Although there are four tones in Chinese, in modern poetry, there is no need to distinguish four tones like words and songs, as long as they are roughly divided into two tones. To cause cadence in tone, it is necessary to use flat voice and flat voice alternately so as not to be monotonous. Chinese basically takes two syllables as a rhythm unit, and the stress falls on the next syllable. The basic sentence pattern of modern poetry consists of two syllables, which are called regular sentences. For Wuyan, its basic sentence patterns are: flat and flat, flat and flat, or flat and flat, flat and flat from beginning to end, that is, flat and flat, flat and flat, flat and flat. If you want to make some changes, you can move the last word to the front and it will become: plain, plain, plain. Except for the special cases mentioned later, no matter how these four basic sentence patterns change, they can't be found in five-character modern poems. Seven-character poems only add a rhythm unit in front of five-character poems. And its basic sentence pattern is: Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping. Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping, that is, each pair will be reversed: the level of the fourth word is opposite to the second word, and the sixth word is opposite to the fourth word, thus forming a sense of rhythm. However, every word can be reversed, because the stress falls on even syllables and the singular syllables are relatively unimportant. When we write poetry, it is difficult to make every sentence completely conform to the basic sentence patterns. It may be possible to write quatrains, but it is almost impossible to write eight or even longer metrical poems. How to be flexible? Then it is necessary to sacrifice unimportant single digits and keep more important two digits and the most important last word. Therefore, there is a formula called "No matter whether one, three, five, two, four and six are distinct", that is to say, the levels of the first, three and five words (only seven words) can be handled flexibly, while the levels of the second, four, six and last words must be strictly observed. This formula is not completely accurate. In some cases, one, three and five must be discussed, and two, four and six may be ambiguous in some sentence patterns. We'll talk about it later, but let's first look at how to form a complete poem from these basic sentence patterns.

Viscous pair

We already know the basic sentence patterns of modern poetry. How do we form a poem from these sentences? The sentences in modern poetry are two sentences, and every two sentences (one and two, three and four, and so on) are a couplet. The upper and lower sentences of the same couplet are called antithesis, and the upper and lower sentences of the couplet are called adjacent sentences. The composition rule of modern poetry is: antithesis and adjacent sentences stick together. Contradiction means that the upper and lower sentences in a couplet are just the opposite. If the last sentence is: flat and light, the next sentence is: flat and light. In the same way, if the previous sentence is flat and even, the next sentence is flat and even. Except for the first couplet, the previous sentence of other couplets can't rhyme. Seven words are similar to this. If the sentence on the first couplet doesn't rhyme, it's no different from other couplets. If both the upper and lower sentences rhyme and the ending is flat, then the first couplet can't be completely opposite, only the beginning and the end are wrong, and its forms are nothing more than two: flat, flat, flat and flat. Sticking means the same thing, but because the odd-numbered sentences ending in a flat tone are used to stick the even-numbered sentences ending in a flat tone, the head can only stick to the tail, not the tail. For example, the last couplet is: Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping. The reason is very simple, that is, changing sentence patterns is not monotonous. If the opposite sentence is opposite, the adjacent sentence is also opposite, which means: average, average, average, average. Before the Tang Dynasty, the so-called Qi Liang-style rhythmic poems only talked about relativity, but did not know how to stick together. From beginning to end, they just repeated two sentence patterns. After the Tang Dynasty, there was no repetition of sentence patterns in quatrains, because both antithesis and the adhesion of adjacent sentences were emphasized. According to the law of fitting, we can derive four formats of five-character quatrains: First, the first sentence does not rhyme: flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat Sticking to the right also has some flexibility, basically following the formula of "135 regardless, 246 distinct", that is to say, whether a modern poem follows sticking to the right is generally based on its even number and the last word. If the sentence is wrong, it is called wrong; If adjacent sentences are not sticky, they are called sticky. Dislocation and stickiness are taboos in modern poetry. Comparatively speaking, dislocation is more serious than sticking. The sticking rule was determined late, and it was often found in the poems of poets in the early Tang Dynasty. Even Du Fu's poems are occasionally stuck, for example, the second poem of the famous "Poem on the Monument to the Mind": "Decline": I have a deep understanding of Song Yu's sadness and elegance, and he is also my teacher. Sad to see a thousand autumn, a tear, melancholy in different times, not at the same time. His old home between mountains and rivers-empty works, empty sex platform-is certainly not imagined in the dream? . The palaces of Chu were all destroyed, and the fishermen who showed them today are not sure. The third sentence didn't stick to the second sentence. This may have been unconsciously influenced by Qi Liang poets and neglected for some time. The correct rules were established in Qi and Liang Dynasties, so mistakes are rarely seen in Tang poetry. Among Du Fu's modern poems, only one poem "Give Ten Generals to Wang Chengjun" is out of alignment: the generals are brave and resourceful, and the two corners hang down their arms. Entangled green horses, in and out of Jincheng. It is difficult to work if you don't win the lottery in times of crisis. The guests are full, and no one can tell. The first sentence and the second sentence, except the first word, are exactly the same, which is mismatched. This may be a temporary negligence when giving a poem without time to process it carefully. In another case, it is the expression demand regardless of the rules. For example, another famous poem by Du Fu, Bai Di, said: Clouds rise from Bai Di City, and rain turns over the basin. The roar of the Xiajiang torrent is like thunder, and the smoke hanging over the vines makes the sun and the moon yellow. War horses are not as good as ploughing horses, and the war has left only 100 households in the original thousand households. The saddest thing is that the women who lost their husbands because of the war are still stripped naked and exhausted. Listen, what is the deserted village crying loudly in autumn? The second word in the second sentence should have been flat, but now the word "emperor" is used, which is not right with the first sentence and is also sticky with the third sentence. However, this is an intentional reuse of "Baidicheng", resulting in parallelism, so we have to sacrifice the rules.

