Malan1962 was born in Taihu County, Anhui Province on April 23rd, and originally from Shouxian County, Anhui Province. 1975 studied Huangmei Opera in Anhui Art School, 1980 graduated and was assigned to Huangmei Opera Theatre in Anhui Province.
Since Ma Lan officially stepped onto the stage at the age of 18, she has carefully shaped Zhang Yuliang (a prostitute painter), Li Bicui (much ado about nothing), Hong Xing, Jia Baoyu (a dream of red mansions), Zhu Yingtai (Liang Zhu), Princess Yunhua (a dragon girl), Yan Fengying (Yan Fengying) and Cui Yingying (a dream of red mansions). She is a talented actress with a solid foundation. She can sing, and she sings well. She is handsome and generous, with a solid foundation, beautiful figure, beautiful singing skills, beautiful lines and clear articulation, and can sing the inner world of the characters.
The performance does not stick to the routine, but depicts the characters. All the characters she plays can leave a deep impression on the audience, and they all show a unique artistic style, like flowing poems, which are both interesting and interesting. She has toured in and out of the Great Wall, north and south of the Yangtze River, Hong Kong, Macao and Taiwan, Germany, Switzerland, Singapore, the United States, Japan and other regions, and has exerted a wide influence.
Malan won the first place in the "Top Ten Actors" of the National Huangmei Opera Young Actors Broadcasting Grand Prix and the National Huangmei Opera Young Actors Television Grand Prix, and won the Wenhua Award, Plum Blossom Award, Magnolia Award, Flying Award and Golden Eagle Award for Best Actress.
Top awards such as "Top Ten Actors in National Television", "Golden Monkey Award" overseas and "Lifetime Achievement Award for the Most Outstanding Artist in Asia" have made her occupy an important position in the field of national art and made outstanding contributions to the revitalization and development of Huangmei Opera. She is the most outstanding actress in Huangmei Opera after Yan Fengying. Her artistic achievements are outstanding, and she is the most representative figure of Huangmei Opera after Yan Fengying.
In the last two decades of the 20th century, Malan made Huangmei Opera elegant and atmospheric with its comprehensive quality. Her stage is elegant and full of vitality, which combines traditional art with modern spirit just right. The inherent characteristics of Huangmei Opera are still fresh, simple, natural and lovely, so Huangmei Opera, which keeps pace with the times, has a broader stage and more audiences.
No matter the old operas such as Ma Xu and Little Dictionary, or the new screenwriters such as The Woman Painter, Much ado about nothing and A Dream of Red Mansions, they are all branded with Malan characteristics. Malan has a strong presence on the stage, and she is the soul of the play. All her performances and characterization on the stage are not only subtle and vivid, but also naturally interpret the elegant atmosphere. Malan has a wide range, flexible singing, simple and beautiful singing, full of emotion, not gorgeous carving, natural and free and round. Therefore, Malan's plays are very extensive, shaping one brilliant and successful role after another. If these characters lose their "Malan characteristics", they will be eclipsed.
Her singing is simple, free and easy, unpretentious and simple. Her performance is emotional, delicate and vivid, with a delicate spirituality. Watching Malan's Huangmei Opera is like appreciating a calligraphy work with flowing charm. Just look at that part, it's different, whether it's clever or clumsy. Feel the overall situation, density, harmony and unity. Figuratively speaking, Malan and her Huangmei Opera have always been at the forefront of this kind of drama, and their influence once surpassed the drama itself. It can be said that Huangmei Opera in Malan has reached a high point that is difficult to surpass for a long time.
Kyle, the director of Zeng Huangmei's Dream of Red Mansions, vividly said in the conclusion that Malan and her Huangmei opera have always been at the forefront of this drama, and their influence once surpassed the drama itself. He thinks Malan is the most representative figure in Huangmei Opera, even surpassing Yan Fengying to some extent. A person's future, if she is not an artist he respects and a friend he can communicate with in art, he won't care so much. The ancients said: If a child is not a fish, how can he know the joy of fish?