The barren imagination and the fabricated plot completely lost the original unconstrained style of this story. When movies are out of life,
There is no way to create a fascinating fantasy world, so the embarrassment brought by this mediocrity is on pins and needles.
In Superego, the hero Sang Yu played by Darren Wang was originally a poor screenwriter with a hard life, but one night he found himself capable of turning his dream into reality.
With the blessing of this peculiar ability, Sang Yu took out the treasures in her dreams and realized them, and moved towards a life of stealing dreams and riches. Of course, the potential crisis also followed.
In fact, the concept of the film was not bad at first, but the film failed to weave a fascinating story of Inception. Zhang Yi, a screenwriter and director, doesn't know how to lead the story in a reasonable direction.
Sang Yu, who gained power,
After getting rich, in addition to squandering the huge wealth that was hard to get, it was the brother-sister relationship with Song Jiahua. If the film follows this line of thought, it will become an idol drama mode in which the overbearing president falls in love with me.
But this is obviously not what Zhang Yi wants. What he wants to express in this film, in my opinion, is to point out the profound but broad philosophical concept of "ego, id and superego" through such a story.
Therefore, the appearance of bad guys and villains created a crisis for the film and became an inevitable turning point. However, it was after the appearance of the villain that the film not only failed to explain the concept well, but became logically confused.
In the absence of narrative ability, the plot of the film becomes more and more pale and mediocre.
When the film is not supported by a strong script, everything it builds is just rootless duckweed.
The most essential problem of superego is that the film doesn't know how to create a reasonable villain image and a power to take things from dreams, so it is very melodramatic.
However, it ignores that the foundation of all this should be the true feelings that touch people's hearts. Then, about "ego, id and superego", this book is extremely profound, and many classic works express philosophical thoughts with mountains and rivers, which naturally becomes a confusing thing.
When the film ends up being dragged back to the real world, but it can't be justified, the poverty in it is obvious.
A good work needs not only an eye-catching concept, but also a pragmatic creative attitude, a power that can really touch people's feelings, which this unintelligible film does not have. Superego is just a low-level mediocrity.