Hou Li has a beautiful sentence, which is often like a pit. (Du Fu)

Li Bai's poems are unparalleled, and his superb creativity is far beyond ordinary people. (Du Fu)

Li Bai wrote hundreds of poems about fighting wine and went to sleep in a restaurant in Chang 'an. The son of heaven didn't get on the boat, calling himself Brewmaster. (Du Fu)

Everyone wants to kill people, but only I have pity. (Du Fu)

Drunk in autumn, walking hand in hand with the Japanese. (Du Fu)

A cold wind is blowing from the distant sky. What are you thinking, old friend? . (Du Fu)

Drinking crazy songs for nothing, who is arrogant? (Du Fu)

Gao Che Li Fu is the capital, and you are brilliant, and you are haggard. (Du Fu)

Poetry can never be separated from talent, talent, land, talent and talent. I got Li Taibai from the genius, Du Zimei from the earth and Wang Mo from the genius. Taibai wins in charm, Zimei wins in rhythm, and Mowa wins in reason and interest. Too white is easy to tune, and the size of the child is beautiful. Every word conforms to the teachings of Mahatma. (Xu Zeng)

When the wine enters the intestine, it is divided into moonlight, and the rest is divided into firm but gentle. When the cuffs are spit out, it is half of the Tang Dynasty. (Yu Guangzhong)

Li Bai's couplet is:

Wan Jin Qing feng shan shui

A boat full of bright moon, a boat full of wine and a boat full of poems.

In the shed, on the millstone

Relying on the sword, hanging the bow to help the mulberry.

Sadly, what is this desolate bone?

Once wrote an earth-shattering poem.

Immortal poems are empty.

The first floor of Chutian in Mingdajiang.

Crazy that everyone wants to kill someone.

You can't shout when you're drunk.

Du Fu had a close relationship with Li Bai and wrote many poems in memory of Li Bai.

Poetic Friendship between Li Bai and Du Fu

Li Bai lived at the eastern foot of the Tang Dynasty from the end of Kaiyuan to Tianbao. The land of Dongluqi actually refers to Yanzhou. In the Tang Dynasty, Yanzhou was renamed as Lujun (in the first year of Tianbao, Yanzhou was renamed as Ludu, in the first year of Gan Yuan, Yanzhou was renamed). As Li Bai moved here, Du Fu's father Du Xian was also an official here, and Li Bai and Du Fu met many times in Yanzhou. To study the first gathering of these two great poets, we must first find out when they first came to Yanzhou. This is a controversial topic.

Li Baijia made a trip to Yanzhou two years before he moved to Yanzhou, and in the summer of the 22nd year of Kaiyuan (or the year before last). After he entered Chang 'an, resigned from his post and left Beijing, he went to Bianzhou, traveled to Yanzhou, went south, went to Donglu first and stayed in Yanzhou for several months. In this respect, Li Bai's chronicles from the Ming and Qing Dynasties to the present are all forgotten. Fortunately, there are some works written by Li Bai in Yanzhou, which can be used for textual research, namely, A Journey to the East in May, Ridicule on Ru Ru, Sending Away for Ten Years, Early of the Month, and Giving a Defect to Wang Xiaoju.

The poem "Journey to the East in May" states that this trip is for Li Bai, and I was alone when I first arrived in Shandong. At that time, Bai was still young and not an official, in order to "visit the future with a whip" and "learn to come to Shandong" It only says here that he came to "learn the sword" and there is no sign of moving home. Poets are eager to learn and make progress, so they stay here, return to Anlu, and prepare to go to Beijing again, that is, "westbound straight road" and so on. Wang Qi's Chronicle of Li Taibai in Qing Dynasty called this poem "the first visit to Shandong". It is said that he had not moved home at that time.

Ru Ru in mocking Ru Ru and Weng in the last poem are the same person, because the last poem has not finished mocking this Weng. It is an extension of the last poem to reprimand him again by mocking Ru Ru. The poem shows that the young poet is generous in words and deeds, and ridicules Lu, a Confucian scholar, without scruple.

The twelve poems in Farewell were written by Li Bai in Chang 'an, Luoyang and other places when he was about 30 years old, and were the works of Mrs. Xu when she was alive. The Tenth Song was written for a tour of Yanzhou. The poet missed his family after a long separation, so he wrote a poem on Lu Mao. Mr. An Qi pointed out that "Sending Ten Years Away" was written in the land of Shandong (see the explanation of "Sending Ten Years Away" in Annotations on Chronology of Li Bai's Complete Works). Yu Xianhao's Li Bai Dictionary also points out that this is a work written in Shandong.

The poem "Early Moon" is a poem written by the poet looking at the moon by the Surabaya River in Yanzhou. Because of the orchestral dance music on the Yao Ci Pavilion, he remembered the scene he saw at the border of Zhao Yan not long ago, and felt that he was "fond of controlling guests, but worried about killing soldiers".

