Showa refers to the year number used during Hirohito's reign in Japan, and the time is192665438+February 25th ~198965438+1October 7th. There are many works in this era, the first generation of Altman (65438+July 0966-65438+April 0967 with 39 episodes), followed by Severn Altman (19671kloc-0/October-1September 968 with 49 episodes). Jack Altman (1971April-1972 March all 565433 Ultranman Taro (1973 April-1974 April 53 episode) Leo Altman (1974 April)

Altman shot in this period was divided into Showa period because it was a work created in Showa period.

Heisei refers to the year number of Emperor Akihito of Japan, 1989 65438+ 10. On October 8, Crown Prince Akihito ascended the throne, and it was changed to Heisei from that day on, which is still in use today. Heiping's first appearances were Diga Altman (1episode 52 of September 1996-1August 1997), Dana Altman (1September 1997-1August 1998) and Gaia Altman (1August 1998). Not only are they the first Altman in the Pingcheng era, but they have entered another period of Altman from this period, because Altman has changed from a primitive universe to an ultra-ancient giant of light, and Altman has changed from a single red and white color in the past to a multi-color with changeable abilities. More importantly, in these three films, the key battle is that human beings play a key role, and it also highlights the emotion between human beings and giants, which is in Didi.

To put it bluntly, Altman filmed after 1989 belongs to the Pingcheng period, but these three films are called the Pingcheng trilogy because they first broke the inherent defects of Altman. Meng Biyou, if only according to our times, belongs to Altman in Heisei period. But Meng Biyou and Altman in the Showa era came from the same world view, so he can also be called another young soldier to defend the earth after Altman in the Showa era! It can also be understood that Otto sent a young exhibitor to defend the earth in the late Heisei period, which is not the same world as the Heisei period of Dijia Dana Gaia, but it is a continuation of the same world of Altman in the previous Showa era. Diga and Dana, and Gaia have different world views, that is, they don't share a world, so it has nothing to do with them! In the eyes of many people in Japan, Altman in the Showa era is a dream and a beautiful memory. As the 40th anniversary work of Altman, Meng Bius is also a work that takes people back to the past and relives their feelings, and it is also a continuation of the Showa era.

Pure handwriting, I don't know if the landlord understands it, you can ask me again if you have any questions.