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Wang's cursive script is vigorous and elegant, and the regular script is correct and beautiful. Calligraphers should have the temperament of kings.
The pen wins the dragon and flies in the clouds, and the ink pours into the sky to return to the artistic conception —— Appreciation of the works of the famous calligrapher Wang

Wang (Mingyu), Brother Mo of the Northland, owner of Sakura Zhai, a native of Zhaoyuan, Heilongjiang, 1949, is a famous contemporary calligrapher. He is currently the vice chairman of Liaoning Branch of China Calligraphers Association, vice chairman of China Calligraphers Association of China, vice chairman of Dalian Calligraphy and Painting Professional Committee of China Huaxia Culture Promotion Association, senior creative researcher of Beijing International Culture and Art Center, visiting professor of calligraphy at Beijing Technology and Business University, honorary president of Dalian Academy of Qi Baishi Art Research Institute of China, deputy director of China Oriental Art Museum, senior teacher of China Calligraphers Association and president of Dalian Oriental Painting and Calligraphy Institute of China.

Calligraphy is a traditional culture in China, which belongs to tradition, so people can operate a little. Calligraphy is a popular art category. Because there are many calligraphers, calligraphers can be divided into amateur calligraphers and professional calligraphers according to their artistic practice.

Amateurs take calligraphy as their entertainment, and professionals take it as their responsibility-to inherit, develop and innovate China's calligraphy art education, and to study calligraphy art from an early age without interruption, and to gain professional skills in the painting and calligraphy major of China Correspondence University, so that Wang's calligraphy art vision is very broad and his theoretical and practical foundation is very deep. The position of visiting professor of calligraphy in Beijing Technology and Business University is enough to witness the professional character of his calligraphy, and Wang is a real mainstream professional.

Of course, calligraphers' artistic achievements ultimately depend on their works. It is necessary to deeply understand Wang's outstanding achievements in calligraphy art and appreciate his works.

Northeasters are generous, but there are also many details. Wang properly integrated the temperament of the Commissioner into his calligraphy creation. Calligraphy has become a heart sutra and won people's hearts, which is a gratifying artistic achievement of Wang's calligraphy art. For example, look at his masterpiece "The Wind and the Bright Moon", which shows great beauty through a lot of male ink, exquisiteness through fine ink and soft silk, boldness and freedom coexist, and atmosphere and exquisiteness complement each other. His brushwork trend inherited the freedom and pleasure of Wang Xizhi's Preface to Lanting Collection, and then became more free and happy, which is a new creation different from Lan's Taking care of you. The artistic conception of Bing Wang's jade book "Breeze and Bright Moon" is similar to Wang Xizhi's "Preface to the Lanting Pavilion", which is touching, and so is Lanting Mingyue.

I also saw a jade book "Room Elegance" by Bing Wang, which was even more pleasing to the eye and an epiphany. China's calligraphy, the essence of line art, expresses form, taste, meaning and rhyme through lines, which is a great achievement! Wang's "Room Yalan Xiang" is very interested in the change of lines, winding and winding, using a pen like a dragon to go out to sea and reach the sky. When you press the button, the ink pours into the sky, but it will eventually be in a state of mind, which can be collected vertically and can rise and fall. Therefore, Wang's calligraphy, like the Great Wall made of blue bricks, meanders in Xiongshan and leaps to the world, which is shocking. The last word "Xiang", with the skill of twisting the pen, the dragon and snake are full of momentum, vivid in shape, fresh in ecology, tangible and intentional, and proud of the rhyme. After decades of professional pen writing, one word is a masterpiece!

The sacred merit of calligraphy should come from the basic merit of calligraphy. Wang's basic contribution to calligraphy is also far-reaching. To understand Wang's professional and profound calligraphy skills, of course, we need to look at his achievements in regular script. There are countless calligraphers who like cursive script in contemporary times, and there are no more dedicated to regular script. Regular script has no deceit, and Wang's calligraphy attainments can reach the achievements of contemporary famous artists, which has a lot to do with his painstaking practice of regular script. He is also a master in contemporary calligraphy who can correct regular script. For example, his novel Preface to the Lanting Pavilion presents this excellent spirit of eternal beauty from a correct and beautiful perspective. Small but not sloppy, small but not formal, hanging without envy, is still a subtle harmony between atmosphere and meticulous, full of masterpieces of one school and contemporary.

In all calligraphy works, the book list is a combination of mental and physical strength. Being able to write a list is a physical feat, and being able to write a list is a mental feat. Wang's famous book "Shou" uses a pen as a rafter and ink as abundant as heaven and earth, relying on a strong ability to control pen and ink. His jade book "Shou" shows the momentum of thunder rolling and the waterfall of the Milky Way. This "longevity" is very interesting in culture and has the essence of Feng Shui. It decorates the hall, which is auspicious.

There are also two works in a good mood, Dragon in the World and Pengcheng Wan Li. The calligraphy of Longteng Pengfei and Wang firmly grasps the principle that China's calligraphy is based on lines, which has profound traditional meaning and cordial modern aesthetic consciousness, and is also a cultural masterpiece of interior decoration. Calligraphy is more grounded and can better serve the needs of cultural life. Wang did it, so he is a people's artist.

China's Legend of Calligraphy and Painting, China's Master of Calligraphy and Painting and other series have reported Wang's calligraphy achievements in an all-round way. He also won the gold medal in the National Calligraphy and Painting Competition of the Chinese Academy of Calligraphy and Painting, and was awarded the honorary title of "Top 100 Calligraphers in China".