Monotones and tristones

The aforementioned "135" is not completely correct. In some cases, 135 must be discussed. For example, a five-character parallel sentence: the third word of a parallel sentence can be ignored, and so can a flat voice. However, if the first word is changed to a flat tone, it will become: flat tone. Except for rhyme, there is only one flat tone in the whole sentence, which is called "solitary flat tone", which is a taboo in modern poetry and rarely seen in Tang poetry. In Du Fu's poem "Hanging Two Bows on the Arm", it is such a lonely and irregular sentence, which is called an embarrassing sentence. Lao Du intentionally wrote many awkward modern poems, and this exploration is another matter. What if the first word must be slurred? At the same time, The third word can be changed to Pingsheng: Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping. Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat. This practice is called difficult to save, which means to avoid difficult sentences. For example, the third part of Twelve Sorrow: All ethnic groups are still brave, so what is the garden like today? There were few acquaintances in the past, but there were many battlefields. The second sentence should have been "plain", but now the first word is "so" and the third word must be changed to "today". The seven-character poem is similar to this, that is, the third word of the flat and even sentence is "flat and even, flat and even, flat and even, flat and even, flat and even." I sent flowers for further study, and then I taught Yingying to speak too Ding Ning. The first sentence was originally "plain", but now the third word is "guest" and the fifth word is "worry" in a flat voice (note that "wake up" is a flat voice). The so-called "loneliness" refers to the flat and even sentences (that is, rhyming sentences). If it is a flat sentence, even if there is only one flat word in the whole sentence, it is not lonely, but at most it is an awkward sentence. For example, changing the word "even" to "even" is not a crime and can be used. There is another situation, which is a five-character flat and even sentence: flat and even, flat and even, flat and even, flat and even, flat and even. As long as isolation and leveling can be avoided, "135 regardless" is completely correct.

