Who will Gu Yu go with? Only Gigi Lai will go with him. I have to live in one place, but my heart is empty.
I'd like to ask if spring will bring summer. Who will talk about the restoration of the East to the West? I don't know if my son and I are stupid people.
In my stupid valley, this valley is flat. Although there is no trace, it can still respond to the sound.
Don't be overcast, just wait for the sun to shine. The valley of fools is famous at the bottom, all made by fools.
Excuse me, Gong Yu Wali, I want to talk to you. No turning, no centrifugation.
There is no danger when walking, and there is no depth when watching. Send a message to earthly guests, where do you want to go back?
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Wang Wei (70 1-76 1, 76 1 in 699) was born in Zhou Pu, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qixian, Shanxi. A famous poet and painter in the Tang Dynasty, the word "Mo Mo" was named "Mo Mo Ju Shi".
Wang Wei was born in the royal family of Hedong, and was the number one scholar in the 19th year of Kaiyuan (73 1). Li Guan right gleaned, supervised the remonstrance, and made our time in Hexi. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei worshipped the official department as a doctor and servant. When An Lushan captured Chang 'an, Wang Wei was forced to take a false post. After Chang 'an was recovered, he was accused of granting Prince Zhongyun. In the first year of Tang Suzong's rule, he was appointed as a senior minister, so he was called Wang Youcheng.
Wang Wei studied Zen and Taoism and was proficient in poetry, calligraphy, painting and music. He was famous for his poems in Kaiyuan and Tianbao periods, especially his five-character poems, praising landscapes and pastoral areas. Together with Meng Haoran, he was called Wang Meng and Shi Fo. Calligraphy and painting are particularly wonderful, and later generations promoted it to the ancestor of Nanzong landscape painting. Su Shi commented on this: poetry is full of paintings; Look at the picture. There are poems in it. There are more than 400 poems, including Acacia and Autumn Night in the Mountain. His works include The Collection of Wang Youcheng's Works and The Secret of Painting.
Topic Yangzhou Temple
Dumuti Yangzhou Temple
After the rain, cicadas are noisy, and the climate of pine trees floating in the wind has been spread to autumn.
Moss covered the steps, and Bai Niao deliberately stayed behind.
The mist in the evening is getting deeper and deeper, and the sunset gradually lowers a small building.
Who knows that this quiet bamboo road leads to the bustling Yangzhou song.
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In 837 AD (the second year of Tang Wenzong), Du Mu's younger brother suffered from eye diseases and lived in Yangzhou Zen Temple. At that time, Du Mu was appointed as the censor and Luoyang was divided into the capital. When he learned the news, he took the ophthalmologist Shi Sheng to Yangzhou. According to the Tang system, an official will be terminated after leaving office for 100 days. Du Mu is on leave/kloc-more than 0/00 days. This poem deliberately describes the silence of the Zen temple, which is related to the poet's gloomy mood that his brother is sick and hurts his future.
After the rain, cicadas are noisy, and the climate of pine trees floating in the wind has been spread to autumn. Judging from the words cicada and autumn, it was early autumn, and the noise of cicada was hoarse, which made people feel even worse. Pine branches and osmanthus trees swaying in the wind also reveal the bleak autumn. When the poet expresses this scene, he chooses words carefully. The cicada singing reflects the tranquility of the Zen Wisdom Temple. You can see the noise in the tranquility, and you can see the tranquility in the noise. Autumn rain and autumn wind contrast the cold silence of Zen temple.
Then, the poet writes silence from this perspective. Moss covered the steps, and Bai Niao deliberately stayed behind. When the steps are covered with moss, there are few pedestrians; The word "Man Zi" shows the density of moss on the steps, indirectly shows that there are few people here, and renders the environment empty and desolate. Bai Niao in the temple lingered and refused to leave, suggesting that the temple was empty and sparsely populated. Moss, Bai Niao, seems to be what you see, handy, but it makes people feel lonely and cold.
The mist in the evening is getting deeper and deeper, and the sunset gradually lowers a small building. Write silence from the change of light and shade. The Zen Wisdom Temple is densely forested, the sun is opaque, the sun sets, and twilight breaks out. See silence in the dark shadows. It is quite icing on the cake to build a small building in the sunset and see it from the darkness. Through the deep trees in the twilight, I saw the afterglow of the sunset, which made people feel that Zen Temple was cold but not cold, quiet but not dark. However, this is the sunset after all, but the sunset has gone downstairs. The effect of this contrast is unexpectedly quiet, especially deserted and especially quiet.
Who knows that this quiet bamboo road leads to the bustling Yangzhou song. Using the method of contrast, the music sets off sadness, singing and dancing, and the bustling Yangzhou in the street sets off the silence of the Zen Temple, highlighting the poet's lonely, sad and lost mood.
At this point, the poet showed the tranquility of the Zen temple from different angles, as if the article had been written. However, suddenly, the lively Yangzhou was pulled out as a foil: who knows Zhuxi Road, Yangzhou is a singer. Zen Temple is located in the northeast of Yangzhou, sitting in the Zen Temple. The autumn wind is blowing from the distant Yangzhou, and the poet's feeling is that in such a noisy and prosperous Yangzhou, he can only live in the silent Zen Temple, and the sadness in our capital is full of nosy people, while you are lonely and helpless, which is unstoppable. The poet's life experience and sadness are implied in his landscape writing.
