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The theme of this paper is the "power" of sound, that is, how to make your voice sound more imposing and infectious. For a mature singer, it is not difficult to make a strong voice as long as he is healthy, but for most people, how to make his voice full and "loud" is a matter of skill and method.

In this article, I will discuss it for you from the basic premise, vocal stage, range, expression concept and other aspects, combined with my personal understanding and experience, hoping to give you some inspiration and help.

Laying a good foundation is a necessary condition for the strength of sound. If you don't master the correct pronunciation method, you can't have a strong voice, but you will hurt your voice, which is very dangerous.

Some singers who are born with a loud voice need to pay more attention to whether their volume is moderate, neither too big nor too small, and learn to control the volume to avoid the vocal cords from being too loud when opening.

Some singers naturally think that only by increasing the volume can the "power" of the voice be reflected when singing high notes. But this is a wrong idea and an unhealthy singing method. The power of sound does not depend on the volume, but on the quality of sound.

Sound with a strong sense of quantity is usually concentrated, bright and clean. If the voice is chaotic and unstable when singing, it means that there is something wrong with the voice and it needs to be adjusted in time.

The density of sound is related to the part full of sound. Different voices will produce different timbre effects, but they can all make the sound more powerful and quantitative. Understanding and using the cavity is the key to improve the sound effect, which requires a lot of time and practice.

For vocal music lovers, it is not necessary to pursue all timbre effects, but to master one or two suitable vocal states. If you have higher goals, of course, you can continue to study in depth.

Singers who are naturally low-pitched may feel that they are at a disadvantage, but this is no reason to give up. We can make up for it by changing the environment and methods. In this era of using microphones, the volume is actually not so important.

We should pay more attention to the improvement of pronunciation, emotion and rhythm. It is most important to find your own style and expression.

And the low volume does not mean that the sound does not penetrate. By improving the articulation and the concentration and intensity of the cavity, the sound can be made more tense and attractive, so that the distant audience can hear it more clearly.

Distinguish between singing and shouting. Generally speaking, singers should control the volume below 80% of their own limit when singing, so as to ensure the stability and comfort of their voices. If you feel tired after singing, it may be that your breathing function is insufficient or your voice is not correct.

Once this happens, you should stop vocalization and practice breathing skills and coordination of vocal muscles. If vocal music teachers find or foresee this situation in the teaching process, they must remind and correct it in time to avoid forming wrong habits.

Strength comes from accumulation, from nature to deliberate to control, and a lot of precipitation has made you not.

Sometimes, the expressive force of a song depends not on the volume, but on the change of the tone.

For most singers, it is a compulsory course to find suitable expression and master accurate expression skills in combination with their physical conditions. This requires a long-term attempt, exploration and study, as well as listening to your own voice and learning from other excellent voices.

Only in this way can we improve our level and make the songs more beautiful and moving.

Many beginners lack mature aesthetic standards for volume, timbre, timbre and so on. They don't know what kind of sound is wrong and how to make it will form a long-term wrong habit. Therefore, after studying for a period of time, you will develop some problems that you don't know are difficult to correct.

The most typical problem is that it is too large. Many people keep and pursue "singing well" as the correct standard of their pronunciation in the beginner stage, but in fact, what we want to pursue in the beginner stage is "easy" and "lasting". This requires special attention. This is also what many teachers say. To learn new things, find reasons to sing in a low voice.

It is inevitable to make mistakes in study. Repeated wrestling can make us walk more steadily and accurately next time, but we should also avoid falling too hard. I hope you can think more and practice seriously when you see this.