After all, using local materials is not the way, but how can a poor little Kate afford paint? What shall we do? Little Kate had a brainwave and decided to go up the mountain to pick dates and sell them. So he picked dates in ravines and roadsides and sold them to pharmacies in exchange for painting materials such as paper and pen pigments.
Kate Jr. cherished the fruits of his labor and practiced painting all night. An oil lamp, a pile of paper, and several brushes spent sleepless nights with Xiao ... Painting made Xiao Kate feel endless happiness in his childhood. I can never get tired of seeing the beautiful scenery of my hometown, which breeds the spiritual roots and buds of artists.
"Plum blossom fragrance comes from bitter cold" always pays off, and small painting talent is gradually revealed. 13 years old, Jiangzhuang Central School specially set aside three classrooms to hold a solo exhibition for Wang! There is a prodigy of calligraphy and painting in Jiangzhuang, which is widely praised in the local area.
198 1 year is a turning point for Wang. As a special painting talent in rural areas, he was introduced to jiawang district and taken good care of by the government. Finally, I can devote myself to the painting career I love. However, Wang is still not satisfied. He is eager for further study to improve his painting level.
The opportunity has finally come. 1986, Wang read a news in Xinhua Daily that the Provincial Academy of Chinese Painting was enrolling students. He couldn't hold back his inner excitement and signed up at once. After that, he was admitted to the Provincial Academy of Traditional Chinese Painting with excellent results. He studied painting under the famous landscape painter, and also under Mr. Yu, Mr. Chang Jin. Inspired by the master, combined with his hard work and painstaking painting, Wang finally got the true biography of Jinling School of Painting.
Over the years, while pursuing traditional techniques, Wang went deep into famous mountains and rivers to sketch, enthusiastically worshipped nature, felt the charm of nature, and got close to nature, not following the footsteps of the ancients or the stereotypes of others. He worked hard on new themes, new ideas, new compositions and new brushwork, and gradually formed a unique artistic style. His works are solemn, beautiful, skillful, unique and heroic. Asian Painting and Calligraphy, Art Newspaper and China Culture Newspaper made special presentations, and Yimeng Style was selected for the painting and calligraphy exhibition celebrating the 54th anniversary of the founding of the People's Republic of China in Jiangsu Province and won the bronze prize. Moonlight on Lingyan was selected for the 2003 China Painting and Calligraphy Annual Exhibition held by China Painting and Calligraphy Newspaper. His works have been selected into dozens of large-scale picture books and publications, such as Modern Chinese Painting and China Calligraphy and Painting Art. In 2003, Hong Kong Dida Publishing House published Wang Qing's Selected Wushan Ink Paintings. In 2006, China Theatre Publishing House published Wang Qing's Wushan Painting Collection, and China Federation of Literary and Art Circles Publishing House published Wang's Sketch of Mengshan.
In addition, Wang's works have traveled across the ocean as gifts and collectibles for international friends. When Jason Wu, former deputy secretary of the Municipal Party Committee, went to France for cultural exchange, Wang's works accounted for two of the representative works of the painter 1 1. Wang Xilong, former mayor, visited Saint-Taitian, France, and Chen Dawei, vice chairman of CPPCC, visited France. They all gave Wang's works as friendly gifts to international friends abroad.
"His paintings are unique in terms of materials and techniques. The expression of pen and ink is the organic combination of the tradition of learning from the law and the nature of learning from the law, and it is the emotional trace of the painter's soul and natural landscape. " Mr Song Yulin said.
While making great achievements in the field of calligraphy and painting, Wang, as the only cultural and artistic figure in Jia Wang, was a member of the Standing Committee of the Chinese People's Political Consultative Conference in 10. He always keeps in mind the sacred duty of CPPCC members, pays attention to the development of his hometown, observes the changes of people's feelings, pays attention to the overall situation, thinks deeply and puts forward some forward-looking opinions and suggestions.
