Contemporary China calligraphy and painting circles present that "painters and buyers praise each other and praise themselves;" Auction and self-auction; Speculation and self-hype "phenomenon, all kinds of distorted characters interpret different artistic values and money values. Through them, looking at the strange shadows of buyers and painters, these people rarely have their own fixed images, but they are extremely active; These people don't want to show their true colors, but they are everywhere, which greatly damages the enthusiasm of a large number of art lovers for artistic pursuit and tramples on the healthy development of the art industry. This phenomenon makes artists with real conscience feel ashamed, even saddened, but helpless. Artists can only be immune silently. For more than 30 years, all the works created by Mo Yuan have never asked the artist for a penny, let alone participated in the hype. They have just worked hard in the teaching and research of landscape painting, and stubbornly stuck to this blue sky alone, leaving a brilliant color on the road of building a harmonious society in China. Mo Yuan's personal cultivation, just like his landscape works, "accommodates all things in the world, enables him to speak freely, arouse nature and achieve natural success." "Or a map at a distance, write thyme scenery, north and south, east and west, wan son is now. Spring, summer, autumn and winter are all born in the pen. What permeates the pen and ink is the author's understanding and perception of life. Natural scenery is only a carrier of the author's reflection and understanding of life, and his interest in pen and ink is not bound by external nature. What he is looking for is the unique artistic conception of "the cicada forest is quieter and Tonamiyama is more secluded" and "there are no birds in a hundred mountains and no footprints in a thousand paths" to express his understanding of nature and the world.