Difficult to preserve

If we carefully look at the basic forms of modern poetry mentioned above, we will find a rule: in a couplet, the total number of flat and oblique characters is equal. If "135" is used in a flexible way, it is often necessary to change the word "parallel" to "parallel" in this sentence or at an appropriate place in the dialogue (or change the word "parallel" to "parallel") in order to keep the couplets neutral and parallel. In other words, using a parameter for the first time (illegal) and then saving it together are called difficult to save. There is another situation in the sentence that the remedy for loneliness mentioned above belongs to self-help, that is, the remedy for the sentence. For example, in the five-character "occasionally flat" sentence, the third word is replaced by a flat voice, and often the third word of the sentence is remedied by a flat voice, that is, "occasionally flat, occasionally flat" becomes it. For example, to Li Bai at the end of the sky: A cold wind is blowing in the distant sky. What are you thinking, old friend? . The geese never answered me, and the rivers, lakes and seas were flooded by rain. A poet should be careful to prosper, but the devil can trouble a vagrant. Ask an unhappy ghost, Qu Yuan, and throw the poem to him, where he threw himself into the river. The third word in the third sentence should be flat and even, and the third word in the fourth sentence should be changed to a flat voice. Similarly, "Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping. For example, Delighting in Rain on a Spring Night: Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright. Look at the red and wet place, the flowers in Jinguancheng are heavy. The first word of the seventh sentence should be flat, and the word "small" should be used, and the first word of the eighth sentence should be replaced by the word "Hua". Another example is "pavilion night": when the sunlight in winter becomes shorter on the elemental scale, the end of the world is frosty and snowy. Stark sounded the fifth watch, drums and horns rang, and stars and Tianhe danced on three mountains. Wild cries and smells of war, I saw savage fishermen and woodcutters at dawn. Wolong and Pegasus are not generals now. They are dust and the personnel are lonely. The first word of the third sentence should be flat ("five") and the first word of the fourth sentence should be flat ("three"); The first word of the seventh sentence should be flat ("lying"), and the first word of the eighth sentence should be flat ("people"). Sometimes, this sentence is a mixture of self-help and remedy. For example, one of "Twelve Poems for Relieving boredom": Cao Ge firewood flies away, waves cross the river, and black rain begins to fly. The mountain bird feeds the red fruit, and the stream girl raises the white fish with money. The strict plan should be: flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat. In fact, it is also very common to fail to save in the "135" location. Like climbing a mountain: in the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. After all the hardships and hatred, the white hair is full, and the wine glasses are damaged. The "sand" in the second sentence saved Zhu, Zhu saved the "wind" in the first sentence, but the "ape" in the first sentence was not saved. This contradiction does not exist, which destroys the balance of the number of parallel lines in a pair of couplets, but these all occur in the position of "135", as long as there is no parallel tone or three-level tone, they are tolerable and not completely contradictory. There is also a contradiction that appears in the position of "246". That's the real contradiction, so I won't discuss it here. However, there is an embarrassing phrase, which is used quite a lot in Tang poetry and cannot be ignored. Please read it to Li Bai at the end of the sky: there is a cold wind blowing in the distant sky. What are you thinking, old friend? . The geese never answered me, and the rivers, lakes and seas were flooded by rain. A poet should be careful to prosper, but the devil can trouble a vagrant. Ask an unhappy ghost, Qu Yuan, and throw the poem to him, where he threw himself into the river. The first sentence was supposed to be "flush", but it was written as "flush", and the second and fourth words were all flat, which violated the law that every pair mentioned at the beginning should be reversed. In the seven words, "justice and fairness" is written as "justice and fairness", such as "five-word poem of historical monument", which is used in almost every capital. One: hanging alone in the northeast between the wind and dust, falling southwest between heaven and earth. Stay in the towers and terraces of the Three Gorges for a few days or months and share the clouds and mountains with the costumes of five streams. The barbarian who finally served the ruler was unreliable. When the poet failed, he didn't return it. Yu Xin's life is the most miserable, and his poems in his later years caused a sensation in the north and south of the country. The seventh sentence is this sentence pattern. Second: "Decline": I am well aware of Song Yu's misery, romance and elegance, and he is also my teacher. Sad to see a thousand autumn, a tear, melancholy in different times, not at the same time. His old home between mountains and rivers-empty works, empty sex platform-is certainly not imagined in the dream? . The palaces of Chu were all destroyed, and the fishermen who showed them today are not sure. The seventh sentence "min" can be flat and graceful. If you read it flat, it becomes this sentence pattern. Third: Wanhe is close to Jingmen, and the girl is a village where she grew up in Sri Lanka. She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk. Her face! Can you imagine the spring wind? Back to the soul in the moonlight. The Tatar song on her jade guitar tells her eternal sadness. The seventh sentence is still this sentence pattern. Fourthly, King Shu saw the Three Gorges in Xing Wu. In the year of his death, he was also in Yong 'an Palace. The blue-green flag on the empty mountain can be imagined, and the Jade Temple is a void in the empty temple. On the pine trees in the ancient temple, water cranes nest. In summer and winter festivals, the people who come are the elders of the village. Wuhou Temple is nearby, and the monarch and ministers share the sacrifices. The first sentence is this sentence pattern. Fifth: Zhuge's prestige transcends the earth, and there is only reverence for his face. In order to plan the strategy of the world, generations seem to be Luan Feng's Luan Feng. Yi Yin and Lv Shang are neck and neck, and their command of military operations is calm, which makes Xiao He Cao Can far behind. It was difficult to recover the good news when it reached the Han Dynasty, but he gave his life for the good news. The fifth sentence is this sentence pattern again. Because this sentence pattern is used too much (often used in the seventh sentence), it is almost as common as the conventional sentence pattern, so we have to regard it as a special regular sentence, not a difficult sentence. The reason why the poet likes to use this special sentence pattern may be that there are three flat tones in the regular sentence pattern "Flat Tiles" and "Flat Tiles". Although it is not the last three tones of the sentence, it is still awkward to read, so it is simply changed. It is worth noting that when using this sentence pattern, the first word of five characters and the third word of seven characters must be flat.

