He is currently a member of the Theoretical Committee of China Artists Association, a member of China Museum Association and a professor at the Academy of Fine Arts of Hunan First Normal University. Invited book reviewer of Hunan Press and Publication Bureau. Engaged in Chinese painting, Chinese and foreign art history, sculpture teaching and artistic morphology research for more than forty years. He has published more than 200 academic articles and more than 265,438+00 works in important periodicals such as Art, Art Watch, China Painter, China Art Newspaper, Decoration, Art Newspaper, China Painting and Calligraphy Newspaper and 100 newspapers. 1998 Chinese painting "Fog of Qingjiang River" and "Wuling autumn scenery" were selected for the second China-Japan Ink Painting Research and Exchange Exhibition; On July 20 12, the Hunan delegation was sent to the Confucius Institute in Montreal, Canada for cultural and educational exchange. Published works "Spirit" and "Liao Shanshui Painting Collection"; Editor-in-Chief of College Textbook Introduction to Design.
On the basis of long-term teaching of Chinese painting and research on artistic morphology, China insisted on the new creative practice of brush strokes in landscape painting, and formed brush strokes in the form of lines and dots. Mo Zhai, a famous art theorist, published an article on June 5438+February 65438+August 2008, in which he spoke highly of the academic significance of meticulous painting, calling Professor Liao an "academic painter". See "An Introduction to Painters" in China Painter, No.5, 2009.