Look at "Difficult Road to Shu"
Hey, drama,
High risk!
The difficulty of Shu Dao,
It is difficult to go to the sky!
Until the two rulers of this area,
Struggle forward in the foggy age!
Forty-eight thousand years later,
Don't communicate with Qin Sai.
There is still only one bird's path in the white mountain to the west.
You can cross the top of Mount Emei.
It was once destroyed by earthquakes, and brave people lost their lives.
Just finished their steps to heaven.
High, like a high flag, six dragons drive the sun,
And the river in the distance below violently impacts its twisted channel.
Such a height is difficult for the yellow crane.
Have pity on those monkeys who only have claws to use.
The green clay mountain consists of many circles.
Every hundred steps, we have to turn nine times in the middle of its mound.
Panting, we passed Orion and passed the well star.
Then, holding his chest with both hands, he collapsed to the ground with a groan.
We want to know whether this road to the west will never end.
The terrible road ahead is getting darker, even darker.
Nothing can be heard except the songs of birds surrounded by ancient forests.
The male flies around the forest from the female.
Jathyapple, we heard cuckoo's melancholy voice.
Worry about empty mountains.
The difficulty of Shu Dao,
It is difficult to go to the sky,
Even hearing it makes your cheeks pale.
The highest cliff is less than a foot from heaven,
Dry pine trees hung low on the cliff surface.
A thousand waterfalls rushed forward one after another,
The cliff turned to stone.
If the risks are the same,
Well, people far away,
Hu Wei is coming.
Although the bunker is strong and severe,
When a person is guarding it,
Ten thousand can't be forced.
If he is disloyal,
But a wolf to his companion? .
There are hungry tigers to be afraid of during the day,
And poisonous reptiles,
Get their teeth and fangs ready,
Kill people like hemp.
Although Jincheng is happy,
Why don't you go home early?
The difficulty of Shu Dao,
It is difficult to go to the sky,
Look sideways to the west, it's getting longer.
Tang-Li Bai-Liang Yinfu
Year: Tang Dynasty
Author: Li Bai
Title: Liang
Content:
When can I see Yangchun and Fu Liang sing?
You didn't see the old word Chao Ge slaughtered Ji Jin, eighty west to fish Weibin.
I would rather be ashamed of my white hair and think about the economy every time.
Fishing is wide and wide, and the wind is dark and close.
The Great Sage Tiger became stupid and unpredictable, and it was quite ordinary in those days.
Have you noticed that Levin drinkers are drafting, and they have already paid tribute to Shandong Longzhun.
Beginners don't worship eloquence, but two women give up washing and follow suit.
Seventy-two miles east, qi entered the city, and commanded Chu Han to rise.
Crazy people are down and out, let alone strong men.
I want to go to the dragon to meet the Lord, and Lei Gong plays drums.
The emperor threw a pot of jade, and lightning flashed at three o'clock.
It rained in an instant, and nine doors couldn't get through.
Those who turn off their foreheads are angry, and the day is not sincere with me, so why worry about Qi?
You gnash your teeth and fight for human flesh.
Hand in hand to fight and carve tigers, the side feet are not bitter.
Wise men can make fools rich, and the world regards me as a feather.
It takes two peaches to force the three strong men in Nanshan to kill each other.
Wu Chu's tactics were in vain, but Yafu's efforts were in vain.
Fu Liangyin, Fu Liangyin, the voice is just sad.
A bow and two dragons and two swords, God and things sometimes meet.
A sense of wind and cloud leads to slaughter and fishing, and adults are safe.
Wandering in the sky, singing goodbye
Lipper
A tourist who sails will say Japan, where the water and fog are hidden outside the method, but the Vietnamese say that the mother mountain in the sky, the clouds disappear or are visible. On a straight line leading to heaven, its peak enters heaven, topped with five sacred peaks, and casts a shadow across China. The roof is 18000 feet, and at this point, it begins to turn southeast.
My heart and my dream are in Wu Heyue. They cross Jinghu Lake on a moonlit night. The moon lit up my shadow and I came to Yanhe. Xie Gong is outside today, and the monkey is singing clearly on the blue waves. I wore Xie's earliest spiked shoes and climbed the Qingyun ladder. Halfway through the sunny ocean, the sacred rooster crows in space. Thousands of turns, flowers lure me, stones slow me down. The day suddenly ended. Bears, dragons and storms on mountains and rivers disturb forests and shake mountains. Clouds are darkened by rain, and streams are pale by fog. God of thunder and lightning, landslides in hills, caves, stone gates and sinkholes. An impenetrable shadow, but now the sun and the moon illuminate a golden and silver terrace. Wearing rainbow clothes and riding the wind, all the queens of the clouds came and came down one by one. With the tiger as the harp and the phoenix as the dancer, the images of fairies are arranged in rows. I move, my soul flies, and I wake up with a long sigh. My pillow and mat are the lost clouds in which I once lived.
