Zhang Zhilu is "gentle and honest". He never expresses sharp opinions, but that doesn't mean he is unwise. He just touched the point and made people realize. This is Zhang Zhilu.

He is generous and modest. He doesn't want to sit at the main table when eating, and he never puts on the airs of "elder" and "famous" in front of the younger generation. He is approachable and sincerely asks for the opinions of his younger generation in everything and even his own writing.

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Now he is the editor of the planning department of China Film Group, a first-class screenwriter, an expert with special contributions awarded by the State Council, the deputy director of the Children's Literature Committee of the Chinese Writers Association, the director of the China Young Film Association, the member of the Chinese Film Association, the member of the Chinese Writers Association and the member of the Beijing Children's Literature Committee.

Edit the creative stage of this paragraph.

The first stage is a kind of love and a kind of telling. However, after the Cultural Revolution, there are many reasons to make it clear, and there are many things to say. I feel that literature has touched people and touched people, so it will take the form of literature. At that time, a lot of things were written about criticizing the current disadvantages, exploring life and seeking truth. Zhang Zhilu wrote many works, such as screenplays and dramatic plays. Although some works were not published, Zhang Zhilu regarded them as Zhang Zhilu's works.

As a warm-up for literary creation, the process of repeated writing has played a very good role in Zhang Zhilu's understanding and literary creation. The second stage is Zhang Zhilu's exposure to children's literature. At that time, a fairy tale "The Queen of Grey Spots" won a prize in children's literature, and the actual effect was obvious. At that time, I was invited to attend a children's literature workshop of North China movies. For a whole month, I contacted many teachers and friends who wrote children's literature, and I did more children's literature. At the beginning, Zhang Zhilu wrote various campus, realistic and life-oriented themes, and also wrote many fairy tales. The title of King Xu Wei Wu should be a mature work at this stage. Zhang Zhilu classified this stage as the stage of publishing works. 1988, Zhang Zhilu wrote Beibei from the Thunderbolt, which was the time when my inner scientific and literary factors were mobilized together. At this time, good and adequate preparation for science was suddenly discovered. However, children's literature with realistic themes continued to develop and many short stories were written. Zhang Zhilu's first novel, The Third Army, also appeared, telling the story of a college student infiltrating into students to solve an incident. Now it seems that Zhang Zhilu's story structure is still quite wonderful. Therefore, with such a structure, the Third Army Corps has realized the "text to carry the Tao". It can be said that in the late 1980s and early 1990s, his works were very active, and works with fantasy themes and fantasy factors began to appear in realistic novels. Since then, many novels with fantasy factors have appeared in Zhang Zhilu's works. Especially several short stories at that time, the comments were also active, such as "Empty Box"; Science fiction works, if sorted out, are Illegal Wisdom, Extreme Illusion, Magic Watch and Babe from the Thunderbolt, all of which have been adapted into movies. Therefore, this stage is an inertial sliding stage. In order to meet the needs of works, the factors of science, literature and fantasy have been expounded, and Zhang Zhilu's works have taken on new forms. If we have to sum up, it will be a mixed stage.

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Published works 65438 to 0976. From 65438 to 0982, he was transferred to Children's Film Factory, and served as editor, director of literature department and director of creative office. 1992, the International Youth Reading Alliance (IBBY) put the author on the honor roll, 1997, becoming the first China children's literature writer to be selected in the column of "The Son of the Orient" of CCTV. In 2000, China Children's Film Studio was merged into China Film Group, and Zhang Zhilu was the deputy director and screenwriter of the planning department. In 2005, he won the China Andersen Prize. In 2006, he was nominated for the International Andersen Award.

Edit this resume.

Published works 65438 to 0976. From 65438 to 0982, he was transferred to Children's Film Factory, and served as editor, director of literature department and director of creative office. 1992, the International Youth Reading Alliance (IBBY) put the author on the honor roll, 1997, becoming the first China children's literature writer to be selected in the column of "The Son of the Orient" of CCTV. In 2000, China Children's Film Studio was merged into China Film Group, and Zhang Zhilu was the deputy director and screenwriter of the planning department.