"Give Wang Shaofu, Wrong Mountain" is also the first time to visit Yanzhou. Shaofu is also a county commandant. Li Bai and Wang Shaofu exchanged poems when they first made friends, but Gai was unable to meet again because he was about to leave Lu. The poem says "I fish secretly", which shows that Li Bai did not meet ginger at that time, and his reputation was not obvious. The phrase "when you are a jade, divide it" seems to be that a person said something harmful to him and asked for clarification. Wang Shaofu, who paid little attention to Li Bai, was praised in the poem, knowing that the poet was still young. Zhan pointed out that this poem was written when it was "not yet in power"; Angie pointed out that it was written when it was still "humble"-that is, when I first traveled to the East Land. Since Li Bai had the intention of moving the capital to Yanzhou, he had to submit to the local governor, or listen to people's advice and made this poem as a gift. According to the above poem, we can briefly describe Bai's first travel destination two years before he moved to the east foot (I also wrote "On Li Baichu's Works of Traveling to the East Foot").

From May to autumn, Li Bai lived in Yanzhou, got together with the six ancestors of Rencheng and their brothers, and met local governors such as Wang Shaofu and Liu Changshi, as well as Zhu Xi's Liu Yi's Confucius and others. Maybe he lived with Du Fu in the official residence, while Fang lived for a little longer. This is the earliest estimate of Du Li's first encounter. During this trip, I decided to move to Donglu two years later and made corresponding preparations. This is a long journey after entering Chang 'an, and its route is: from Anlu-Luoyang-Chang 'an-Luoyang-Song Liang-Yanzhou. After Liang and Song Dynasties, he returned to Anlu. It took four years from leaving home at the age of 30 in the eighteenth year of Kaiyuan to returning to China.

In Du Fu's Teenager, there are three theories about the specific time when he first came to visit relatives in Yanzhou. In Qing Dynasty, Qian, Qiu and others thought it was the 25th year of Kaiyuan, while Wen Yiduo, Guo Moruo and Xiao Difei thought it was the 24th year of Kaiyuan. Modern Wang Zhu has Textual Research on the Time of Du Fu's First Visit to Yanzhou and New Examination on the Time and Place of Li Bai's First Meeting with Du Fu (both included in Li Bai and Du Fu in Yanzhou), and thinks that "in the spring of the twentieth century of Kaiyuan, there was tribute, which began with his father in Yanzhou, and Du Fu's father served as Sima in Yanzhou". In the 22nd year of Kaiyuan, Du Li joined forces in Yanzhou for the first time, which is an indisputable historical fact. Prove that "Du Fu lived in Yanzhou because of his father ... in the spring of Kaiyuan twenty years ago, he arrived in Yanzhou two and a half years earlier than Li Bai". It is meaningful to demonstrate this argument in detail. Li Bai's poem "Two Boating at the East Foot Gate" was written in the early spring of the year after he moved to Yanzhou. In Du Fu's "Send Li Twelve Whites and Twenty Rhymes", there are "drunken dances in the garden night and spring songs in Surabaya", which coincides with Li Bai's boating in Surabaya in early spring, revealing signs of traveling together. Wen Yiduo's Chronicle Notes of Mr. Shaoling said that "Bai Jiaben is in Luxian County. Gong's "Twenty Rhymes of Sending White" said, "Drunk dancing in the garden night, singing in Surabaya Spring". The following spring, Bai traveled to Liangyuan and arrived in Yanzhou (Note on Mr. Shao Ling's Chronology). The two met in Yanzhou earlier than this time. I've been here for several years, and we all know each other. It's just hard to find reliable evidence.

In the third year of Tianbao, Li Bai Marsh left Chang 'an to Liang and Song Dynasties (formerly known as Luoyang). When he met Du Fu, Du Fu's "Send Li Twelve Whites and Twenty Rhymes" had the words of "begging for the best, meeting my heart", and it was humiliating to live in seclusion. In "To Li Bai", there is "Hou Li's golden words, seeking from things". The taste is poetic, which was well known at that time. It is generally believed that LESLEY will get together at this time, but I'm afraid it's not true. Du Fu created a vivid image of Li Bai in Song of Drinking Eight Immortals before this gathering. The profound friendship concluded earlier than this time can also be found in many poems of Du Fu.