This is the consistent way of human happiness, and all kinds of things will always flow to the east like water. So I'm leaving you. I don't know how long it will take. But let me raise a white deer on my green hillside and ride to you when I need you, Dashan. Oh, how can I bow and scrape to those people with high status and important positions? They never want to be seen with a sincere face!
Three Poems "The Difficult Road" (I) Li Bai
The cost of pure wine is a gold cup, 10 thousand copper coins and a hip flask, and I am ashamed of 10 thousand yuan. I threw the food bar and cup aside. I couldn't eat or drink. I pulled out my dagger. I peeped in four directions in vain.
I want to cross the Yellow River, but ice will block the ferry and Taihang Mountain will be covered with snow. I will sit on a fishing rod and lean lazily by the stream, but I suddenly dream of sailing a boat towards the sun.
It's hard to walk, it's hard to walk, there are many roads, where is Ann now? One day, I will ride the wind and waves, raise the Yun Fan and cross the sea.
This is the first book in Three Difficult Walks written by Li Bai. Judging from the content, this group of poems should be written by Li Bai when he left Chang 'an in Tianbao Sanzai (744).
The first four sentences of this poem are about friends who, out of deep friendship for Li Bai and regret that such a genius was abandoned, spared no expense in hosting a farewell banquet. Li Bai, who is naive in drinking, will certainly "drink 300 cups at a time" because of this fine wine, delicious food and the hospitality of his friends. However, this time he picked up the cup and pushed it away. Pick up chopsticks, but leave them behind. He left his seat, drew his sword, looked around and lost his mind. The four continuous movements of stopping, throwing, pulling and caring vividly show the inner depression and emotional agitation.
Then the two sentences are followed by "hollow" and "difficult to walk" is written in front. The poet used "ice blocking the river" and "snow covering the mountain" to symbolize the difficulties and obstacles on the road of life, which has a comparative meaning. A man with great political ambitions was called to Beijing and was lucky enough to get close to the emperor, but the emperor could not appoint him. He was expelled from Chang 'an in disguised form by the "reward for returning to the mountain". Isn't this just like the Yellow River encountering ice and Taihang Mountain encountering snow? However, Li Bai is not that kind of cowardly character. From the beginning of "drawing a sword and looking in all directions", it shows that he is not willing to be depressed and will continue to pursue it. "I will sit on a fishing rod and lazily lean against the stream, but I suddenly dream of driving a boat and sailing towards the sun." In a daze, the poet suddenly thought of two figures who did not go well politically at first, but made great achievements in the end: one was Lu Shang, who was fishing in Panxi at the age of 90 and met King Wen; One is Yi Yin. Before he was hired by Tang, he dreamed that he was sailing around the sun and the moon. Thinking about the experiences of these two historical figures increased the poet's confidence.
"It's hard to walk, it's hard to walk, a lot of roads, is it safe now?" The meeting between Lu Shang and Yi Yin certainly increased his confidence in the future, but when his thoughts returned to the present reality, he once again felt that the road to life was difficult. Looking forward to the future from the banquet, I only feel that the road ahead is rugged and there are many mistakes. Where is the road? This is another feeling in sharp and complicated contradictions. But Li Bai, who is stubborn and confident, never wants to show his discouragement at the farewell party. His strong demand for active use of the world finally freed him from the depression of drifting again and sang a strong voice full of confidence and prospects: "Ride the wind and waves, go straight to my Yun Fan and bridge the deep and deep sea!" He believes that although there are many obstacles ahead, one day, as Zong Yi said in Liu Song, he will ride the wind and waves, hang up the Yun Fan, cross the sea and reach the ideal shore.
