1952 was born in Beijing on May 3rd.

1968 ~ 1970 Yunnan farm educated youth.

197 1 ~ 1972 Mu Ping, Shandong Province, cut in line; Later, he became a private teacher.

1972 ~ 1973 Workers of Beijing niujie Teaching Instrument Factory.

1974 ~ 1978 Workers in Beijing Xicheng Semiconductor Factory.

1978 ~ 1982, a student in the Department of Trade and Economics of China Renmin University.

1982 ~ 1984 Teachers of China Renmin University.

1984 ~ 1988 graduate student, master's degree, East Asian Studies Center, University of Pittsburgh, USA.

1988 ~ 199 1 lecturer, Department of Sociology, Peking University.

199 1 ~ 1992 Lecturer, Accounting Department, China Renmin University.

1992 ~ 1997 freelance writer.

1April 1997 1 1 died in Beijing. The 45-year-old Wang Xiaobo's literary creation is unique, full of imagination and fantasy, but also full of rational spirit, especially his "Time Trilogy". The Trilogy of Times consists of three works, namely the Golden Age, the Silver Age and the Bronze Age. In the whole trilogy series, he tells the absurd story of human existence with comic spirit and humorous style, and describes the distortion and suppression of power on creative desire and human needs through stories. As for the background of the story, it spans all ages and shows the past, present and future fate of China intellectuals. In fact, the most remarkable thing about Wang Xiaobo is undoubtedly that he shuttles through the dialogues through the ages and changes various perspectives. On the technique of expression, he is good at describing the relationship between men and women with Jiang Yang's wanton brushwork, and describing the touching and beautiful scene and overwhelming power of love. His masterpiece "Golden Age" enjoys a high reputation in the literary world. Bai Hua, deputy editor-in-chief of China Social Sciences Publishing House, said: "All the previous sex novels were filmed in the golden age!"

In fact, his novels have never been accepted by the publishing house, also because of the sexual description in the article. In fact, these words are not as explicit as Jia Pingwa and others' little foot literature, nor as kitsch as others written by Mo Yan, but straightforward. In the field of literature in the new period, sexual taboos still exist, which is related to the deeper factors such as China people's cultural traditions, social psychology and ethical values.

Aside from the above hot spots, I have never seen anyone write like this. In Wang's novels, you can see that all the rules of so-called authenticity in literature are easily crossed. He used different rhetorical devices to write novels, and a large number of impromptu and misplaced character styles combined Zhuang with harmony, elegance with coarseness. Readers can feel the surging imagination.

Wang Duo described it in the first person. This person will always be a guy who is unhappy and aggrieved in life. He is witty, rational and clear, and he is closest to an individual intellectual who is divorced from the mainstream in his inner state and role status. This narrator also has an easily recognizable language style. Wang himself is a "literate and armed" person. He used to be an educated youth (my most admired generation). He went to the countryside for further study in America. His job is to be a math lecturer in a famous university. He writes such a good article, without losing anyone who dares to be a master. This role is also unique in China literature.