Appreciation of Feng Siyuan's Calligraphy Works
Pictures of Feng Siyuan's Calligraphy Works 1
Picture 2 of Feng Siyuan's calligraphy works
Figure 3 of Feng Siyuan's calligraphy works
Figure 4 of Feng Siyuan's calligraphy works
Personal profile of Feng Siyuan
Feng Siyuan, male, with the word Mofeng,1was born in Lu Yi, Henan Province in August, 1965, and was the ancestor of Taoism. I like calligraphy and painting since I was a child. He studied under Wang Dianju, a national master of calligraphy and painting, and had a deep research on painting, calligraphy, seal cutting and photography. Now he is an academician of Chinese Painting and Calligraphy Institute, vice president of China Culture and Art Center Painting and Calligraphy Institute, and president of Henan Branch of China Culture and Art Center Painting and Calligraphy Institute. President of Capital Painting and Calligraphy Institute, President of Mofeng Painting and Calligraphy Institute, member of China calligraphy net, and member of International Photography Network. Many works have been collected by foreign friends, and they are good at Chinese painting, landscapes, flowers and birds, and figures. Calligraphy art is famous for its official, travel and seal cutting, and its practice is rigorous, vigorous, round, dignified and beautiful.
Calligraphy theory knowledge
What do you mean? Come back through the paper : In painting and calligraphy? Force? It is an abstract expression of pointillism, linearity and the author's inner spirit. Specifically, if you can stroke in the center, that is, when you stroke, the bristles are evenly scattered and the pen center walks in the strokes. The strength of the arm can be cut into the paper through the soft pen tip. This is called? Come back through the paper . If the bristles are twisted or twisted into a ball when writing, the bristles are not properly adjusted and spread evenly, and the bristles sweep across the paper like paint. What kind of stroke is this? Shit? Come out, like ink pig, pen power is out of the question. The strength of brush strokes has nothing to do with the thickness of lines, but the key lies in the author's ability to control the brush and write with the center.
From Chu Suiliang's Preface to the Big Wild Goose Pagoda, we can see that there are many tiny strokes, delicate and powerful. From Yan Zhenqing's "Yan Family Temple Monument", we can feel the dignity of the writing brush, which is like an iron hook and a silver painting. These are all examples that run through the back of the paper.
What is a diversion? "Diversion" means that the stippling of each part of a word gives way and echoes each other, so that words with more strokes do not appear dense, and words with fewer strokes do not appear sparse, such as the words next to "horse" and "bird", and the left side should be written straight to make room for the half word on the right; Other words with left and right radicals are also analogized.
What are the requirements for shelves? The size, length, width and inclination of Chinese characters should be appropriate.
What are the basic rules for learning calligraphy? To learn calligraphy, we must master the four basic laws of writing, transportation, use and construction.
Why can't you hold a pen with your fingers? If you move the pen tube with your fingers, the pen tube cannot remain upright, and the range of motion of the pen tube is very small. I can barely cope with writing small words, but I can't write middle letters, big letters or even bigger words. Moreover, the fingers of the pen are not practical, and the words written are vain.