Du Fu's poem "Seeking Fan Ten in Seclusion with Li" wrote that "Yu Yidong is a guest, and he is like a brother. Drunk in autumn and walk hand in hand with Japan. " There is a phrase in Li Bai's poem farewell to Du Fu in Lujun County: "After a few days of drunkenness, I went to the pool platform". In Yanzhou, they went boating in Surabaya and walked hand in hand through Lucheng, which was once as famous as Yanzhou Building. In Du Fu's poem "Climbing Yanzhou Tower", the sentence "Float to Lianhaidai, Ye Ping to Qingxu" is quite close to Li Bai's poem "Eyes fall on Surabaya, the sea is vast". "The north of the Great Wall is a blue mountain range, and the east of it is a white waterline." The sentence pattern is iconicity, and the vision is broader. I can't help but guess that Taibai helped Shaoling change poetry at this time!

In the autumn of Tianbao four years, they got together, sat for a long time, got up at a loss, rode a horse and visited Fan Shi in the north of Lucheng. On this trip, Li Bai wrote "Looking for Fan Jushi in the north of Lucheng, seeing Fan buying wine and picking Xanthium", and Du Fu wrote "Living with Li Xun Fan in Ten Houses". Visiting Fan has become an eternal story. Referring to the second poem, the white poem has "the geese fly over the flowers and the autumn colors are far away", Du Fu's poem has "the sunset smells the cold", and there are autumn, visiting Fan, and the white poem has "suddenly remembering Fan Yeren and resting in the garden to keep quiet. Full of joy, but dare not come late. " In Du Fu's poems, "I want to live in seclusion more, and I want to find Guo Sheng in the north". On the way, Baishi wrote "The moat got lost" and Du Shi wrote "Tunyun returned to the ancient city". White poem "smile at the beginning, who is the arm?" Du Fu's poem is "Getting started is high, serving children well". Yes, resign. Li Bai said "I don't care about Cui", and Du Fu responded with "I don't want to talk about money". Li Bai's poem "Ode to a Tiger" is a whim, while Du Fu's poem "Ode to an Orange ..." is full of romantic feelings, while Du Fu's poems are full of romantic feelings. These similarities can be seen in the works of the same outing. Du Fu seems to imitate Li Bai intentionally. Wen Yiduo (Notes on Mr. Shao Ling's Chronology). It is pointed out that "(two poems) mean similarity and should be written at the same time." In the first year of Tianbao, Yanzhou was renamed as Lujun, and there was the word "Lucheng" in the poem, which is known as the masterpiece of Li Dutong in Yanzhou in the fourth year of Tianbao.

"Thank you for coming to the imperial court. I will whistle and return to my hometown." After Li Bai was released, he was summoned by Hanlin as a civilian. Take off Cui Qiu and put on "corner scarf micro-service"; From the beginning, when I entered Beijing in high spirits, I returned to depression and sadness. Ambition is hard to pay, and talent is hard to meet. "Broad sky, and heaven remains our neighbourhood." The mind was hurt, and Li Bai regarded it as "lost" and compared it to "the horse's head is obsessed with evil." Taking "being bullied by Xanthium sibiricum" as a metaphor, the villain in the DPRK is like a piece of soil, just like Xanthium sibiricum. When he lived in Yanzhou at the beginning of the year, he was "singing the song of spring" and had a beautiful vision for the future. Saying goodbye to children, I went to Beijing with a letter, "laughing at the sky and going out", intending to "lobby thousands of times", but it backfired. "Although the King loves Emei deeply, there is nothing he can do but kill people in the palace." After experiencing the process from being optimistic to being left out in the cold, times have changed, and the past and the present are very different. The feelings of resentment are beyond words, and the mood is difficult to calm down. Only this quiet village can be "happy for nearly ten days". The warmth of the farmyard soothes the great soul of breaking the law. During this period, the two people got along for a long time, their friendship deepened, and the topic was indulgent, so that they were joking at the same time, which was the so-called "making waves" (Li Bai visited Fan Shi). This is a kind of leisure life after "getting rid of things" (Du Fu's sentence).

When I visited Fan, there was also a chorus poem, which was a play by Li Bai for Du Fu. Du Fu's To Li Bai (Qiu Lai cares about him), two poems with true feelings, has not been understood by researchers for a long time.

The poem "A Play for Du Fu" was misunderstood by Hong Mai and others because it was not included in the Collected Works of the Tang Dynasty, and it was considered as "the work of a busybody" and "it must be a fake". Errors in Guo Moruo, An Qi and Yu Xianhao's masterpieces. A careful examination of this poem is by no means a forgery, but a work of singing in harmony. This is what he wrote when he visited Fan Shi, walked out of the village in Fan Shi and passed by Kefan. Two quatrains lead to an anecdote about Du Li's friendship. Yanzhou Daishan is the Mi Shan where Du Li meets and writes poems. In this regard, Mr. Fan Yingmin and Mr. Yu Du made textual research according to the local chronicles of Ziyang County and the Dictionary of Ancient and Modern Place Names of China.

If we know when this poem was written, it is not difficult to understand it. Two people from fann village back to Lucheng, conversation is still a joke, and Li Baiyou a poem:

Every mountain meets Du Fu, and Dai Li stands out on the first day.