contrast

These four verses all have a specific name. The first couplet is called the first couplet, the second couplet is called the platoon couplet, the third couplet is called the neck couplet and the fourth couplet is called the tail couplet. According to the regulations, parallel couplets and neck couplets must be opposite, and the first couplet and the last couplet can be right or wrong. These two quatrains are also right or wrong. The first couplet in the arrangement can be right or wrong, the middle couplet must be right or wrong, and the last couplet can only be ended if it is wrong. The first characteristic of duality is that syntax should be the same. For example, one night in a foreign country: the breeze rippled on the grass bank, passed through the night and blew to my still tall mast. The endless plains are dotted with drooping stars. The moon runs with the river. I hope my art can bring me fame and liberate my sick old age from the office! . Flying around, what am I like? But sandpipers in the vast world! . This is the head, chin and neck. The first sentence of the first couplet has no predicate, and the second sentence is relatively meaningless. The sentence pattern of the upper sentence of the couplet is "subject-predicate-object", and so is the next sentence. The neck couplet uses the same sentence pattern. Another example is thinking of my brothers on a moonlit night: a tramp heard the drums that predicted the battle, which was the first call of a wild goose on the border in autumn. The dew turns to frost tonight, and the moonlight at home is bright! Brothers are scattered, and no one can ask about life and death. It is inevitable to send books. What can you expect in the war? . The first sentence in the couplet is written by breaking up the word "Millennium", and the next sentence is written by breaking up the word "bright moon". The second characteristic of duality is that you can't use the same words to oppose each other. The antithesis like "people have joys and sorrows, and the moon has ups and downs" is allowed in lyrics and songs, but never allowed in modern poetry. In fact, unless it is necessary for rhetoric, the same words must be avoided in modern poetry. The third characteristic of duality is that parts of speech should be relative, that is, noun to noun, verb to verb, adjective to adjective, adverb to adverb, pronoun to pronoun, function word to function word. If you want to be neat, you must also use words (mainly nouns) that belong to the same type in meaning, such as astronomy to astronomy, geography to geography, logarithm, orientation to each other, color to color, time to time, device to device, personnel to personnel, and biology to biology. , but they cannot be synonyms. The stars come down from the clearing, and the moon comes up from the river. The stars and the moon mentioned above are astronomical pairs, the leaves and the river are geographical pairs, and the vertical pair, the horizontal pair, the big pair, the wide pair and the current pair are also the same verbs and adjectives. Fighting like this is called workers' fighting. There are some homonyms that form the duality of work, which is called borrowing. Like wild hope: the mountains in the west and the three fortified towns are covered with snow, and the water in the southern lake shines on a long bridge. After years of war in China, several brothers have been unable to hear from each other; It's a long way from each other, and I'm the only one, right? I have nothing to look forward to now except my old illness. I am of no use to my country, less than a speck of dust. I travel by horse alone, and my horizons are often wide. The world economy is in recession, which is unimaginable. The first couplet "West" is an orientation pair, "Mountain" is a geographical pair, "Three" is a number pair, and "White" is a homonym of "Green", forming a color pair. This kind of borrowing is also a job right. This homophonic borrowing is more common in color pairs. For example, the third part of Qinzhou Miscellaneous Poems: the state map leads to the same valley, and the post road leads to quicksand. Thousands of accounts and tens of thousands more surrendered to Lu. Ma Jiaozhu was sweating like a pig, dancing with white hooves. When I was young, I boasted when I came to the West. The neckline is homophonic with "Zhu" and opposite to "white". Another example is "sitting alone": sorrow returns to the bald head, and the crutches bear the lonely city. Rivers converge, the mainland emerges, the sky is high and the clouds are light, and the wind is crisp. Cang Ming hates failure and Xie has lost his life. Appreciate this yellow bird and throw it at Lin Yu. Necklace is homophonic with pale, as opposed to Zhu. In a couplet, if most of the words are particularly neat, the other words can be sloppy. For example, the hope of spring: although a country is divided, mountains and rivers remain forever, and trees and grass turn green in spring. Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate. The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold. I stroke my white hair. It has grown too thin and there are countless jade. In the couplet "Petals have shed tears, lonely birds have sang their grief", "Shi" and "Don't" are not relative, and the other words are neat and fair together. For seven characters, the fifth word can be arbitrary. For example, Du Fu's poem Shu Xiang: Where is the Hall of Fame? In a pine forest near the Silk City. The steps are dotted with green grass in spring, and birds are chirping happily under the leaves. Diligent in taking care of the world, he gave his heart to both generations. But before he conquered, he died, and since then the heroes have been crying on their coats. The fifth words "Tian" and "Lao" in the necklace "Look at the world diligently and give sincerity to two generations" are incorrect. Some antitheses seem to be wrong on the surface, but in fact they are opposite to other meanings. Just like this couplet, "Chao" is relative to another meaning of "Chao", and "Xia" is relative to another meaning of "Xia", not to their meaning in the sentence. Besides, there are some antitheses, and we don't know whether they are relative or not until we know their origins. For example, the second sentence of Qujiang's two poems: wear spring clothes in the morning and get drunk at the head of the river. Alcohol debt is common, and he is 70 years old. Pierce the butterfly deeply, and the dragonfly flies leisurely with the water. The scenery of the news flows together, and it does not violate the reward for the time being. It seems wrong for Zhuan Xu to use "ordinary" to mean "seventy". In fact, "eight feet means seeking, and double means seeking vulgarity." The word "ordinary" can also be regarded as a numeral, which is quite neat with "seventy". Using other meanings and allusions like this, you have to turn a corner to get to the top, which is unexpected and is also a borrowing right. It is often considered as a good right, similar to the riddle of "finding the phoenix". The upper and lower sentences in couplets are generally different or opposite in content. If two sentences are completely synonymous or basically synonymous, it is called "crossing hands", which is a taboo in poetry. But sometimes the upper and lower sentences are related and say the same thing. The next sentence is derived from the previous one, and the two sentences are actually one sentence. This is called "flowing water pair". For example, the banks of the Yellow River were recovered by the imperial army: the news of this distant west station! The north has been recovered! At first, I couldn't stop crying on my coat. Where are my wife and son? There is not a trace of sadness on their faces. However, I packed my books and poems crazily. On a green spring day, I began to go home, singing my songs loudly and drinking my wine. Come back from this mountain, pass another mountain, go up from the south and then go north-to my own town! . The next sentence of the tail couplet follows the last sentence to describe the journey, which is a flowing pair. Another example is "Prosperous Autumn", the second one: the ancient city of Kuifu has an oblique sunset, each according to the Beidou Wangjing Hua. Listen to the ape shed three tears and check with you in August. Draw an incense burner and lean on a pillow, and the mountain floor hides sorrow. Look at the vines on the stone, which have reflected the flowers in front of the continent. The coccygeal joint is also a flowing pair. Running water pairs are generally considered to be good pairs. If you want to use couplets, it is often used to contain the whole poem. Sometimes there is duality in a sentence. Such as going up the mountain: in a sharp gale, apes whimper from the vast sky, and birds fly home to the clear lake and white beach. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. After all the hardships and hatred, the white hair is full, and the wine glasses are damaged. All four sentences in this poem are antithetical, and some of them are antithetical. The first sentence is "the wind is rushing" for "the sky is high", the second sentence is "Zhu Qing" (the homonym of "green" means "sand white", the seventh sentence is "hardship" for "bitterness", and the eighth sentence is "down and out" for a new stop. Interestingly, because the first sentence rhymes, it can't be completely opposite to the second sentence in level tone, but it is completely correct in meaning. This poem is known as the first of the seven laws in ancient and modern times, even if it is only formal, it can live up to this reputation.