At the foot of Dongshan Mountain, there has always been a gathering of humanities and profound cultural heritage. There is a national famous Mazhuang folk culture, and there are paintings and calligraphy of Dawu farmers (more than 400 people won prizes in international and domestic competitions. But until 1993, there was no corresponding literary society in Jiawang, which was not conducive to the development of Jiawang's cultural undertakings. Therefore, through extensive and in-depth investigation, Wang Jian proposed the establishment of Jia Federation and Painting and Calligraphy Institute. In his proposal, he pointed out that painting, calligraphy and literature are one of Jia Wang's strengths. The establishment of the Federation of Literary and Art Circles and the Academy of Painting and Calligraphy can further mobilize the creative enthusiasm of painting and calligraphy artists in the whole region, give full play to the role of a bridge and link between literature and painting and calligraphy, make friends from all corners of the country, and better publicize, serve and develop Jia Wang. After Wang's many appeals, Jia Wang Wenlian and Dadongshan Painting and Calligraphy Institute were established one after another, and Jia Wang's literary lovers finally had their own homes.
Wang Dui has a deep humanistic care complex. He believes that for CPPCC members, it is necessary to speak for the people and to be worthy of the people's entrustment and social expectations, and to be worthy of the title of CPPCC members. Only by putting people first throughout our work and taking safeguarding the vital interests of the masses as our sacred duty can we gain lasting vitality and reflect the value of CPPCC members.
Wang said so and did the same.
In 2003, Wang overheard an old worker complain that rural teachers were afraid of getting sick because they could not enjoy the corresponding medical treatment like urban teachers. The speaker has no intention, but the listener has intention. Wang visited and investigated some rural teachers, and saw that they really couldn't afford to get sick, as the old teacher said, and some of them were still in debt! Can't make the human soul engineer cry any more! A strong sense of hardship prompted him to suggest that rural teachers enjoy medical treatment for urban teachers. This proposal quickly attracted the attention of relevant departments and quickly solved this problem.
It was a great comfort for Wang to learn that rural teachers could finally enjoy the same medical treatment as urban teachers.
When talking about this matter with the author, Wang felt deeply: I thought many rural teachers no longer had to worry about not seeing the disease. At that moment, I really felt the sacredness and pride of being a member of CPPCC. What could be happier than this?
In addition, the ecological environment protection of Dadongshan, the market rectification of cultural Internet cafes, and the safety protection of minors. . . . Wang observes, thinks and acts with his unique sensitivity and kindness. A proposal embodies his deep affection and love for his hometown.
Not only that, it has become Wang Yi's unshirkable responsibility to publicize and promote Jia Wang. He often invites friends from the painting and calligraphy circles inside and outside the province to Jiawang to collect ideas in factories, mines, communities and rural areas, which not only helps them learn skills and enhance friendship, but also makes them feel the rapid development of Jiawang. At the Kuala Lumpur Art Exhibition, he seized this rare opportunity to make friends from all walks of life, publicize Xuzhou's long-standing Chinese culture, promote Jia Wang's investment environment, and played a beautiful "diplomatic card of calligraphy and painting".
Committee member Wang's attachment to his hometown is also seen in the eyes of urban leaders and kept in mind. They tried their best to support Wang's creation and development. Last year, with the direct care and support of the city leaders, Wang once again successfully held a solo exhibition in Xuzhou Exhibition Hall. The leaders of the four teams of the city were present to congratulate, presided over by the Municipal Cultural Director, and delivered a speech by the Chairman of the Municipal Federation of Literary and Art Circles. It is not an exaggeration to describe it with unprecedented pomp. Such a high-standard solo exhibition is rare in Xuzhou. Talking about this matter, Wang still can't hide his excitement: I really want to thank my family, who gave me more development platforms. As a member of CPPCC, I am proud!
"Dongshan raised me and the country trained me. It is right to do something for my hometown, "Wang said.
Draw my heart with both hands and repay this hot land with feelings. Wang, the son raised by Dongshan, painted a better chapter on the picture of life with the heart of boxing.