Don't be too thin, but you are always worried that you can't write past poems.

Feeling of this poem, Du Fu replied with "To Li Bai":

Qiu Lai is very concerned about him, but he is not ashamed of Ge Hong for cinnabar.

Crazy songs, empty life, who is domineering?

Du Fu's tour of Fan Shi begins with "Hou Li has a good saying, which is often like a silver pit". Compare Yin Keng and Li Bai, poets of the Southern Dynasties. Li Bai laughed at Du Fu for being "too thin to ask questions, but always suffering from being unable to write poems". Therefore, Du Fu boasted that Li Bai was adrift, ashamed of Ge Hong, and wasted his time, which was "overbearing" and was a witness to their profound friendship. In the meantime, sleeping together at night, walking together every day, getting together for a long time, being close as brothers, these two playful poems have a deep emotional foundation.

It is extremely true to write Li Bai with "drinking crazy songs" and "flying around" and Du Fu with "bitter poems". These two unique skills can not only reveal the true feelings, but also reveal the character, image and language of the characters. This is indeed an important job. Tang people were not selected for the collection, probably because of poetry.

The autumn of Li Bai and Du Fu's "Cloudless Wan Li" is the harvest season of "hanging dates in the north and cold melons and vines in the east fence". "Qiu Lai cares", the world rises and falls. Li Bai, who is in his forties, is gradually entering the autumn of his life. "I thought it was crisp in autumn, but who knows it?" Autumn in the poet's mind is brilliant. From entering Beijing to returning to the mountains, it is the dividing line between his life and his later period of creation, which has influenced his tortuous spirit and works. In Li Bai Ji, more than four-fifths of the major theme works were completed in the later period.

Du Fu visited Qilu for the first time and finally left Luxi in the early years of Tianbao. There is a sentence in his poem "Zhuangyou": "1I am very happy to return to Xianyang in 989". The "happy" people, because of their slow travel and affection, especially reunited with Li Bai.

In Li Bai and Li Bai Biography by Angel, it is pointed out that Du Fu's poem "Give Li Bai" was written during his visit to Fan, so there is no doubt about the writing time and place of Li Bai's song "Give Du Fu a Play".

Angela wrote in the biography of Li Bai:

When leaving, Fan Shi asked them to write poems as a souvenir, Li Bai wrote a poem "Looking for Fan Jushi in Lucheng North" and Du Fu wrote a poem "Living in Seclusion with Li Xun".

Du Fu and Li Bai are also going to break up. Li Bai gave Du Fu money at the Shimen of Yaoci.

Together, they all feel like flying in the wind ... their work can't be successful, and the cinnabar is not used up. They drink crazy songs, regard wealth as a cloud, and treat princes as dirt, just for a moment's pleasure. So Du Fu has a poem "To Li Bai" (Qiu Lai cares about him).

I wonder when they will get together again. Let's have a few more glasses of Lu wine in front of this stone gate. Li Bai wrote a poem entitled "Send Du to Dongshimen, Lujun".

The visit to the north of Lucheng was connected with the farewell time of Shimen, which was in the autumn of Tianbao four years. If you say "don't get drunk for a few days", you mean drinking at Fan's house. Then, the phrase "all over the pool platform" should also include scenes of walking, singing and reciting poems on the Ke Fan.

Later generations noticed that Du Fu gave Li Bai as many as 15 poems, as well as poems related to Li Bai, totaling nearly 20 poems. It is believed that there are few poems written by Li Bai for Du Fu (Li Bai's dictionary points out that there are only three poems: The Army sends Du Dongshimen, The Dune Gate sends Du Fu, and A Play for Du Fu), and it seems that Du Fu values friendship more. A little wronged Li Bai, I thought Li Bai gave Du Fu's poems, but some of them were not recognized, such as seeing friends off:

Green mountains are located on the north side of the city wall, and the sparkling water surrounds the east of the city. Here you must leave me, drifting away, the symbol of Wan Li.

Wandering, so think of me in the sunset. With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave.

Shake hands with friends, the poet is in the open country. Love at first sight, dear friends are reluctant to part. Life is turbulent, the road ahead is boundless, looking up at the sky and drifting into the sunset is also sad-who to shake hands with, so that the poet is so disappointed!

