In 2003, he was admitted to the Music Department of Wuhan Conservatory of Music and studied under Professor Zhou Yun (Ph.D., Tokyo University of the Arts; Permanent member of China-Japan Comparative Music Research Association; Researcher, China-Japan Buddhist Music Research Institute, Tokyo, Japan. ) studied for graduate students majoring in folk music theory and obtained a master's degree in 2006. The master's thesis "Ceremony and Music Analysis of the Land and Water Law Society of Jingde Temple in guiyuan buddhist temple Branch of Wuhan" was included in the "Full-text Database of Excellent Master's Dissertations of China Journal Network" from June 5 to February 2006.
In July, 2006, he joined the Music School of Zhaoqing University, Guangdong Province, and served as the teaching work and graduation thesis director of national music theory, harmony, music appreciation and other courses.
In July, 2004, as a member, he participated in the 13th annual meeting of the Chinese Traditional Music Society and the first Hua 'er International Symposium, and submitted and preached the paper "Study on Crying gongs and drums in western Hubei".
June 5, 2007 to 10, participated in the 32nd General Assembly of the International Music Council and the 2nd World Music Forum.
In July, 2008, he participated in the 15th annual meeting of the Chinese Traditional Music Society as a member, and submitted and preached the paper "A Study on the Apologizing Ceremony and Rites and Music of the Land and Water Law Society of Guiyuan Temple in Wuhan".
In 2007, he declared and presided over the youth scientific research project of Zhaoqing University, Guangdong Province, "Research on Land and Water Law Society and its Rites and Music of Guo 'en Temple in Xinxing County".
In June 2004, I went to Tujia and Miao areas in western Hunan for a two-week field investigation and folk music collection. In July 2004, the folk song "Hua 'er" was investigated in the Yugur, Salar, Tibetan, Hui and Han nationalities in Gansu, Qinghai and Ningxia provinces. In March, 2005, I went to Zigui, Hubei Province to investigate the folk music of Jiandong ancient paintings, Tanggu and Tangji. From June 5438+00, 2004 to June 5438+00, 2005, I went to Tianning Temple in Changzhou, Jiangsu Province for nearly a month to conduct a field survey of Buddhist rites and music. In May, August, 2005, I went to Guiyuan Temple, Tiefo Temple, Jingdezhen Temple, Baotong Temple and Zhuodaoquan Temple in Wuhan for several months. In June, March and April, 2007, we went to Qingyun Temple in Dinghushan, Zhaoqing, Guangdong Province, Guo 'en Temple in Xinxing County, Yunfu, Guangdong Province, and Wang Pan Ancient Hall in Zhaoqing, Guangdong Province, respectively, to conduct a field survey of rites and music, paving the way for the study of Guangdong rites and music. From June 5 to 10, 2007, we went to Zhanjiang City and Leizhou City, Guangdong Province to collect folk music and ritual music.
China traditional music and ritual music.