This poem, with fourteen sentences and eighty-two words, can only be regarded as a short poem among seven-character poems, but it has a long momentum pattern. One of the important reasons is that it reveals the ups and downs and complex changes of the poet's feelings in a hundred steps. At the beginning of the poem, "Golden Wine" and "Jade Plate and Precious Shame" make people feel like a happy banquet, but the following two details, "Quit drinking and throw chopsticks" and "Draw a sword and look around", show a strong impact of emotional waves. In the middle four sentences, I just sighed "the ice jam in Sichuan" and "the snow all over the mountains", and suddenly it took a thousand years, as if I saw Lu Shang and Yi Yin suddenly being reused by the monarch from their humble positions. The poet's psychological disappointment alternates rapidly with hope, depression and pursuit. "It's hard to walk, it's hard to walk, a lot of roads, is it safe now?" The four sentences with short rhythm and strong jumping are completely inner monologues in an anxious state, forcing Xiao to convey the complex psychology of wandering back and forth and continuing to explore and pursue without evidence. At the end of the sentence, after several twists and turns, the realm was suddenly enlightened, and I sang a high-pitched and optimistic tone, believing that my ideals and ambitions would be realized one day. Through such ups and downs of feelings, it not only fully shows the suppression of the poet's grand ideals and ambitions by the dark and dirty political reality, but also reflects the poet's strong inner repression, anger and the injustice caused by it, and at the same time highlights the poet's stubbornness, self-confidence and persistent pursuit of ideals, showing the poet's powerful spiritual strength in trying to get rid of repression.
This poem is influenced by Bao Zhao's quasi-theme and expression, but shine on you is better than blue. Their poems all reflect the suppression of talents by feudal rulers to a certain extent, but due to the reasons of the times and the poet's spiritual temperament, Li's poems are more profound and intense, and at the same time, they also show positive pursuit, optimistic self-confidence and tenacious adherence to ideals. Therefore, compared with Bao Zheng, Shi Li's ideological realm is higher.
Three Poems "The Difficult Road" (Part Two) Li Bai
The road of life is so broad, but I have no way out.
I have no face to follow those people who have no guts to bet on pears and chestnuts.
I don't mean to grovel in the door of power, as Feng Xuan complained.
At that time, people in Huaiyin laughed at the ministers of the Han Dynasty for their cowardice and incompetence, but they were jealous of Jia Yi's Excellence.
Have you seen the former prince of Yan? He respects talents, builds high platforms and provides gold to talented people. Bend down and sweep the floor to welcome them? ?
Juxin and Le Yi were grateful for their kindness. They tried their best to serve the monarch with their talents.
But Yan Zhaowang died early, who can reuse the wise men like him?
The road is hard, I must go back!
"The road is as wide as the blue sky, but there is no way out before my eyes." This opening is different from the first song. The first song was written in the form of fu, starting with the dining tables at the banquet, which sounded dull. This song rose steeply from the beginning, and let the feelings that had been pent up for a long time erupt at once. It also gives contrast, which makes readers feel that its ideological and emotional content is deep and wide. Later, Meng Jiao wrote a poem "If going out is an obstacle, who is the width of heaven and earth?" May be inspired by this poem, but the gas bureau is much worse than Li Bai. Can be compared with it, or Li Bai's own poem: "Shu Dao is difficult to pass, it is difficult to go to the sky", which can only be written by Li Bai's mind. However, it is difficult to walk in Shu to describe the dangers of Shu Road, which directly reminds people of the mountains and rivers in that area, but does not think there are too many ambushes in the article. And this one, using the sky to describe the width of the avenue, is supposed to be easy to walk, but behind it is "but there is no way to go before my eyes", which makes people feel that there are many subtext. In this way, the beginning of this epigram attracted people's attention to the following.
The following six sentences are in pairs. The sentence "ashamed to chase" is to write your own unwillingness. The upper class in the Tang Dynasty liked to play games or gamble with cockfighting. Emperor Xuanzong of the Tang Dynasty once built a henhouse in the palace, and the children of cockfighting were loved. At that time, there was a folk song called "children don't need to read, fighting cocks and running dogs is not as good as reading." If you want to learn cockfighting, you can make a dude and open a small back door in your career. But Li Bai scoffed at this. So I declared that I was ashamed to follow the children of Li society in Chang 'an. These two sentences have the same meaning as what he said in Answering the King on Twelve Cold Nights: "You can't learn cockfighting at golden distance, sit down and dry your breath." It is said that he disdains interacting with "the second child of Chang 'an society". So, what about interacting with those dignitaries? "Zhou didn't expect to bow to the nobles to be satisfied, and Feng would go home without fish to eat. "'dragging the king's door' means pulling up the front of the clothes and entering and leaving the powerful door." Playing the piano with a sword "quoted Feng Xuan's allusions. Feng Xuan is a guest of Meng Changjun's family. He feels that Meng Changjun is not polite to him. At the beginning, he often played sword and sang, saying that he would go back. Li Bai hopes to "make friends with princes", but now in Chang 'an, dignitaries don't take him seriously, which makes him feel unbearable like Feng Xuan. These two sentences are about his indiscretion. "General Han was laughed at in the street, and Jia, a gifted scholar, was degraded." When Han Xin was frustrated, he was laughed at and insulted by some street hooligans in Huaiyin. Jia Yi is young and promising, and Emperor Wen of Han intends to reuse it. However, due to the jealousy and opposition of ministers Guan Ying and Feng Jing, they were later exiled. Li Bai borrowed allusions from Han Xin and Jia Yi to write that when he was in Chang 'an, people in general society laughed at and despised him, while those in power were jealous and attacked him. These two sentences are about his frustration.