This poem describes the silence of the Zen Wisdom Temple in Yangzhou. The beginning is set off by the movement in stillness, and the end is highlighted by the movement in stillness. It was a perfect match from the beginning, and the artistic conception was very clever. On Hoonji.
Fang gan is above Hoonji.
Let's look up first. We have unlimited horizons and a broad world.
Rock slides and flowers are as clear as rain, and forest leaves hinder day and summer.
The mountains are all overlapping, and we don't remember the heights all the way.
Qing Qiao cares about his return, and it is difficult to judge in his dream.
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Writing poems for the temple, instead of starting from the temple itself, only describes the beauty and curiosity of the forest, expresses nostalgia and admiration for the immediate scenery, and naturally introduces readers into a clear and profound artistic conception.
From the beginning, the poet showed his surprise and broad mind. Let's look up first. We have unlimited horizons and a broad world. He stood above the temple, as if calling for later tourists: Come on, come on, please go to the top of the mountain forest first! Here you can broaden your horizons and see how vast the world is! Between the lines, the poet is in high spirits and high spirits. First come, first served, the language is popular, with obvious strong feelings.
Then, the poet captured four most beautiful shots ── hanging rock waterfalls, shaded forests and radishes, distant peaks and winding mountain roads, artistically recreating the infinite scenery on Hongji Mountain.
Write the dynamics of the waterfall on the rock first: the rock slides and the waves are like rain. The flying spring on the rock hangs over the waterfall, splashing in the air, splashing water droplets, turning into smoke clouds, curling down like a white rain curtain hanging on a sunny day. Jet empty, the shape of water potential, the urgency of flying diarrhea, strong words, so that the rock slides alive. Sunny as rain, the scenery is ethereal, especially quiet and beautiful, giving people many strange ideas.
Then write Candy Luo's static: Candy Luo hinders the cold in summer. Vines in the forest, wrapped around trees and branches, cover the sky and form a dense shade. At the same time, a chill came, and the muscles invaded the bone. Where is the hot summer, the trouble of the hot summer!
Re-write the distant posture of mountains: the mountains overlap. Stepping out of the tree-lined, looking around, the mountains and peaks in the distance are like the blue sea surging. This is a painting with a strong three-dimensional sense, which is an eye-opener. Only by commanding and looking at the horizon can we write the mountains so vividly and magnificently.
Then write the mountain road from near to far: don't remember the disk all the way. Climb high and look back at the winding paths in the mountains. Looking back, I saw my way and how many reverie. When I went up the mountain just now, I just thought it was so interesting to turn left and right and climb up and down. I can't remember how many times I climbed to the top of the mountain. This sentence summarizes the dangers of the mountain road and the vast scenery.
Finally, the poet wrote affectionately: Qing Qiao cares about returning, and it is difficult to judge in his dream. The beautiful scenery above has haunted the poet for a long time, but it is a pity that he is going home now, and it is really difficult to leave. The word "clear and steep" sums up the scenery of the first two couplets: clear, referring to rock slip, and Candy Luo: steep, referring to mountains, all the way, with appropriate words. Say goodbye today, when can I visit again? I'm afraid I can't get away from revisiting this place in my dreams! The whole poem ends with infinite attachment, but the reader has been immersed in a lingering and unforgettable situation for a long time.
This poem is a blend of scenes. That kind of feeling is touching the scene, and there are scenes in the feeling; The scene was born of love and full of affection. Poems about temples win by scenery, which rarely have the so-called Buddhist flavor, showing the poet's broad mind, profound observation and flexible writing.
Spend a summer having sex with Zen master in Qingliu Temple (with Pei Di).
Wang Wei spent the whole summer having sex with Zen master (and Pei Di) in Qingliu Temple.
Longzhong to the elderly, Xu Bu visited the Zen Palace. If you want to ask healthy qi, you can see the disease from a distance.
In the eyes of mountains and rivers, in the law of the world. Don't blame the heat, can give birth to the wind.
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Wang Wei (70 1-76 1, 76 1 in 699) was born in Zhou Pu, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qixian, Shanxi. A famous poet and painter in the Tang Dynasty, the word "Mo Mo" was named "Mo Mo Ju Shi".
Wang Wei was born in the royal family of Hedong, and was the number one scholar in the 19th year of Kaiyuan (73 1). Li Guan right gleaned, supervised the remonstrance, and made our time in Hexi. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei worshipped the official department as a doctor and servant. When An Lushan captured Chang 'an, Wang Wei was forced to take a false post. After Chang 'an was recovered, he was accused of granting Prince Zhongyun. In the first year of Tang Suzong's rule, he was appointed as a senior minister, so he was called Wang Youcheng.
Wang Wei studied Zen and Taoism and was proficient in poetry, calligraphy, painting and music. He was famous for his poems in Kaiyuan and Tianbao periods, especially his five-character poems, praising landscapes and pastoral areas. Together with Meng Haoran, he was called Wang Meng and Shi Fo. Calligraphy and painting are particularly wonderful, and later generations promoted it to the ancestor of Nanzong landscape painting. Su Shi commented on this: poetry is full of paintings; Look at the picture. There are poems in it. There are more than 400 poems, including Acacia and Autumn Night in the Mountain. His works include The Collection of Wang Youcheng's Works and The Secret of Painting.