Yu Hua satirized Lu Yuan, who treated marriage as a joke, and Guo Bin, who took pleasure in insulting his friends. Horses are honest and conscientious. But once an honest man falls in love with such a fickle person, he is trampling on his dignity bit by bit.

Horses are essentially docile animals and usually submit to humiliation and let their owners ride. But at the critical moment, the horse will not "not move". Horses will eventually lift their hooves. Yu Hua must have taken pains to clear the name of the hero, and finally he did it. He perfectly endowed the horse with his own personality.

Maverick dining and leisurely walking are horses' interpretations of their own lives. No matter what others say, he always sticks to his own world. Just like a horse eating grass, the clouds in the sky are brilliant and the songs in the distance are melodious. Eating grass means eating grass, and the horse will never change.

All this changed with the appearance of Lv Yuan. After marrying Lv Yuan, the horse stopped eating. This is the horse's own sense of responsibility. Marriage is the world of two people, not one horse. Ma learned of An Luyuan's request and sacrificed himself just to spell out the picture of two people.

It's a pity that Lv Yuan doesn't have this sense of responsibility. Lv Yuan represents a considerable number of women in China who are selfish and greedy and regard marriage as a child's play. Yu Hua exaggerated this selfishness too much, which made the story have a shocking tension. "A horse's home is like a single woman's dormitory", "As for the horse's shorts, socks and scarves, there is no separate place. They are piled up in a wardrobe and a carriage with all the clothes of Xia Chunqiu in the winter of the horse. " Horses have no place in his family at all, but he has been putting up with it. He doesn't want such a life to change. A kind horse never maliciously guesses the people around him. Guo Bin vaguely explained why he knew that when Lv Yuan went out, he didn't think of anything. No, I don't think he will believe it. He never doubts the people around him. So he thought he didn't do well enough, and even put down his dignity and exchanged tears for this relationship. As we all know, Lu Yuan and Guo Bin have taken his tolerance for granted.

Lv Yuan and Guo Bin are both representatives of negative figures in society. Just because you marvel at each other's skills in eating shrimp, you can entrust them for life? Lv Yuan's shallowness makes readers feel ridiculous. As a friend of Ma, Guo Bin cheated on Lu Yuan. He regards bullying the horse as a pleasure-he deliberately lent the horse an erotic video of himself and Lu Yuan, but he still knocked at the door when it was exposed. Like Lv Yuan, he thought that the Jockey Club would always retreat like this and never resist.

Fortunately, even a tame horse will raise its hoof in the face of danger. The horse resumed eating after learning the truth. He knew that the road was far from worth giving up the original world, and Yu Hua created a kind of spiritual destruction here. They seem to have the same marriage and love as before, but now the horse is a real horse and no longer belongs to Lv Yuan. This is silent resistance, the last resistance of the horse.

Generally speaking, Yu Hua's works can only understand the meaning. He is a distinctive writer, somewhat different from other avant-garde schools. Think about the repression of human nature, and you will know the repression of yourself. The image of the horse is easily reminiscent of the role of Wang Yisheng, and everyone has a feeling of being suppressed, especially the food is clean and the head is parallel to the table. It's an expression. In addition, what he said at the end of eating noodles was actually a kind of resistance, but it was very humble.

About the author:

Yu Hua, 1960 was born in Hangzhou, Zhejiang Province on April 3, and is a modern writer.

1977 After graduating from high school, he entered Beijing Luxun College of Literature for further study. 1983 began to create, and entered the Haiyan Cultural Center in Zhejiang Province in the same year. [2] 1984 began to publish novels, and Alive and Xu Sanguan Selling Blood were also selected as the ten most influential works in the 1990s by hundreds of critics and literary editors. 1998 won the Italian Greenzana Carver Literature Prize. In 2005, he won the China Book Special Contribution Award.

Now he works in Hangzhou Federation of Literary and Art Circles.