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main work

Literary works include Beibei from the Thunderbolt, The Third Army Corps, Illegal Wisdom, For whom the cicada sings, Extreme Illusion and so on. Five volumes of Collected Works of Zhang Zhilu have been published, including three series: Very Touched, Very Mysterious and Very Ridiculous, among which Woodcarving of Antelope (originally titled Confession, selected from 6544. His works have won the first prize of China Book Award for five times, Children's Literature Award of Chinese Writers Association, Soong Ching Ling Literature Award for three times and Bingxin Children's Literature Award for many times. Plays that have been written and filmed include Babe from the Thunderbolt, Magic Watch, Secret Code, Football Hero, Raise Your Smiling Face, Crazy Rabbit, Mom hasn't gone far, Dangerous Intelligence, I want to be a good boy, and Tortoise surfing the Internet. TV series The Third Corps, Mom, Fun Jia Jia Tortoise, Do you have a mouse and pencil, etc. He has won many awards, such as Film Observation Award, Film Bull Award, Xia Yan Film Literature Award, Flying TV Drama Award and Cairo International Children's Film Festival. He is the author of the film theory monograph "The History of Children's Films in China". Touched, ridiculous and mysterious, Zhang Zhilu co-wrote a long historical novel China Today with Sun Weiwei, a children's literature writer.

Very mysterious series

Zhang Zhilu was very moved by Illegal Wisdom, Babe from the Thunderbolt, Magic Watch, Cockroach No.1, For whom the cicada is singing, Empty Box and Extreme Illusion. Series: Zhang Zhilu's Works.

The third army, punishment, the last scene is assassination, Aubard's silly duck and sad experiment Zhang Zhilu's very funny series: the leader of the wild cat, the strange card, the turtle surfing the Internet, me and my shadow, the football hero, do you have a mouse and pencil? Zhang Zhilu's very funny series is humorous. "Zhang Zhilu is very moved series" is sincere and makes people cry; "Zhang Zhilu Very Mysterious Series" is gripping and fascinating. These works are masterpieces carefully selected by Zhang Zhilu in recent years, and they are very readable.

Edit the chronology of this paragraph.

work

The year of publication of the title of the book, the name of the publishing house, the address of the publishing house, Beibei from the blue 1987 Children's Publishing House China Shanghai 2002 Zhejiang Children's Publishing House China Hangzhou Sanjun 199 1 China Children's Publishing House China Beijing Have a mouse and pencil 2002 Zhejiang Children's Publishing House China Zhejiang? In 2005, Zhang Zhilu's work "Is there a mouse and pencil in Hangzhou?" (English version).

