Nicknamed "Poverty is not afraid", 1894, Zhu Shaowen was named the head of "Eight Monsters of Tianqiao" by Empress Dowager Cixi. Before Zhu Shaowen, although there was harmony in his contemporaries, Zhu Shaowen's achievements and reputation were more prominent, and he was regarded as the "originator of the mountain" by phonology scholars. Ma said: "Since Zhu Shaowen's generation, there has been cross talk in the industry. With the mentoring relationship and industry concept, there has been a cross talk pedigree."
A and Shen are much younger than Zhu Shaowen, but Zhu Shaowen did not accept them as apprentices, but accepted them as younger brothers on behalf of the master. The age gap leads to the younger and younger apprentices. At that time, it was not easy to gain a foothold in the cross talk circle, and many people who were demoted no longer accepted apprentices. This also led to the loss of some genealogies. Most of the famous contemporary crosstalk performers are Zhu Shaowen's apprentices, so there is also a saying that Zhu Shaowen is the originator of phonology.
Shu, a big disciple, is known by his stage name "Poverty is the foundation" and "Poverty is not afraid". The tradition of "ranking by words" in phonograph circle began with "being poor and having a foundation". (Later, it was morality, longevity, treasure, literature, enlightenment, etc. ). In addition, Poor with Foundation, which was performed with Master, was the first recorded crosstalk performer, and Zhu Shaowen was the inventor of counterpart crosstalk.
Since the third generation of crosstalk performers, crosstalk has become more and more popular. Eight Virtues of Xiangsheng was a famous crosstalk master who was active in Beijing and Tianjin in the early 1930s. Details are as follows:
(Father of Horse, Gao Shouting, Teacher) Teacher from Chun Changlong;
(Ma's master), whose stage name is Zhou Toad, studied under Fan Youyuan;
Yu Delong, Dedege, whose stage name is dazzling Yu Zi, studied under Fu Yougen;
Jiao Dehai (studied under, and often) studied under Xu;
Liu Dezhi (Guo Qiru's master) studied under Xu;
Li Deyang, whose stage name is ecstasy (Ma Guiyuan's master), studied under Enxu;
Li Dexiang (Ma Shouyan's master) studied under Enxu;
Zhang Dequan, stage name Zhang Mazi, studied under Enxu.
An important master of Beijing phonology. The familiar Gao Deliang is the third son of the Gaos. There are two brothers on it, the eldest brother Gao Deguang and the second brother Gao Deming. His father is Gao, a generation older than the Eight-German Crosstalk. Gao Jia is a crosstalk artist, but only Gao and his eldest son Gao Deguang are indisputable on the portal. Therefore, Gao Deliang and Gao Deming, the most exposed Gao families, are full of doubts about their inheritance and generations, and they have not been able to draw a conclusion so far. In fact, Gao Deming and Gao Deliang do not value whether they are German artists. At that time, Zhang Shouchen, the doorman of Shouzi generation, made a special trip to find Gao Deming and Gao Deliang, and asked them to clarify their seniority. Because they are too young, even Zhang Shouchen, who is ten years older than Mr. Gao Deming, has to call them ShiShu if he pretends to be a German generation. In order to avoid making enemies among their peers, Gao Deming and Gao Deliang immediately expressed their willingness to demote their peers.
Also controversial is the Feng family, which occupies the largest and heaviest piece of cross talk in Northeast China.
The first generation: Feng Kunzhi, Zhu Shaowen's "poor and not afraid" apprentice, came to Qiqihar with his family from Beijing in 192 1, and then came to Harbin Daowai to open a crosstalk studio and form the Feng family.
The second generation: German crosstalk artists such as Feng Zhensheng and De Shu Zhen.
Emphasize that there are two Feng Zhensheng, one is the son of Feng Kunzhi, and the other is Feng Baohua, formerly known as Feng Zhensheng. Feng Zhensheng was born in 1903, and his master was Shen Zhushan.
De Shu Zhen is Feng Zhensheng's sister-in-law. She is the first female crosstalk performer in the history of China crosstalk and the highest-ranking female crosstalk performer in Germany. Like other female crosstalk performers, De Shu Zhen is also good at wickerwork, and her initial partner is Feng Daquan.
The third generation: four major troupes-Chang Fuquan, Yang Haiquan, Zhu Jingquan and Feng Daquan. , is a crosstalk artist of Shouzi generation.