The next six sentences, "I don't see you", profoundly sang the mutual respect and trust between the monarch and the minister of Yan, revealed his desire to make contributions and showed his pursuit of the ideal relationship between the monarch and the minister. During the Warring States Period, in order to make the country rich and strong, Yan Zhaowang respected Guo Kun as a teacher and built a platform beside Yishui, on which gold was placed to attract wise men. So, Zou Yan and Xin Qiji came back one after another, which was used by Yan. Yan Zhaowang is not only obedient to them, but also condescending to the corporal. When Zou Yan arrived in Yan, he "embraced the comatose pioneer", swept the road to meet him personally, and blocked the broom with his sleeves to show his respect, for fear of flying dust. Li Bai has always hoped for a closer relationship between the monarch and the minister. He often compares himself with Yi Yin, Jiang Shang, Sean and Zhuge Liang. One of the reasons is that their relationship with the monarch is more in line with his ideal. But this relationship does not exist in reality. At this time, Tang Xuanzong was corrupt and fatuous, and had no real heart of seeking virtue and valuing virtue. He called Li Bai into Beijing by imperial edict, but he just pretended to love talent and asked him to write some praise and praise. The king's bones have been buried. Who will sweep the floor of the golden platform again? ? Lamenting that Zhao Haoqi was dead, and no one was going to crack down on the pornographic platform, was actually his disappointment with Emperor Xuanzong of the Tang Dynasty. The poet's feelings are profound and painful.
The above twelve sentences are all based on "the road is like the blue sky, there is no way to go" and describe in detail "the road is difficult to go". Since the court did not value him, but rejected him, it had to leave. "It's hard to walk, come back!" Under the circumstances at that time, he had only this way to go. These two sentences are both a heavy sigh and an angry protest.
This poem shows Li Bai's desire for great achievements and his enthusiasm for doing something despite difficulties. He longs for opportunities like those of Yan Zhaowang and Le Yi, and hopes to have the opportunity of "serving him wholeheartedly, which is full of intrigue". At the end of the article, "It's hard to go, come back" is just an angry word, more specifically referring to leaving Chang 'an, but it doesn't mean passively avoiding the world, and it doesn't rule out that at the same time he still has the illusion of "opening my Yun Fan to the deep sea under the bridge" for his comeback.
Drink with the moon
Lipper
Flowers in the next pot of wine, no friends, drink alone.
Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.
The moon doesn't know how to drink, but the shadow in front of it is behind.
I have to mingle with them and enjoy the happiness of spring.
The song I sing is bright and wandering, and I dance the shadow before wandering.
Wake up and be happy together, and disperse after drunkenness.
I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.
-
There are four original poems, and this is the first one. The scene where the poet drinks alone in the moonlight and no one is near. With rich imagination, the poet expressed a complex emotion from loneliness to non-loneliness, from loneliness to loneliness, and from loneliness to non-loneliness. Li Baixian is broad-minded and has no tolerance between things and me. This poem fully expresses his thoughts. The first four sentences of the poem are the first paragraph, which describes flowers, wine, people and the moon. The poem expresses loneliness, but till, raising my cup, I asked the bright moon, conjures up the moon, shadows and people; However, the moon cannot be drunk, and the shadow is still lonely. Therefore, the fifth to eighth sentences, from the moon shadow, point out the meaning of "eat, drink and be merry in time, and spring blossoms". The last six sentences are the third paragraph. The poet made unremitting efforts to travel with moonlight and figure, and reunited in the fairyland far away from heaven. The whole poem shows the poet's loneliness and detachment, as well as his wild and uninhibited character. Invitation to the Moon Projection is an eternal quatrain. The front looks like you can really enjoy yourself, but the back is extremely bleak.