Empty box 1994 Minsheng newspaper China Taiwan Province Taipei 2004 Zhejiang Children's Publishing House China Zhejiang Hangzhou (English version) Empty box 2005 Me and my shadow 1995 Jiangsu Children's Publishing House China Jiangsu Nanjing 2002 Chinese newspaper China Taipei 2002. Zhejiang Children's Publishing House, China, Zhejiang, Hangzhou, Who is Cicada 1999 Minsheng News, China, Taipei 2 1 Century Publishing House, China, Jiangxi, Nanchang, Illegal Wisdom 200 1 Beijing Children's Publishing House, China, Beijing, Tortoise, Internet 200 1 Minsheng News, China, Taipei, Zhejiang Children's 2002. China Zhejiang Hangzhou Extreme Illusion 2004 Hubei Children's Publishing House China Hubei Wuhan 2007 Zhejiang Children's Publishing House China Zhejiang Hangzhou Wild Cat Leader 1985 Tomorrow Publishing House China Shandong Jinan at the corner of the stairs 1985 Chongqing Publishing House China Sichuan Chongqing Title King 19. 88 Culture and Art Publishing House China Beijing Silly Duck Obar 1988 Relay Publishing House China Guangxi Nanning Magic Watch 199 1 Hunan Children's Publishing House China Hunan Changsha Li Xiaoguai's Ear199/Hunan Children's Publishing House China Hunan Changsha Mantis 1992 Sea. Yan Publishing House China Henan Zhengzhou Rebirth 1993 Hubei Children's Publishing House China Hubei Wuhan Aotu School 1993 Jiangsu Children's Publishing House China Jiangsu Nanjing Punishment 1994 Minsheng Daily China Taiwan Province Taipei Quiet Dianthus 1996 Fujian Children's Publishing House China. The Grey Queen and Dalmatians in Fuzhou, Fujian Province 1996 Hebei Children's Publishing House A Crying Story in Shijiazhuang, Hebei Province 1997 Minsheng Daily China Taipei Football Hero 1998 Zhejiang Children's Publishing House China Zhejiang Hangzhou Fighting Style 2002 Beijing Children's Publishing House China Beijing Cricket. Crickets also eat stimulants 2002 Jilin People's Publishing House China Jilin antelope woodcarving (original title: "Confession") 2002 People's Literature Publishing House China Beijing Zhang Zhilu anthology (five volumes) 2003 Hubei Children's Publishing House China Hubei Wuhan Zhang Zhilu Absurd Series 2003 Zhejiang Children's Publishing House China Zhejiang Hangzhou Zhang Zhilu Mystery Series 2003 Zhejiang Children's Publishing House China Zhejiang Hangzhou Zhang Zhilu Touching Series 2003 Zhejiang Children's Publishing House, China Zhejiang Hangzhou Chica 2003 Zhejiang Children's Publishing House China Zhejiang Hangzhou Dream Broken Triangle Egg 2004 Shanghai Welfare Society Publishing House China Shanghai Sad Experiment 2004 Zhejiang Children's Publishing House China Hangzhou You are a famous brand 2004 Beijing Children's Publishing House China Beijing Award 2006 March Minsheng News Publishing House China Taipei. Title Wang Xuweiwu Relay Publishing House September 2006, Nanning, China (Zhang Zhilu film series) 2006 10 China Film Publishing House China Beijing Football Hero (Zhang Zhilu film series) 2006 10 China Film Publishing House China Beijing Weizhi (Zhang Zhilu film series) 2006 10 Chinese film. China Beijing Mad Rabbit (Zhang Zhilu film series) 2006 10 China Film Publishing House China Beijing Magic Watch (Zhang Zhilu film series) 2006 10 China Film Publishing House China Beijing Red-billed Bird February 2007 People's Literature Publishing House China Beijing Secret Language June 2007 Kapok Tree Publishing House Hong Kong, China. Don't run, Pig Hero, April 2009, Zhejiang Children's Publishing House, April 2 1 Century Publishing House, China, August 20 10 First Edition, China Children's Publishing House, Flying Dog 20 10 First Edition, China Children's Publishing House, Dancing with Thousands of Women 20 165438+

film works

Film Works (Screenplay): Beibei Li 1988 China Beijing Magic Watch produced by China Children's Film Studio 1990 China Beijing Cima 1994 China Beijing Zhang Zhilu produced by China Children's Film Studio.

Crazy Rabbit 1997 China Children's Film Studio produced China Beijing Football Hero 2000 China Children's Film Studio produced China Beijing Raise Your Smile 2000 Tianjin Film Studio produced China Tianjin Mom didn't go far 200 1 China Film Group produced China Beijing Dangerous Intelligence 2002 China Film Group. Three companies produced China and Peking. I want to be a good boy. In 2003, China Film Group No.2 Company produced China and the Beijing Turtle. In 2005, the Script Planning Center of the State Administration of Radio, Film and Television, China, Beijing, completed filming in 2009. History of China Children's Films, China Film Publishing House, Beijing, China, February 2005.

Tv drama works

Serial TV series (screenwriter) The Third Corps 1994 China Beijing TV China Beijing Mom 1996 China Beijing TV China Beijing has a mouse and pencil 1998 China CCTV China Beijing Fun Jia Jia Tortoise 1998—2000 China Beijing TV China Beijing Note: A baby from a thunderbolt can be translated into a charged child. In 2009, the first volume of the science fiction "Don't run and run": saving the day. Book 2: Famous all over the world. Book III: Crises abound. In 2009, the film "Tortoise Surfing the Internet" and "Antelope Woodcarving" were selected as the standard experimental teaching materials of compulsory education curriculum in middle schools, and the first volume of the seventh grade was 22 lessons. The fairy tale "Journey in the Cow's Belly" was selected as the textbook for the third grade of primary school.