Feng Zhensheng has many apprentices, the most famous of which are four schools, Chang Fuquan, Yang Haiquan, Zhu Jingquan and Feng Daquan. There is a saying that Feng Daquan is the only son who is an apprentice with his father. The author thinks this is wrong after textual research. Feng Daquan did learn from Feng Zhensheng, but he was 1952 Gao Deming's apprentice. Gao and Feng are family friends, and their descendants are mentors.
This is the strangeness of the Feng family's seniority. If Gao Deming is demoted, it is impossible for Feng Zhensheng to let his son worship Gao Deming as a teacher, as well as several other disciples of Gao Deming, (the son of Zhang) and Yu (the wife of cousin Ma). However, the seniority of the establishment of the Gaos was also recorded, so the life experiences of the Gaos and the Feng families became mysterious.
Feng Daquan, the direct line of Feng Jiamen, is the first of the four famous families. He has rushed to the front of North Korea three times to express his condolences.
Another representative of the four schools is Yang Haiquan. On the one hand, he cooperated with Xiao and talked about China's well-known "socialism". On the other hand, he has more apprentices and more promising apprentices. Among them, Yang Zhenhua and Jin Bingchang are famous all over the country, and Jin Bingchang's wife Fu is also her teacher elder sister.
At present, there are three schools of Allegro in China, with different styles. The main representatives are Gao Fengshan (Gao Deming), Wang Fengshan (Zhu Kuoquan) and Li Runjie (Jiao Shouhai). The characteristics of the three schools are that Li School has the greatest influence, Gao School is simple and light, and Wang School Allegro is playful and the most difficult to learn. Before Three Sides, Allegro and crosstalk were not related, but the trend at that time was to combine the two art forms. One of the most famous is "Jilaibao".
The members of the Hou family are crosstalk masters Hou, Hou, Hou Zhen.
Hou is a famous crosstalk master. The reason why he can be called a cross talk master is that he saved the cross talk at that time, in addition to his superb deductive level. In the early days of the People's Republic of China, crosstalk was very unsuitable for the cultural and political environment at that time because of its funny plot. In order to make crosstalk survive, the crosstalk reform group was set up on its own initiative. Reform is always painful, and the hardships and the difficulties brought by the interests involved are self-evident. But Hou succeeded, which not only made crosstalk an elegant hall, but also became a national quintessence. Of course, this is not the credit of Hou alone. After the apprentice Ma Ji and Ma Ji's apprentice, successively inherited the mantle of the master and carried forward the cross talk.
Although Hou is highly accomplished in cross talk, he doesn't approve of his son learning cross talk. Hou stole crosstalk since he was a child, but he didn't know it at all. Hou Zhen, the son of Hou Yaozhong, the eldest son of Hou, is now studying under Yu Qian and performing in Deyun Society.
The members of the horse family are,,, and Malacca.
One of the most famous is Ma, his father, his eldest brother, not his cousin. Yes son, "Master Ma" is the eldest son, and Malacca is the son. If there is, Enxu is one, because he is the father-in-law and the grandfather of Ma.
There is a very interesting name in the family, and that is Ma Sili. At first I thought there would be Ma Yili or something. Later, I found out that this is not a generation, but his own stage name. Let's start with him and tell the story of Ma's family.
He is a storyteller, and his grandfather Ma is also a storyteller. Ma Fangcheng has three sons, Ma Enlu, Ma Manshou and Ma Rongen. The descendants of his third son Ma can also speak crosstalk, and so can his wife Yu. Therefore, the word "longevity" of the cross talk gate belongs to the same generation as Mr. Ma.
Marne Lu is one of Ma Delu's "Eight Virtues of Symphony". Ma Delu has three sons, Ma Guiyuan, Ma Guilin and Ma Guifu. Ma Guifu is Ma Lisan. Therefore, and the horse are brothers, smaller than the horse, and are the cousin of the horse. It's just that Ma Sili pays more attention to telling stories. In Tianjin, Lianxing Teahouse, the treasure house of crosstalk in the early years, both of them and Yu are actors in the club and often perform on the same stage. That kind of happy and hearty situation really makes people feel unfinished!
The members of the Chang family are Chang and his sons Chang, Chang, Chang Baoting, Chang, Chang Baofeng. Chang Guitian, son of Chang, Chang Guisheng, son of Chang Baoting, Chang Guide; Chang Liang, son of Chang Guisheng, Chang Yuan of Mahuafang, grandson of Chang.