When it comes to this poem, predecessors paid more attention to reading, and few people studied it, because the poem only wrote farewell to Fujian and said goodbye, and the time and place of writing was almost a mystery. "Notes on Selected Poems of Li" said: "I don't know who to give this poem to. And Northland and Dongcheng, I don't know why? " "Notes on the Complete Works of Li Bai" said: "The time and address of this poem are unknown." However, there have also been articles about the location of poetry, including Nanyang, Xuancheng and Jinling, which are limited to speculation and difficult to be accurate. In recent years, this poem was written in Yanzhou. Only when Li Bai has a home here can there be activities to see Fujian off. There are nearly 20 poems about seeing guests off in Yanzhou, and seeing friends off is one that can't be ignored. Most of the places to see guests off are in Yao Temple, east of the city. The land and water are convenient, the traffic is busy, and there are many restaurants, so it is convenient to hold a banquet to see you off. In addition, the scenery is pleasant and poetic. "Send a friend" is also written on Shimen Road near Surabaya, Yao Temple. Twenty kilometers to the north, Jiuxian Mountain is lined up, which means "Blue Line Mountain in the north of the wall". Surabaya flows from Qufu to the west. When it enters Yanzhou, it turns to the south and flows to the southwest, which is called "a white curved water with the east of the city." Li Baidong's works describe the floating clouds on the Yuan Ye and the sunset here. The poem "Beautiful Mountains and Green Waters" in "Yao Temple Farewell to Dou Mingfu in Lujun County" is close to the first couplet of this poem. The horse in the poem, that is, the horse in the poem "Yao Temple Pavilion Banquet in Qiulu County" that "sent the golden rooster to rest the saddle and rest the ancient wood". In the poem "Farewell to Dou Mingfu", it is written that "Chao Ce plows eyebrows (grain), but the whip can't be lifted", riding a horse from the middle of the Dune in Lumen East to Yao Temple three miles away. This is the round trip from Li Bai's home to Yao Temple. At a similar time, it was the same horse. After seeing his friend off, he kept company with the lonely poet.

Li Baidong-lu's poems about seeing guests off all refer to the people who were sent away, and seeing friends off is unique. I mentioned that this poem was written in Yanzhou in 1995 and 1996 "Talking about Li Bai's Family in the East" (a study of Li Bai in China), and pointed out that it was a sequel to another Fujian poem. Because Taibai's poem "Ten Lost Nine", what is it? I dare not explore for the time being.

Once we focus on the writing place of Li Bai's poem "A Play for Du Fu" and repeat the poem, the word "Peng" in the poem is quite impactful, which is related to the sentence "Flying Peng Yuan" in Dong Shimen and Lu Jun's poem for Du Fu and the first sentence of Du Fu's "For Li Bai", which leads to the image of Peng, obviously related to Du Fu.

From entering Beijing to returning to the mountain, Li Bai experienced great setbacks, resentful and full of emotions, searching up and down, and confused about the road ahead. So Du Fu's poem says, "Qiu Lai cares for him, but he is still floating." . Soon, Du Fu traveled to Lu, and the two broke up in Dongshimen, Lu County. Li Bai sent Du Fu a poem "Flying Peng to Travel Far", and in Farewell to Friends, "Wan Li Sign of Arc Peng" appeared. The comeback of the word "Peng" is obviously very important. The word "Piaopeng" is used when two people get along frequently, follow each other, and are preoccupied. Very weighty.

Xiao Difei's Annotations on Du Fu's Poems notes that to Li Bai, the word "caring for each other" is like "seeing each other as old friends". When we were wandering in Shandong, we took Pu Peng as a comparison. Mr. An Qi knows Du Li very well. In his masterpiece "Biography of Li Bai", there is a description of the farewell ceremony at Shimen. He said, "They all feel like a canopy flying in the wind. I don't know where to settle down? " Mr. Chen Yixin noticed the word "Peng", and the fourteenth chapter of Du Fu's comments was titled "Zhuanpeng". The information revealed by the word "Peng" provides a basis for inferring the writing time and place of farewell friends and friends who have been sent away.

This poem has a profound friendship background, and the word "Peng" is used at the right time and has profound implications. The poem "Farewell, Friend", all its emotions, are due to farewell to Du Fu. "Needless to say, I am willing to turn." ("On the East Tour in May"). Li Bai made such a confession when he first arrived in Yanzhou. In order to realize his ideas, he is willing to wander around like a floating grass.

Farewell to Friends and Farewell to Du in Dongshimen, Luxian County are works of the same period and are sequels. The title of the main poem has the words "farewell to Du Fu", and the sequel has the words "farewell to friends". This poem seems to be the work of other friends in Notes on Chronology of Li Bai's Complete Works and Notes on Li Bai's Complete Works. There is a poem before and a poem after. The two are related and poetic.

A closer look at their poems shows that they have been getting along for a long time and know each other well. Du Li's party is by no means limited to the time from Liang Song Tianbao's three-year party to Shimen's party next autumn. The earlier party suddenly fell on the researchers.