Edit an example of the rhyming type of this paragraph.

The first category in the five laws

Send a friend away

Li Bai surrounded the mountains and Baishui City north of the Great Wall with a blue line. Here we say goodbye to each other, and you, like losing your father, are floating in the wind and traveling far away. Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic. With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave. The second category in the five laws

Yat sen villa

Li Shangyin lives in the city, and it is still clear in spring and summer. The grass was drowned by the rain and finally got the love of God. The rain was sunny. Another bookshelf was added back, and the small window was bright. Birds' nests have been dried, and their bodies are light again. Five methods, type three

Format example

⊙仄仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄 仄

spring scenery

Although Du Fu's country is divided, the mountains and rivers last forever, and the vegetation is spring. Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate. The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold. Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.

Zhong Nanshan

Wang Wei, a huge city close to heaven, joined a thousand mountains to the corner of the sea. The white clouds merged behind, and the blue mist melted into the mountains and disappeared. The central peak that divides the wilderness is full of rain and sunshine. Want to find a house to live in the mountains, is it convenient for the water guide to ask the woodcutter?

Example of seven laws type-format

⊙⊙仄⊙仄⊙仄⊙仄⊙仄 (rhyming) ⊙仄

Warmly welcome Vice Governor Cui.

Du Fu is in my north and south. Spring is flooding. Day after day, I only see seagulls. The old lady didn't sweep the flower path for the guests. Today, it's only for you. Chai Men hasn't opened it for you yet, but it will open it for you today. Too far from the city, too far from good food, too thin family background, only old wine. Shall we call my old neighbor to join us, call him through the fence and empty the jar? .

Example of type two format of seven laws

⊙ Ping ⊙ Ping (rhyme) Ping (rhyme) Ping

Move left to Languan to show my nephew's item.

Han Yuxin called nine days earlier and eight thousand at Chaozhou Road later. If you want to eliminate disasters for saints, you are willing to decline and cherish the old. Where is the home of Yunheng Qinling? The heavy snow hindered the horse's progress. Knowing that you came all the way, you should have done it on purpose so that I could collect the bones by the river.

Seven-law three-format example

Yonghuai historic site

Du Fu Zhuge's prestige transcends the earth, and there is only reverence for his face. In order to plan the strategy of the world, generations seem to be Luan Feng's Luan Feng. Yi Yin and Lv Shang are neck and neck, and their command of military operations is calm, which makes Xiao He Cao Can far behind. The succession of the Han dynasty was due to luck. Although Zhuge Liang was difficult to revive, he was determined and devoted himself to the busy military.

Seven-law four-format example

⊙ Pingping (rhyme), Pingping (rhyme), Pingping and Pingping.

Climb the peak

Du Fu sobbed from the vast sky in the gale, and birds flew home on the clear lake and white beach. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.