This poem records what the poet saw and thought when he climbed the Great Wall of Wan Li. The first couplet is an inverted sentence. First, write "Take the lead, touch the old city", point out the season when Wan Li boarded the Great Wall, and then write "Qin Lou is the Han family camp" as seen on the Great Wall. Here, using Qin, Han and English to start writing shows that the poet is facing many mountains and longs for eternity, arousing readers' meditation on history. It is clearly the "old city" that has been towering for more than two thousand years. These two sentences, jumping from a long time, show the change of the poet's feelings for the ancient city of Lima, and strongly show the long and majestic Great Wall: it is still vast and green, winding in the crisp autumn sky, and it is still as strong as the glory of Land Rover in Qin and Han Dynasties. This can be associated with the first sentence of Wang Changling's quatrain, "The moon shines in Qin Dynasty, and the rest in Han Dynasty". Wang Changling thought of resisting the invasion of the Hu people, while Kang Youwei thought of the unparalleled great creative spirit of the Chinese nation here, so he condensed his deep feelings for the motherland in the description of Jiangshan scenery. The two couplets in the middle depict the magnificent scenery of the Great Wall in Wan Li. In Zhuan Xu, the sentence "Whip Stone" is majestic, and the sentence "Liantian" is far-reaching, which shows the majestic posture and momentum of the Great Wall. Like a giant pen, full of magnificent myths and legends, it outlines the extraordinary grandeur of the ancient Great Wall in the space across Wan Li. The ancient Great Wall is depicted in a broader background with necklaces, neatly and neatly, and vividly outlines the Great Wall of Wan Li. See the stillness in the movement, dye bright colors and stretch the mind with a light pen. End couplets make the finishing point, and express your feelings through discussion. Climbing the Great Wall, wandering through the ages and overlooking Wan Li, what the poet thinks of is no longer Wang Changling's "refusing to teach flax to climb over the Yinshan Mountain", but the majestic momentum of the Chinese nation's thousands of years of civilization history, which is "heroes make extraordinary achievements"-that is, the great creative power of the Chinese nation. The admiration that shocked the whole poem responded to the magnificent description of the Great Wall meteorology in the poem, and strongly expressed Kang Youwei's feelings different from those of ordinary poets: as a future "reformist" leader, his ambition is to start a new heroic cause. Because of this, when he overlooks the Great Wall, he can have the strongest resonance with the voices of the heroes who created it. The conclusion of "Climbing the Great Wall of Wan Li" is not only a kind of admiration that shakes the majestic Great Wall, but also a heroic prediction: it is predicted that Kang Youwei will create "amazing" career in the new era, just like heroes in previous dynasties.

Secondly,

When I immediately climbed the first peak of the Great Wall, I thought that this area had been an important barrier since the Han Dynasty, and I couldn't help thinking about the past and the future. Two sentences, "The desert in the long river at dusk" and "The mountains and rivers in the fortress are arrogant", describe the magnificent scenery beyond the Great Wall, write the magnificent weather in the imagination, "The castle in the Qing Dynasty is quiet" and "The foreign teachers are sealed in sunny days", and describe the consolidation of border defense and the heroic feelings of thinking ahead in the prosperous era of China. However, with the change of poetic style, the author points out that the times are gone forever, and there is only one whip-Lengyue, who sadly set foot on Juyongguan, which makes people look back and feel boundless.

There is emptiness and reality in the poem, and the truth and reality are intertwined, and the feelings and scenes are intertwined. A word "heavy" and a word "swastika" are in harmony from a distance, implying the author's deep affection for state affairs. This poem is steady and powerful, which fully embodies the author's early poetic style. Climbing the Great Wall in Wan Li vividly depicts the Great Wall, Lulong and Juyongguan. There are blue seas and green mountains in the east, the yellow river setting sun in the west, clouds on the peak, static air pressure, quiet desert and eternal moonlight. The picture is broad and magnificent, and the momentum is shocking. (Comment by Han Panshan, Vice President of Hebei Branch of China Writing Society)