According to the new theory, Li Bai and Du Fu became attached at the latest in the 24th year of Kaiyuan, when Li Bai lived in Yanzhou and Du Fu's relatives lived in his father Du Xian's official residence, and both of them had works written in Yanzhou at the same time. I have studied these works for several years because I know I am in Donglu. I have been walking along the Surabaya River in Lumen East since Singing in Surabaya Spring. Later, there were more and more parties and more friendships. Shi Li's poem "Looking for Fan Jushi who lost his way and fell into his ear in the north of Lucheng" and "Playing for Du Fu"; Du Fu's "Seeking Ten Exquisites from Li" and "Giving Li Bai" are the later works of their reunion in Yanzhou. Li Bai is different from other Yao Temple's poems about seeing Du Fu off. Send Du to East Shimen, Lujun, write a toast and shake hands, send a friend, write Du Fu just left, and send Du Fu to Dune Gate, write thoughts. The three poems have the same emotional context and can be regarded as a group of poems. Take "A Hundred Poems by Li Bai" as an example. "White poetry is invincible, floating in the air, thinking of no group." Sentences such as "Putting pen to paper scares the wind and rain, poetry makes you cry" show Du Fu's admiration and respect for Li Bai. I miss Du Fu, and I will send you to the south if I miss you. The affection in the poem "Farewell to a Friend" is due to the parting with a close friend. From the poet looking up at the sky and waving goodbye, we can infer the image of a friend who was sent away. So think of me in the sunset, who is this "old friend"? He is a companion who goes boating under the moon, a friend who hunts together, an old friend who travels with him, and a brother who walks with his peers on Junshan Mountain, that is, Du Fu who had a drink with Fan's family a few days ago. "On the platform of the whole pool" is a word "all over", which means that we often meet. Today, at sunset, on Shimen Road, I can't help but raise my hand, love each other and write poems over and over again. There is a sentence "So, I dream" in Du Fu's "Two Dreams of Li Bai", which is regarded as the scene of Shimen banquet to reproduce my dream. Calling each other old friends again and again is quite intriguing.

The poem Farewell to Friends was highly valued by Du Fu, who wrote two poems by Li Bai in his dream. The second poem begins with "The cloud that floats in the sky all day may be like a wanderer and never come back" and becomes "I will think of you in a floating cloud". Du Fu missed Li Bai and Donglu, the green hills in the north and the white water in the east.

When reading works with similar themes at the same time, you can often get a deeper understanding. For example, Li Bai's cross-references in Lu Jun's Yao Temple Back to Xijing, Douminglou and Dream of Climbing Mount Tianmu show the sublimation of emotion and the refinement of language images. Li's poem "A Play for Du Fu" and Du Fu's poem "Giving Ben Bai" refer to each other, which can be used as an ensemble poem to show friendship and infer the time and place of writing. This paper tries to interpret "Seeing Du off at the East Shimen in Lujun" and "Seeing Friends Off" together.

Not drunk for a few days, boarded the pool platform. When will Shimen Road open again?

Eyes rested on Surabaya, and the sea was bright. Flying over the eaves and walking on the wall, looking at each other from afar, the cup is in hand.

[Background]: In the autumn of Tianbao four years, Du Fu will leave Yanzhou, intending to associate with Li Baiduo. The two went to Fan Jushi's house in the north of Lucheng to set up a workshop and go to the northern countryside outside the hubbub to breathe fresh air. The host treated each other warmly, drank and talked, slept together when drunk, and gave poems as a joke. A few days later, Du Fu went west and they shook hands in Gu Men.

[seeing Du off at Dongshimen, Lujun County]: Once I was drunk for a few days, I visited Yaoci and Lushan Mountain together, and traveled all over the east foot pool platform. Break up today, hope to see you tomorrow at Shimen Road. Looking into Surabaya's eyes, I remembered the days when Zhu Xi and Liu Yi lived in seclusion. At present, grass turns and people drift on the water. When we are about to embark on a long journey, we will raise our glasses before drinking and put our affection in the wine.

[Farewell to friends]: After a while, Du Fu left and the poet stopped. Looking around the village where we traveled together a few days ago, there was a mountain in front of the village, where we strolled and wrote poems. In the distance, the green hills lie in the north of Lucheng. Time flies, it is rare to get together. Only Surabaya, which surrounds Dongcheng, keeps flowing. This farewell is like a flying canopy floating from Wan Li. The clouds and sunset in the sky are lingering, as if they understand the state of mind of leaving people. Raise your hand again. Have a nice trip. I know Banma, singing in a rustling way.

The two most familiar works of Li Bai's East Road are quite interesting because of their close connection by chance.

