prize of the first China Silk Road. Excellence Award of the National 100 General Painting and Calligraphy Exhibition, etc. Her works are collected by politicians in many countries. China International Philatelic Network published her works as commemorative stamps. Be praised by the party and the country.

-"Beautiful Flowers and Birds" written by poet and painter Marina

He junfeng

A hanging loofah, a few red fruits, a pool of autumn water, a few lotus flowers ..., a poetic picture, which makes people linger and revel. The poet Marina talks with life and nature with brushes outside her poems. She put poems into paintings, paintings into poetry, and found, expected and thought deeply in her poetry. In late autumn, in spring, after rain and in the snow, Marina is using a poetic heart to perceive painting and life. Those living flowers and plants not only grow on rice paper, but also support her poetic heart.

Marina started out as a poet and has published six poems. She accidentally entered the painting world. When she recited the poems in the paintings at the famous painting and calligraphy exhibition, she suddenly had a feeling of pounding. It turns out that every painting is a poem with beautiful artistic conception, and the original painting is also a poem to read. So she made up her mind to learn Chinese painting from a powerful painter, Mr. Ding Guangwei. In recent years, under the guidance of famous teachers and the understanding of poets, Marina has made rapid progress in the art of calligraphy and painting. First of all, starting from the tradition, she practiced pen and ink with the power of a pestle, sought a breakthrough in pen and ink from famous paintings by masters and sages, repeatedly honed her artistic language, and tried to express her familiar life in this language again and again. With the power of poetry, I found a strong fulcrum for my surging feelings in my writing, and finally built a bridge of my own between China and the West, between works and writing, and between concreteness and abstraction, and embarked on a new road with poetry and painting, Zen as the meaning, winning by environment and winning by color.

Marina's paintings are famous for freehand brushwork of flowers and birds, especially her poems. Her works, such as All the Best, Awakening in Spring, Caring for Happiness, and Rhyme in Spring, are warm and delicate, with deep meditation. Dragonflies on the river, fresh loofah dripping in the bath, the spring scenery of Ming Teng, and the autumn meaning of persimmons hanging on the branches are all endowed with humanistic spiritual connotation. Marina pays attention to reappearing the colorful world in the form of true feelings. In ink painting techniques, she integrates the techniques of China landscape painting and western painting into flower-and-bird painting, which is inclusive, develops strengths and avoids weaknesses, pursues perfection, pursues the overall harmony of the picture, and is poetic in form. The artistic feeling shown is rigorous but not rigid, exquisite but not kitsch, dignified but not rigid, beautiful but not light, expressing skills without skill, expressing pen and ink without pen and ink, and striving to make the works rough but not muddy, light but not thin, full of charm and new ideas, and expressing the beauty of personality.

Marina speaks her mind with pen and ink in her creation, instead of speaking and moaning for others like others. In addition to skilled pen and ink techniques and life experience, it is also related to the painting inspiration and mentality at a certain moment. It is the high externalization of the poet's comprehensive quality in painting, the expression of his heart, the beating pulse and the presentation of vitality. Faced with the relationship between "nature" and "artistic conception", "scenery writing" and "landscaping", she intentionally or unintentionally turned narrative into expression with her unique poetic Zen environment, put her mind out of the physical image, created new ideas in statutes, and left the mystery out of dexterity.

Marina's flower-and-bird paintings have a wide range of themes, which can be easily used in flowers and birds, insects, fruits and vegetables, people and so on, and are full of fun. In her works, there are aloof red plums, humble and thrifty Zhu Mo, bright and dazzling Lingxiao, clean and elegant bluegrass, wisteria full of spring, crystal clear grapes, lotus leaves and beautiful red lilies, loofah and fire crystal persimmon symbolizing all the best, beautiful gourds and Jin Ju in clear autumn. In her works, color gives flowers charm, light gives them emotion, and poetry gives them quality. Or soft, or charming, or plain and beautiful, or stunning, full of affection, with intentional branches, dotted with birds on the branches and colorful butterflies flying between birds, so that the freehand brushwork of flowers and birds, out of the secular, faded obsequiousness, full of affection, full of beauty, people stare at the picture, can not bear to leave.

Reading Marina's paintings can easily make people have a brilliant, warm, rich and joyful passion for life, which may be because of its creativity, breakthrough and revolutionary color, which brings people a visual and intuitive feeling. Impressionist master Van Gogh said: "I use color to express my deep feelings." Marina's poetic expression, a large area of thick and rich colors, should also be an emotional color, a trace and expression of life poetry and passion. Taking color as the main language of Chinese painting is a breakthrough in traditional painting theory, which advocates that ink is divided into five colors and ink is the main color. Her careless splash of ink shows a solid control of sketch modeling, and her wanton brushwork is rigorous and meticulous, which is full of western colors, but also contains the softness and agility of Chinese painting art. She always dilutes or even replaces clear brushwork lines with contrast, and replaces ink color with strong painting, making the picture vivid and poetic, pouring more rational consciousness and giving people a strong visual impact.

I like reading poems as well as paintings. Marina's paintings have poems inside and outside, with poetic scenes inside and poetic notes outside, so how to read them is poetic. Reading her paintings, we can feel a kind of Zen, a simple, beautiful and vast emotion and thought. And this universality of "climbing high and looking far" makes it go beyond the form and skills of painting, even beyond poetry and painting, covering the whole life. What I see from Marina's works is not only the brightness, intensity and contrast of colors, the tension of lines and the ingenious formation of composition. What moved me was that her subconscious, emotions, obvious thoughts and mysterious feelings were all precipitated and operated in the painting. From her Zen paintings, I read the escape of "Zen, Miao, Energy and Yi", the simple and concise brushwork, the immersion of ink and wash, the unspeakable shade and the unspeakable blank, which reminded me of high-taste poetry. Because the painting I admire is also a poem above perspective.

"Take the fragrance from all over the world, and the wonderful pen gives birth to rhyme." I like Marina's poems, and I prefer Marina's paintings. I send out a few superficial knowledge in the joy of poetry and painting, which is also a warm fragrance, a blessing and a blessing for poets and painters.