It's a composition, which is somewhat different from traditional calligraphy. The ancients said that calligraphy and painting are of the same origin. I don't know what it originally meant, but I think that for calligraphy and Chinese painting, it was our ancestors who recorded the forms and thoughts of nature.
A way. What's more, China characters are hieroglyphics. Many characters are directly derived from natural forms, and calligraphy lines are also derived from natural forms. However, characters have gradually evolved from natural forms into abstract symbols, and lines have also been mentioned by calligraphers.
Refining and sublimation, screening and fixing from many lines depicting nature. Over time, it seems that once the lines have a distance from these things, it seems that it is not calligraphy. It has always been thought that the way to learn lines well is to copy the ancient ones.
Works by famous artists. This is also considered to be the only way to learn books. On the one hand, you can feel the calligrapher's understanding of calligraphy, on the other hand, you can learn excellent writing habits-that is, the form of writing. But I want to ask here, the most
Who did the first calligrapher learn from? This is very similar to the old question of chicken or egg. Obviously, the original calligraphers took the method from nature and absorbed the essence of heaven and earth, not the method from the tablet. I think the essence of this is.
It is inheritance and innovation. It can be seen that there are two ways to learn books. First, copy a work, take "writing as an image" as the standard, give priority to technical training, and gradually feel and understand the concept and writing action of a calligrapher as a book.
Type. The other way is to start with the origin of calligraphy, regard calligraphy as knowledge, and explore the common laws and principles that make different styles of works excellent by feeling the works of calligraphers of past dynasties, so as to guide them.
Teach yourself books and go your own way. There is no doubt that Sun Guang belongs to the latter. Mr. Sun Guang's calligraphy originated from Chinese painting, and expressed the form of words as a natural form with rich lines. Not only lines, but also words.
The composition of painting, in a word, is to treat words as paintings. Painting shows the natural form, and the words expressed by calligraphy are also abstracted from the natural form, so I think it is the same thing. At the same time,
Do not deviate from the laws and principles of calligraphy. Therefore, Mr Sun Guang is not only unique, but also unique.
Read Mr. Sun Guang's painting again. As for Mr. Sun Guang's calligraphy and painting, I once summed it up in one sentence, which was left on Mr. Sun Guang's blog: painting a book is better than ink. The first sentence is about calligraphy, as I said before. in this
In my room, I want to read Mr. Sun Guang's paintings. Mr. Sun Guang's paintings are known as "Italian colors" and are unique in today's painting world. I know nothing about painting, but I think the evaluation of painting depends on the psychological feeling of the viewer. nor
Measure, don't calculate, and don't verify whether it is really close to reality. As long as it looks comfortable, it makes people feel happy and makes people feel a healthy and uplifting interest, which is a good work. If not, photography must be.
Instead of painting, meticulous painting will flourish, and freehand brushwork will never appear. Here, let's make a simple comparison between painting and photography. Photography forms patterns according to geometric principles, which are not only concrete and complete, but also ten
Accurate points. Painting is to grasp the essential characteristics of the object and show the most beautiful side. Some people say that the beauty of painting lies between absurdity and absurdity, which I think is probably what this means. Meticulous painting first appeared in Chinese painting, or it may be
Before the appearance of photography technology, it undertook some functions, but the appearance of freehand brushwork was far behind. There is a process of deepening understanding. Only Mr. Sun Guang's paintings are freehand and lyrical, which is unique to Mr. Sun Guang.
The color is bolder, more refined and looks more artistic. Mr. Sun Guang's freehand brushwork depicts a kind of artistic conception, a distant and unforgettable feeling. Through calm pen and ink and strong colors, this is not intentional.
Regardless of the specific form, I don't care about the specific color, not only the form of freehand brushwork, but also the color, which seems random, but actually really freehand brushwork. ?