On the poem "Snow Poems for Friends". This is a controversial four-character poem. Who is the woman reprimanded in the poem? There are two opinions: one is that it is wrong to accuse fornication. Hong Mai's Rongzhai Essay, Liu Kezhuang's Houcun Poetry Talk, Zhao Yi's Oubei Poetry Talk, Zhan's Chronology of Li Bai's Poems and An Qi's Annotation of Li Bai's Complete Works Chronology all hold this view. Or think that his wife Liu and Guo Moruo advocated this, saying that "after Liu and Li Bai divorced, they told Li Bai's friends about it and defended themselves" ("Li Bai and Du Fu"). When we agreed before, it was probably four years after I went to Korea and returned to the mountains. According to the previous sentence "Know right from wrong at fifty", it is one year, afraid of making mistakes. "Fifty knowing right and wrong" comes from the sentence "Fifty knowing wrong for forty-nine years" in Huainanzi, which is not the year when Taibai wrote poetry.

Angie said, "When I wrote snow poems, I was white, or I was in trouble, because I expressed my feelings and worries to my friends" (Note to Chronicle of Complete Works of Li Bai).

Du Fu respects Li Bai the most and has a deep understanding and concern for Li Bai. He knows best about going to Beijing and returning to the mountains, and he prepared his story when he met in Luoyang. Du Fu called it "getting out of trouble and asking for it" and "bring disgrace to oneself at the same time". This kind of topic was the most talked about during Fan Shi's visit. When Du Fu was tired of listening to it, he took "unwillingness to talk about money" as an obstacle, or used it to comfort Qu Yuan's exile, as evidenced by a sentence in Ode to an Orange. Qu Yuan languished and stagnated in the river beach. Li Bai's mood at this time is really like Qu Yuan who was thinking about Zehe in exile. I was bullied by Xanthium sibiricum because I lost my way. Today, he resolutely resigned from Beijing and returned to China at the expense of Cui Yun. Thousands of years later, the wind is surging. Far-sighted, uplifting spirit, sprouted the idea that "Qu Ping's Ci and Fu hangs the sun and the moon, and the Chu King's pavilion is empty", which is in line with Ye Xue's will to "make it up with words, but last forever". This poem begins with "I have been addicted for a long time", which is different from Du Fu's poem "I am drunk, who is proud?" And the phrase "fifty mistakes are common in the ancients" shows that he is willing to listen to advice.

As a story about the experience of being vilified, Snow Poems as Friends should be given to those who are most concerned and familiar with the inside story. So there is this poem with snow as its content.

When he was neglected in North Korea, he got into trouble. He expressed "sincere truth" in Yi Xue's poems. At this point, "Who tried Yu Zhizhen"? Only "self-knowledge" and "listening" (two sentences in this poem) can show Du Fu's loyalty.

The poem "Snow Poems as Friends" can be compared with the poem "Fear". I am afraid of rumors. Who should I talk to? To the people who care about him the most. Who is this poem for? Show du fu. The purpose is to express anger, so poems can't be based on friends' surnames. After reading this poem for the first time, I want to give a brief introduction and talk about it.

In autumn, a banquet was held in Yao Lu Temple Pavilion to bid farewell to Du Fu and serve the royal family. This poem was interpreted by Guo Moruo as "a farewell banquet for Du Fu and a demonstration of serving the royal family", that is, Fan Shi resigned and returned to Beijing, living in seclusion in his hometown north of Lucheng. And pointed out that the word "all show", the transcript is appropriate, and the word "que" is noted. After that, the word "fu" is used as "complement", and then it jumps into the text. Fan is not the object of the party, so it is called "Double Show". The first person to call this poem "Farewell to Du Fu" was Duan in the Tang Dynasty. When he saw a book with the words "Du Buque" as "Du Kao Gong", he pointed out that it was Du Fu. According to the poem, it is still difficult to determine whether this statement is accurate. But the poem might as well this scene, it is better to send du:

I thought it was crisp in autumn. Who is crisp in autumn? The mountains will set the sun, and the water will clear the sky.

Lu wine white jade pot, send me into the brocade book. Rest the saddle and rest the ancient wood, untie the belt and hang the horizontal branches.

Songs and drums return to the pavilion, and the wind blows. Clouds return to the blue sea and evening, geese have no blue sky.

Lost in Wan Li, lost in thought.

The places to see the guests off are Yaoci and Shimen, and the time is also autumn, both at sunset. "Wan Li We Lost Each Other", the itinerary also coincides with Duffy's trip to Xianyang. This poem is consistent with "Like a loose aquatic plant, it stretches for hundreds of miles" in "Seeing off a friend" and "Flying over the eaves and climbing over the wall, and heaven remains our neighbourhood" in "Seeing off Du Fu at Dongshimen, Army County", which shows this connection. Du Fu once told Fan Shi that he had an appointment in advance, so he came to the party. If this poem is really written for Du Fu, it should be written at the same time. Guo Moruo's discovery can be studied by senior researchers.

"Dune City Send Du Fu" is the most famous and important poem of Li Baihuai's Du Fu. It is usually written in Yanzhou, and Donglu is Tianbao for five years:

What am I doing here? Lying high in the sand dune city, there are ancient trees on the edge of the city, listening to autumn sounds day and night.