Edit this paragraph honor

His works have a wide influence among teenagers and enjoy a high reputation. The short story Wood Carving of Antelope (original title: Confession) was selected from Oriental Teenager 1984,No. 10, and then selected as the national middle school Chinese textbook. (formerly known as "Going Back on Our Word") published 15 books in Taiwan Province Province, and won many excellent works awards of "Good Books for Everyone to Read". The first China children's literature writer selected for CCTV's "The Son of the Orient" column (1997). Nominated winner of the International Andersen Prize (2006). China Andersen Prize winner (2005). In 2006, he was appointed as the ambassador of children's reading promotion in China by IBBY China Branch.

Edit this new work.

Introduction: One is fluorescent pig, who was born in the laboratory of Institute of Life, and the other is a naughty student who calls himself a campus hero. When they strayed into the mysterious "extreme crossing device", their shapes interacted and their fate changed completely ... Recently, Zhang Zhilu, a famous children's writer, released his new work "Don't Run", which explained an unusual story in the literary world. Creative Experience Zhang Zhilu told reporters that "Don't Run" was inspired by a news that American cloning technology cultivated fluorescent pig. The story of "Fluorescent Pigs" was brewed at 200 1, repeated several times, and finally finalized after eight years. Although the works are somewhat fantastic and thrilling, Zhang Zhilu's consistent humor can still be seen between the lines. The work was published by Zhejiang Children's Publishing House. The first batch includes three volumes: Desperate Life, Famous in the World and Danger. On the Transformation and Adventure of Zhang Zhilu's Novel Don't Run: The Fable Model of Children's Growth. Some people say that the mission of science fiction literature is that when science and fantasy are combined, it can not only let us foresee all possible scenarios of human life in the future, but also give us insight into the abnormal side of life covered by habits and secularism, as well as the truth displayed from the perspective of life and human gender. This truth is not only for adults, but also for children. To understand this, Zhang Zhilu's latest series of science fiction "Don't Run" is a good example. The novel takes "human-pig body exchange" as the plot core and "transformation" and "adventure" as the structure, and writes an incredible fantasy story: Mo Paopao, a boy in the fourth grade of primary school, was brilliant and maverick since he was a child. He not only acted strangely and claimed to be a hero, but also often made gangs and created troubles, and became a "star" figure in schools and classes for a time. By chance, Mo Paopao was selected to participate in the mysterious "X Plan" genetically modified life experiment hosted by Professor Mi of the Institute of Life Sciences. One night after the experiment, Mo Baobao ventured into the experimental building at night out of curiosity. As a result, he accidentally strayed into the mysterious "limit crossing device" with the transgenic pig code-named "Mo Paopao" ... Since then, his appearance has changed wonderfully with the transgenic pig "Mo Paopao". Since then, the fate of Mo Paopao, a self-proclaimed "hero" pupil, and Mo Paopao, a genetically modified pig, has been magically reversed! In order to prove that he is a "human being, not a pig" and return to reality smoothly, "Little Pig Stop Running" has gone through a lot of hardships and started a series of dangerous and hopeful return journeys. The whole story basically consists of three layers: scientific level, fantasy space and real life. Through this transformation, the story also realizes the integration of the humanity of "boys don't run" and the genetically modified animal nature of "pigs don't run", which naturally endows the personalized "piggy warrior" with human language and thinking, thus getting rid of the traditional fairy tale mode of attaching animals to human thinking, and making the narrative logic of the novel have a ripple-like plot effect. Not only that, this change also makes the life and growth of primary school students break away from the track of simple campus life and family life and enter a broader life and social space. This means that after entering the fantasy space, with the help of the special identity of "piggy warrior", the boy "Mo Paopao" not only gained a life experience that could not be touched in normal real life, but also heard and witnessed the surprise of the other side of life covered by inertial thinking and personal vision. Rather, this imaginative creation is a contrast and contrast with the repetitive and rigid real life, which is very necessary for growing children. Therefore, the novel gained profound expressive force. This is beyond the reach of pure realism or pure fantasy. The reason is that this plot structure fully embodies the particularity of image-building formed by the high integration of science and fantasy. For example, in the story, after the boy Mo Paopao turned into a pig, he often saved the day by virtue of the characteristic that the soft and luminous jellyfish in the transgenic species can shrink at will, which is based on the biological characteristics of the transgenic "Little Pig Mo Paopao". When the "Little Pig Hero" returned to