Sun Xiaoyun has won wide recognition and respect in the book circle for his delicate and deep-rooted calligraphy tradition and decades of accumulated achievements. His brushwork is skillful, his structure is elegant and straight, and his composition is muddy and harmonious, simple and natural. Her exploration of calligraphy forms attracted people's attention. She writes poems, songs and poems in the form of stationery, and manages her works according to the binding style of ancient books, which has become a classic form of contemporary calligraphy. In addition to her skills and inspiration, Sun Xiaoyun's success also benefits from her "good thinking". His work "Calligraphy with Law" is composed of 60 diary-style calligraphy essays. It is widely recognized by the book circle to explore the hidden meaning and reveal the secret of "turning the pen".

Sun Xiaoyun regards calligraphy as "female red", and the life of art and the artistry of life are vividly interpreted in her. Take this as an important content of life, where spirit gathers, emotional ties and wisdom live, and great beauty comes from great love; We need childlike innocence and perseverance, and we need to exercise our skills and improve our aesthetics in long-term practice. You need to show your wisdom and talent through skillful skills; To express a kind of beauty that is lofty, consistent with tradition and China's population flavor, originality must be recognized by people and future generations, which is the real beauty. These four old ladies and celebrities, like today's calligraphy creation, are also Sun Xiaoyun's practice view of calligraphy creation.

Because of Sun Xiaoyun's personality, personality and artistic understanding, as well as the rich cultural background and good artistic environment in the south of the Yangtze River, Sun Xiaoyun, a leading figure in contemporary book circles, has achieved his unique artistic thought and style. The purity of Sun Xiaoyun's calligraphy style is manifested in her deepening of calligraphy classics after the "two kings". Among all the styles, she is good at cursive script. In her calligraphy tradition, the traces of Erwang, Mi and Dong are the strongest. His cursive script is full of literary spirit, unrestrained and uninhibited, and has a delicate style unique to women. Specifically, the words are clever, the brushwork is beautiful and vigorous, the brushwork is very fast, the composition is full of bookish, childlike, elegant and refined. His style of writing is "calm and happy", with jumping brush strokes and strong sense of writing. There are many elites among contemporary women, and all female calligraphers are from Jinling. New China has Xiao Xian in front and Sun Xiaoyun in the back, so they stand out and become famous in China. Like a guard and a pipe, the jade platform rises high. Write what you think and lead the coquettish era. Xiao Xian won by gas, immersed himself in epigraphy all his life, adopted the method of "three stones and one board", respected the epitaph, and wrote the big characters on the list. Xiaoyun is good at using rhymes in calligraphy. He has devoted himself to learning calligraphy for many years, deeply studied brushwork and explored the pulse of the two kings. From the Ming Dynasty to Song Yuan, then to the Tang Dynasty, and almost to the Wei and Jin Dynasties, he learned nutrition from various schools and became a school of his own over time. Xiao and Sun's calligraphy styles, methods and techniques are different, which all occupy an important position in the calligraphy field. Yu Jun high-fived, compared with Xiaoyun in the book.

Time flies. I visited Xiaoyun's calligraphy exhibition in China Art Museum and participated in a discussion. Just like yesterday, Xiaoyun came to Beijing to exhibit his new works, which made me feast my eyes. There are three meanings: first, his calligraphy skills are also excellent. Forty-eight new works, full of fresh air and paper, with exquisite words and exquisite Mo Miao, are pleasing to the eye, just like the breeze in the sleeve, and will be in my arms tomorrow. I feel that between the lines, Lang Lang is like Yushan. It's like reading Yi Lee's An Ci, which is full of words. Second, I feel that his new work is more affectionate. Xiaoyun once wrote a book, Calligraphy with Laws, and made a deep study of brushwork. His recent brushwork is more skillful, and his mind and wrist should conform to his true feelings. The act of honoring parents, the joy of daughter's marriage, the experience of Linchi and the feeling of life are all thought-provoking. It can be said that this book is a painting for the heart, sincere and valuable. The third feeling is that his artistic life is more leisurely and his cultural mentality is more confident. Xiaoyun's family originated from his grandfather, Mr Zhu Fukan, a famous marine. Influenced by his family, Xiaoyun began to study at the age of three, and it has been more than 50 years. With the rich experience and improved understanding, Xiaoyun knows the merits of calligraphy in self-cultivation, pays more attention to the responsibility of cultural inheritance, calmly writes the heart of words, and calmly waves soft hair, which has entered a happy and peaceful stage. There are many things when people reach middle age. Xiaoyun called his study an "unfinished lent". Those who have not finished it have profound meanings in the responsibility of cultural inheritance. Cultural inheritance is a lifelong event for calligraphers, especially our generation of calligraphers, who have a long way to go and are willing to encourage with Xiaoyun.

Li Yi, a researcher and doctoral supervisor of China Academy of Art, is the editor-in-chief of Art Watch.