Chen Quan Yan Song robbed the painting.
During the Jiajing period of the Ming Dynasty (1522- 1566), the traitor Yan Song was in charge of the country, and his son Yan Shifan was bullying in the village. When they learned that The Riverside Scene at Qingming Festival was the supreme product, they sent people to search everywhere.
At this time, this painting is stored in Luwan's home. After Lu Wan's death, his wife cherished this painting and hid it in an embroidered pillow. My wife has a nephew named Wang, who is good at drawing. He is clever and talkative. She asked to see the painting when she was happy, but she couldn't refuse at the moment, so she allowed him to sit in a small pavilion without pen and ink and watch it for a limited time. Wang Shenghao is very clever. After reading it for more than ten times, he has memorized the composition and layout of the houses, streets, ships and figures in the painting. When he returns, he will copy the whole painting and spread it all over the world.
Re-entering the palace and Feng Bao stealing paintings.
In the forty years of Jiajing in the Ming Dynasty, Yan Song and his son fell from power and influence, the Yan family was robbed, and the riverside scene on Qingming Festival was once again brought into the palace. After The Riverside Scene at Qingming Festival entered the palace, the emperor didn't like calligraphy and painting, so lord protector Zhu took the opportunity to ask the emperor for a gift, but the emperor appraised it as a high price, and the painting was going to be given to Zhu. A little eunuch learned that the painting was priceless, so he stole it and was about to leave the palace when the steward came. The little eunuch hurriedly hid the painting in the sewer, which happened to rain that day and the painting rotted for three days in a row.
This story was actually invented by the painter Feng Bao. Feng Bao was a eunuch who wrote during the Wanli period in Qin Long, and was the leader of the East Factory. He has the power and influence to go in and out of the palace. Feng Bao wrote an inscription after the Riverside Scene at Qingming Festival. If this is the emperor's reward, he must have written a great book in the inscription and postscript, but Feng Bao didn't mention anything at the end, which shows that he stole it. In order to hide people's eyes and ears, he fabricated the above bizarre story. This is the famous "Feng Bao stealing paintings", and later "The Riverside Scene at Qingming Festival" went to the folk.
Selected as the third edition of shiqu Baodi and then went out of the palace.
The Riverside Scene at Qingming Festival was first written by Lu (a native of Xiangxiang, Anhui Province) in the late Qing Dynasty. Lu Feiyong was a scholar during the Qianlong period. After he got the painting, he also wrote an inscription on it. Bi yuan bought it.
Bi Yuan (1730 ~ 1797) was a native of Zhenyang (now Taicang, Jiangsu), and he was a scholar in Qianlong for twenty-five years (1760). Bi Yuan loved epigraphy and calligraphy all his life, and he had a rich collection of books at home. After winning the Riverside Scene at Qingming Festival, I learned from my brother Bilong (a connoisseur of collections in Qing Dynasty), and now the painting is based on them. Shortly after Bi Yuan's death, Huguang people revolted against the Qing Dynasty. The Qing court believed that during his tenure as governor of Huguang, Bi Yuan not only took Gaby's post, but also killed all his family members, and his property was stolen into the palace.
After the Qing court put the Riverside Scene at Qingming Festival into the palace, it was placed in Yingchun Pavilion in the Forbidden City. Emperor Jiaqing cherished it and ordered it to be included in the third edition of Shiqu Baodi. Since then, the Riverside Map on the Qingming Festival has been kept in the Qing Palace. Although the British and French allied forces invaded Beijing twice in 1860 and Eight-Nation Alliance invaded Beijing twice in 1900, they both escaped the disaster and were not damaged.
19 1 1 years later, the Riverside Scene at Qingming Festival, together with other precious paintings and calligraphy, was stolen from the palace by the last emperor of the Qing Dynasty, Puyi, in the name of appreciating Pu Jie, and was first stored in Bird, a concession in Tianjin. 1932, Puyi established the Puppet Manchukuo with the support of the Japanese, so this famous painting was taken to Changchun and stored in the library building of the East Courtyard of Puppet Manchukuo Palace.
Pictures of Puyi and Pu Jie.
The ups and downs of World War II
1945 In August, the Second World War came to an end, and the end of the Japanese invaders came. Puyi and his Japanese master saw something bad and fled to Dalizigou by plane. The Puppet Manchuria Palace was in a mess because of the fire.
On August 9th, 1945, Puyi prepared to fly to Japan at Shenyang Airport. After taking off, the plane was forced to land by the Soviet Red Army. Puyi and his entourage, as well as the treasures and calligraphy and paintings he carried with him, were intercepted by the Soviet Red Army. /kloc-in the winter of 0/950, the Cultural Department of the Northeast Bureau began to sort out the cultural heritage left after the liberation war. Mr. Yang, an expert in calligraphy and painting, discovered this precious original painting "The Riverside Scene at Qingming Festival", which was painted in the Northeast Museum and then transferred to the Palace Museum in Beijing.
However, during the Cultural Revolution, Li Zuopeng, one of Lin Biao's four generals, took advantage of his power to "borrow" the Riverside Scene at Qingming Festival from the Palace Museum and took it for himself. Together with Qiu, Wu and others, he occupies a large number of other precious cultural relics. After the fall of Lin Biao, The Riverside Scene at Qingming Festival was rediscovered, and it is still treasured in the Palace Museum.