The teahouse founded by Chang is known as the "Whampoa Military Academy" in China. Su Tian, Yu Chunzao, Zhao Chun Tian Tian were educated in teahouses. Some people who listened to cross talk later became cross talk masters, such as Ma Ji, Wang, Wang and Wu.
Since the second generation of Zhu Shaowen, there has been a scale of phonology. In the past, people paid attention to seniority, so there was a generation.
The word "De" in Historical Records comes from eight virtues in Xiangyin, which was highly respected and widely circulated in Xiangyin at that time.
Shouzi was named after the head of the fourth generation of cross talk. Bao Wenming was not called that at first, but Li Renyi, which was invented by Mr. Zhang. Later, everyone changed it according to the practice of that generation.
His eldest disciple is Chang, often his real name, and his stage name is Chang Litong, but his stage name is not called, but his real name is. So this generation is called Bao generation by convention.
Chang's eldest disciple was originally Li Boren, whose stage name was "Li Renyi". Later, Li quit his job and quit the music industry. The second disciple, Sue, became a big disciple. Sue's stage name is, but Sue insists on using his real name. So this generation became a literary generation.
According to the naming convention of Bao Zi's generation of literature, Su Mingjie is Su's eldest son, so this generation simply called it.
That is to say, the names of the last four generations of "Deshoubao Civilization" are all named after the head and disciples of cross talk.
Yu Delong, the leader of the generation of "Virtue", whose stage name is "Mu Wang", is a disciple of Fu Yougen and one of the "Eight Virtues Crosstalk". He is good at stand-up comic dialogue and stand-up comic dialogue art, and has cooperated with Li Deyang, the "heartthrob" with the highest achievement of "virtue".
Zhang Shouchen, the leader of the "Shouzi Generation", and Jiao Dehai, one of the "Eight Virtues". It is said that Zhang Shouchen once met his grandfather who was "poor and not afraid" and was one of the rare "birthday girls" who had seen cross talk for seven generations. Zhang Shouchen's artistic attainments in cross talk are certainly great, if not unprecedented, and few people in the history of cross talk in China can match him.
Zhao Peiru, the head of "Steamed Bun Generation", has a stage name of PHS, and his master is Jiao Shaohai, the son of Jiao Dehai. Zhao Peiru is famous for his profound knowledge, accurate language, meticulous attention and excellent teasing. His partner with "Little Mushroom" was once popular in Beijing and Tianjin, ranking first among the top five crosstalk partners at that time.
The leader of the "literary generation" studied under the famous scholar Li who once played ghosts. Zhao Xinmin has a solid artistic foundation, and his style is loose outside and tight inside. He is one of the few artists who really understand the essence of Ma crosstalk. However, due to limited conditions and bad luck, Zhao Xinmin left little audio-visual materials, which is a great pity. His son, who studied under Sue, is also a famous crosstalk artist.
Speaking of the next generation, there will be no doormen after the reform and opening up. If so, the gatekeeper of the Ming Dynasty was Zhao Weizhou! 1952 studied under Mr. Su, the master of literary drama, and was the first artist to study under him!
Among the ninth generation crosstalk performers, the oldest is Tang Aiguo's apprentice, Moge Xiao Zhang Yong, born in 1975. He also studied crosstalk in our school and Shandong Kuaishu. He used to be a well-known host of Shandong TV Station. He is only two years younger than Degang Guo, but he has to call Degang Guo a tout. Don't be sad because of the qualifications of the National People's Congress. If cross talk really wants to restore tradition, he is the head of the ninth generation of cross talk!
Everyone is familiar with the story of Deyun Society, which is still going on, so I won't go into details. Maybe a few years later, Degang Guo is also an iconic figure in the field of China phonology.
In the cross talk business, many are father-son inheritance relationships. In addition to the above three Gao brothers, there are Ma family, Chang family and Hou Shi family. And Feng Kunzhi-Feng Zhensheng-Feng Daquan; Guo he; Jiao Dehai-Jiao Shouhai; -Zhang; Zhao Xinmin-Zhao Weizhou. In addition, there is the famous Degang Guo Guo Qilin.
Master-apprentice Relationship of Crosstalk Actors-Wiki
Centennial notes of Liyuan
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Ma combed the pedigree of Beijing-Tianjin crosstalk performers.
Counting the younger generation and the younger generation of crosstalk performers, Degang Guo has a 32-year-old teacher.
Are there no doormen among the crosstalk performers in the next generation? If so, who should it be?
Fengjiamen, an important branch of phonology, is not afraid of spreading Deyun Society.