Lu wine is not suitable for drinking, and it is empty and sentimental. If you miss you in the water, send you to the south.

Li Bai lives in the sand dune house at the east foot. As the sun sets, he misses Du Fu, who is on a long journey, and his emotions are overwhelming, so he sends his feelings with poems. According to the title of the poem "Under the Dune City" and the poem "Lying on the Dune City", we can know exactly where Li Bai East Road lives. In addition, the words "My home is near the sand dunes", "My home is in Donglu" ("Send two children to Donglu") and "My second son, Lumen East" ("Send Yang Yan to Donglu") in the poem "Send Xiao 31st Road to Shandong to ask Boqin Masako" are very clear. It's just that the predecessors didn't know that this sand dune was in Yanzhou, and it has been a mystery for thousands of years. An Qi explained in Notes on Chronology of Li Bai's Complete Works: "Sand dunes refer to the remnant hills in Yanzhou (Lujun)." Yanzhou government ruled that "sand dunes are two miles outside the east gate" and Du Fu was in Chang 'an. While researchers were thinking about Li Baidong's residence in Lu, the stone carving of "The Three-Year Statue of the Qing Dynasty in Beiqi River" unearthed in Yanzhou in 1993 was engraved with the sentence "Time really sinks within the east side of the sand dunes", which confirmed the existence of the sand dunes in Yanzhou. The mystery of sand dunes has finally been solved. It was wrong to think that Li Bai's family was in Rencheng. In Rencheng, there are two restaurants named "Li Bai Drunk Here" and "Li Bai Restaurant" in Guang Shen, but they are Helan Restaurant where he has lived many times. Replacing Yanzhou County with Dune City is also seen in Luo's articles in the early Tang Dynasty, which is well known by Tang people.

In the poem, the autumn sound of ancient trees is used to describe the poet's loneliness, and Lu wine is used to write the pain of missing. Seeing Shimen's eyes again, I sent my thoughts to Wenshui of the Southern Expedition and wrote a heartfelt speech.

Li Bai's poems about Du Fu include Send Du Fu a Play, Send Du Er Fu to the East Shimen of Lujun County, Send Du Fu to the Dune Gate, Send a friend away, etc. There are also several poems written by two other people when they travel together. This elder brother, who is eleven years older, has also made considerable achievements. It is especially rare to send feelings in poetry.

When Du Fu left Lucheng for Chang 'an, he was so sad that he missed Li Bai more and more and regretted not having more time together. In the severe winter, "I always think alone in the lonely study." I was pregnant with Li Bai in winter. In Spring with Li Bai, the evaluation of Li Bai is "Bai Ye's poems are invincible", and I look forward to seeing you again, "focusing on detailed discussion". Kong Chao's father died of illness and returned to Jiangdong. Du Fu asked him to go to Yu's cave to find Li Bai and say hello to him. Li Bai was wronged because he entered the curtain of Lilin in Wang Yong, and Du Fu paid special attention to this and expressed his deep grievances with poems. Miss the haircut, so that "I dream of you for three nights now". Written in Li Bai's twilight years, twelve poems of Bai He and twenty poems of rhyme presented to Li Bai are considered as a poetic biography.

Li Bai "helps the poor". The ambition of "making the atlas big and the sea clear" is in line with Du Fu's life wish of "making the monarch Yao and Shun superior and then making the customs pure". His creation influenced Du Fu, without Ren Xia, his noble character of loyalty and helping others inspired Du Fu. There are many similarities between their ideas about life and the art of poetry. In poetry, the two obsidians respect each other, have sincere friendship and have a deep attachment to poetry, and poetry connects two great hearts.

Li Bai's A Life of Low Appreciation for Xuancheng (Wang Shizhen's Poetics) is full of gratitude. Du Fu was particularly infatuated with Li Bai, and as he grew older, he became more and more infatuated with Li Bai.

Li Bai and Du Fu met in Liang and Song Dynasties, Danfu, Yanzhou, Jinan and other places, but their first meeting and last meeting were in Yanzhou, where they spent the longest time together. The poems presented by Li Bai to Du Fu were all written by Yanzhou. Yanzhou is the most important place for Du Li's friendship.

Du Fu traveled to Zhao in his youth, arrived at the east foot, and wrote a famous article "Dengyanzhou Building". In the poem, "the east county is near the court, and the south building is at the beginning." I explained the purpose of this trip and broadened my horizons. Before I finally left Shandong, I felt that I was called "Shandong Li Bai" and called myself "Yu Yidong Guest", which was different from Li Bai's calling Yanzhou Dune in Shandong as "home", "hometown" and "lair". From these words, we can see the deep love between poetry immortals, poets and this land.

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