Drink with the moon
Song of Chang Gan
Visit Tianmu Mountain in a Dream
Invite for a drink
Send a friend away
Ye Si
Walking down Zhongnanshan, I came to Hu Si's kind pillows and bowls.
Chunsi
Guan Shanyue
Midnight Qiu Ge
A song "Lu Jin Shan" is used to advise Lu Xuzhou.
Break up in a hotel in Nanjing
Ode to the Difficult Road of Shu
Sauvignon blanc 1
Sauvignon blanc II
Hard road
Message to Meng Haoran
Farewell through Jingmen
Looking at the Old Times from "Night Sleeping under Niuzhu Mountain"
Climb the Phoenix Terrace from Nanjing.
Love, Bitter
Sigh on the jade steps
Say goodbye to Meng Haoran on the way to Yangzhou
Zaofa baidicheng
Qingpingdiao 1
Qingpingdiao (2)
Qingpingdiao (3)
Listen to the monk king of Shu playing the piano
Xuanzhou Xie? The farewell of the building to the school book
Walking down Zhongnanshan, I came to Hu Si's kind pillows and bowls.
Lipper
In the evening, walking down from Zhongnanshan Mountain, there seems to be pedestrians on the mountain.
Looking back at the mountain path, the mountains are green and boundless.
When Hushan people came to his home, the children hurriedly opened Chai Men.
Into the bamboo forest, through the quiet path, green roses and branches brushed passers-by.
This joke is to relax, to drink, to drink, to drink.
Sing a melody that is too loose, and the Milky Way is sparse.
My drunkenness is not about wine, I forgot my sophistication.
-
This is an idyll, which was written by the poet when he offered sacrifices to Hanlin in Chang 'an. The whole poem is about visiting a hermit named Hu Si on a moonlit night in Zhong Nanshan, south of Chang 'an. The poem describes the beauty of the mountains in the twilight and the tranquility of the Tianjia courtyard, revealing the poet's admiration. The poem begins with "dusk" and "accommodation". Talking to each other, buying wine together, waving together, Long song relaxed, enjoying things, naturally intoxicated and forgot the machine. These are the overflow of the author's true feelings. The theme of this poem is Tian Jia's drinking, which is greatly influenced by Tao Qian's pastoral poems. However, Tao's poems are plain and quiet, with neither new ideas nor soft voices. For example, "there is no village in the warm, there is smoke in the Yi Yi market", "picking chrysanthemums under the east fence and seeing Nanshan leisurely" and so on. On the other hand, Shi Li deliberately exaggerates. Good song "and lead me to wrap around the bamboo, and the green vines grab and grab my clothes." I'm glad to have the opportunity to have a rest, and I'm also glad to have the opportunity to have a drink with my friends. "You will feel colorful and radiant. It can be seen that Tao and Li have different styles.
Song of Chang Gan
Lipper
My hair barely covers my forehead. I am picking flowers and paying by my door.
When you, my love, ride a bamboo horse, run in circles and throw your childhood.
We live in an alley in Qingkan. We are all young and happy.
When I was fourteen, I became your wife, and I was too shy to laugh.
I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls.
But at the age of fifteen, I raised my eyebrows and laughed, knowing that no dust can seal our love.
Even to death, I will wait for you in my post, and I will not lose heart in the silent watchtower.
Then when I was sixteen, you left on a long journey, didn't you? many
Then in the fifth month, I couldn't help it anymore. The ape shouted in the sky.
I looked at the place where you walked, your footprints in front of our door, each hidden under the green moss.
Hiding under the moss is too deep to sweep away, and the first autumn wind adds leaves.
Yellow butterflies in August, hovering in the grass of our West Garden in pairs.
Because of all this, my heart is broken, and I am worried that my bright cheeks will fade.
Oh, finally, when you come back through three Pa areas, send me a message home in advance! .
I'll pick you up, and I won't mind the distance, all the way to Sha Changfeng.