school, he relied on the cooperation of "Silly Mo" to help the owner find the lost things repeatedly, which won the dignity for all the "Little Pig Class" students of the "Star Pig Team" ... In short, the core plots in the series of novels are based on physical properties and elements of genetically modified science, making the stories everywhere in the virtual scene. In other words, it is precisely because of the logical support of scientific thought that the story in the fantasy space can be derived vigorously. It is precisely because of the scientific truth on the "cognitive level" that this series of stories rose from the base of scientific fantasy and entered the vast "second world". Of course, it should be emphasized that this fantasy world does not create a magical feeling of terror (magic) with the help of supernatural forces, nor does it deliberately show the so-called fantasy imagination grafting (fantasy) through time and space. It is driven by scientific and technological elements and imagined in virtual space, but the focus falls on the real life of children. It is from this level that we say that, to a certain extent, the adventures and adventures of Hero Piggy in the fantasy space can be regarded as a long-distance growth "training" for "the boy doesn't run" to concentrate and integrate his mind and body, and it is also a spiritual and physical "self-salvation" for him in the dilemma of personality crisis. Obviously, in the dangerous story scene, the consciousness and wisdom of the people who "pigs don't run" have been initially stimulated. After a short period of confusion and sadness, this "little pig" carrying human genes and wisdom began to accept its fate frankly, and then tried to find opportunities to return to its true self. At this point in the story, the tenacity and persistence conveyed by a series of well-intentioned actions such as "writing with clear water" have become the deep driving force of the plot. This not only constitutes the aesthetic power of characterization in the novel, but also is one of the spiritual elements of charm and empathy when reading. From powerlessness, helplessness, sadness and crying at the beginning of despair to cheering up and consciously embarking on the journey of "self-salvation" by relying on wisdom, this process all embodies the spiritual growth and spiritual transformation of "little pigs don't run". Different from the pursuit of the truth and rationality of the plot and the rigor of artistic logic in the scientific level, in the fantasy space, the screenwriter seems to deliberately widen the distance between the story and life, and show all kinds of vulgarity and vulgarity that human nature may reveal under the scientific aura through the local deformation, exaggeration and absurdity of the scene; It also tries to restore and convey the confidence and brilliance of life through the refraction or reflection of some beautiful and open conduct in human nature under certain circumstances. The "piggy warrior" in the novel has been seeking physical and mental self-verification, self-redemption and self-transcendence. This is obviously a long and arduous process of self-growth. On the one hand, it is difficult to seek technical support for the huge body variation (returning to the "extreme crossing device" to implement the body variation), on the other hand, the complexity, changefulness and chaos of the world, as well as the inertia, sparseness and narrowness of human nature, invisibly increase the difficulty of "little pig warrior" returning out of thin air. In the process of seeking self and returning to reality in Piglets Don't Run, not to mention that big animals such as cats, dogs and weasels may attack and swallow at any time, not to mention that evil and greedy people such as "bottle openers" always covet, not to mention that a few strangers forget profits and fish in troubled waters ... It's just the common sense thinking of adults such as bobcats, cherries, fathers, mothers, radishes and blind mothers-in-law. This is a process from an ignorant teenager to a real "hero". After experiencing the hardships of life and the torture of fate, "Piglets don't run" has changed. It is not only a return to the human body, but also a spiritual redemption or transcendence of self. This process is a kind of tremor and vigilance to the "bubbles" in the story, but isn't it the same for the bubbles outside the story? In this sense, the story core of the novel has strong allegorical and symbolic significance. In the name of science, Zhang Zhilu made readers experience a relaxed and shocking "journey of transformation" and "adventure" in the form of fantasy. At the same time, he also let us appreciate the long and difficult "spiritual homecoming" after people were alienated into animals by science and technology. This also warns the world to think about the absurdity and paradox of life that may be hidden behind the great scientific progress.

Edit this paragraph, personal influence.

His works have a wide influence among teenagers and enjoy a high reputation. His works have won many awards at home and abroad, and most of them have been adapted into movies and television, which are popular all over the country and have a large number of readers.

Edit the character evaluation of this paragraph.

One of the most influential writers of children's novels in China has published many children's books.