1949 went to Taiwan Province province with the Kuomintang army, 1959 retired, got public office in the government, devoted himself to painting in his spare time, and published four volumes of picture books; His oral autobiography "When I Return to Agriculture" recorded his vicissitudes in the past hundred years.
Mr. Wang's "He Liu Han Mei" is called a masterpiece by the world, which highlights the author's painting style and character. I also like his "traveling around the world every year". And look at the picture: vigorous old maple branches, clusters of maple leaves dyed red by autumn frost, inhabited by several birds, they look different, some seem to be looking down, some seem to be overlooking, some open their mouths to call, and some even want to fly. At first glance, I can see that the picture is vivid and lifelike. If you taste it carefully, you feel something in the painting. Reading this painting is like listening to the spring in Panasonic. Mr. Wang's poem opens the skylight of this painting's profound connotation, and the quiet artistic conception sublimates in an instant. The poem says, "I am a stranger in a foreign land every year, watching the sunset glow reflected in Qiu Feng. There are still trees in the wilderness and no homes in the west. " Magpies are noisy with trees, and people are homeless!
A veteran who left his hometown because of the bonfire of war, a young veteran who ran away from home at that time, and now his children and grandchildren are full of nostalgia for their hometown, missing their loved ones and home, and their feelings have been condensed for 50 years between scales. That sadness, that hesitation, that helplessness, penetrated the back of the paper, that longing, that anxiety, that expectation, shocked people. She is like a vivid nostalgic stamp, like a fiery heart, which makes people feel a lot! Coincidentally, Mr. Wang's homesickness complex has another "proof".
Mr. Wang is good at calligraphy. He is good at epigraphy, self-engraving seals and self-casting new words, and pays attention to the seamless integration of poetry, calligraphy and painting. Mr. Wang has a number of spare seals, all of which are "Returning to Agriculture", "Thirty Returning to Agriculture", "Danggui Agriculture" and "Returning to Agriculture after Garrison". The idle chapter has never been idle. It is a "voiceover" and the voice of an artist.
Mr. Zhao once said: "When I was a soldier, I always thought that I was originally from the countryside, and I would go back to my hometown to farm and teach after the war. With the victory of the Anti-Japanese War just around the corner, I carved a phrase "30-year-old farmer", hoping to return to my hometown to farm at the age of 30, but I didn't know that there would be a civil war after the end of the Anti-Japanese War. As a result, I went to Taiwan Province Province and didn't come home at the age of 50. When I can come back, there is no hope. I rubbed off the seal and engraved it with' When will I return to agriculture', and I didn't really return it until I was 90 years old. After returning to the mainland, I carved the other side,' I will work after returning to agriculture.' "These seals have condensed Mr. Wang's bumpy life, and the world is vast between square inches!
At present, Mr. Zhao Songquan has lived under one roof for four generations, and there are as many as 30 or 40 people in the Dingkou family, enjoying family happiness. In recent years, he settled in his hometown Lishui, and his eldest son also lived in Lishui to take care of his life after retirement. Grandchildren and great-grandchildren develop and live in Suzhou.
Mr. Zhao himself "returned to agriculture" and his descendants "returned to agriculture". Isn't it like the old saying "birds love the old forest, fish love home"? Probably because of this, Mr. Zhao said he was a farmer's guest, right?