This is a poem about a businesswoman's love and parting. This poem expresses her sincere love and deep thoughts for her husband who is far away from home with its confession, touching and euphemistic style. The first six sentences of the poem are memories of her husband's childhood, "childhood friends, two children don't guess", which creates an innocent, lively and lovely image for readers. The four sentences "I became your wife at the age of fourteen" describe the shyness of the first marriage and reproduce the sweetness and intoxicating of the new marriage. "But at the age of fifteen, I frowned and laughed." Four sentences are written about the love after marriage, and the vows are inseparable. "Later, when I was sixteen, you left on a long trip." In four sentences, I wrote that Yao Si's husband was on a business trip, and he was troubled by it, tears streaming down his face and infinite affection. "Your footprints are in front of our door, and I have looked at the place where you have walked." The eight sentences are touching, worried and gaunt. The last four sentences, write a sentence to the people you love, hoping that they will come back soon. Let the feelings of missing go further. The poetic image is complete, bright and beautiful, lively and moving. Feelings are delicate and lingering; The language is frank and the syllables are harmonious; The style is fresh and meaningful, and it is the top grade of poetry art. "Childhood friends" and "two children who don't guess" have become good expressions to describe the pure friendship between boys and girls.
Visit Tianmu Mountain in a Dream
Lipper
A sailing tourist will talk about Japan, which is hidden in water and fog and inaccessible.
However, when the Vietnamese talk about Tianmu Mountain, they can still see it through clouds of different depths.
On a straight line leading to heaven, its peak enters heaven, topped with five sacred peaks, and casts a shadow across China.
The Paradise Terrace Mountains are 100 miles long, and it is here that they begin to extend to the southeast.
My heart and my dream are in Wu Heyue, flying over Jinghu Moon overnight.
The moon lit up my shadow and I came to Yanhe.
Xie Caotang is still there, the clear water is rippling, and the apes are singing. I put on Xie's first spiked shoes and climbed the blue ladder.
Halfway through the sunny ocean, the sacred rooster crows in space.
Thousands of turns, flowers lure me, stones slow me down. The day suddenly ended.
Bears, dragons, storms on mountains and rivers? The deep forest shook the top floor.
Clouds are darkened by rain, and streams are pale by fog.
God of thunder and lightning, the mountains are crumbling.
The stone gate is broken and ventilated in the deep pit of heaven.
An impenetrable shadow, but now the sun and the moon illuminate a golden and silver terrace.
Wearing rainbow clothes and riding the wind, all the queens of the clouds came and came down one by one.
With the tiger as the harp and the phoenix as the dancer, the images of fairies are arranged in rows.
I moved, my soul flew and suddenly began to grow.
My pillow and mat are the lost clouds in which I once lived.
This is the consistent way of human happiness, and all kinds of things will always flow to the east like water.
So I'm leaving you. I don't know how long it will take. But let me raise a white deer on my green hillside and ride to you when I need you, Dashan.
Oh, how can I bow and scrape to those people with high status and important positions? They never want to be seen with a sincere face!
It's a dream poem, a fairy poem. Poems about famous mountains are unique, rigorous and magnificent. Emotion is deep, intense and unpredictable, which reflects the truth of life in the illusory description. Although bizarre, it is not artificial. The content is rich and tortuous, and the image is brilliant and romantic. Formally, miscellaneous words alternate with each other, while using Sao style, not bound by laws and regulations, and the system is liberated. The letter is handwritten, the pen is attached, and the poem is a masterpiece.
Xuanzhou Xie? The farewell of the building to the school book
Lipper
I had to leave Potter and me since yesterday.
It hurts my heart even more today.
Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine.
The bones of great writers are all your brushes. In Tianyuan, I grew up beside you, Xiao Xie.
We both want to see the sun and the moon in the sky with distant thoughts.
But since the water is still flowing, although we cut it with our swords and raise our glasses to drown our sorrows.
Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow.
This poem aims to compare Penglai's articles with Liu Yun's to thank him. Clear hair says everything. Say goodbye to praise each other, but cherish your life. Open the first two sentences, don't write farewell, don't write buildings, but express your own anguish and worries. Three or four sentences suddenly make a turning point, from depression to hearty grandeur, and a picture of sending geese in autumn unfolds. A "farewell" and a "sound" point out the theme of "farewell". "Penglai" four sentences, mutual praise articles, such as Penglai Palace, quiet and vigorous, with the spirit of Jian 'an. And show your talent to thank you? Self-comparison expresses the pursuit of lofty ideals. At the same time, it also shows the poet's view of literature and art. The last four sentences express the irreconcilable feelings between ideal and reality, which inevitably leads to anxiety and depression, so he has to seek sustenance in "boating". Thoughts and feelings change rapidly, and the artistic structure is ups and downs. The ups and downs, for no reason, are intermittent, which profoundly shows the poet's contradictory mood. Language is bold and natural, and melody is harmonious and unified. "But since the water is still flowing, even though we cut it with a sword, sadness is still flowing, even though we drown it with wine" is a famous saying that describes depression for thousands of years.