1, the way of observing China's traditional painting can't be separated from China culture, and China culture is a kind of outlook on life and thought of China literati integrating Confucianism, Taoism and Buddhism.
Influenced by this concept, China's literati and artists often wander between entering the WTO and being born, thinking about the relationship and induction between man and nature.
2. This way of observation is most prominent in China's landscape paintings. Between mountains and rivers, people always disappear or hide in the mountains, enjoying themselves and being detached from things, which embodies the realm of harmonious coexistence between man and nature.
China ink painting uses abstract ink color to replace thousands of colors in reality. Therefore, color abstraction and substitution in reality have also become a concept.
In China's traditional painting composition, the composition methods such as flying white and diagonal, and the saying that "counting white is black" all reflect the Taoist theory of coexistence of reality and reality.
As a modern painter, we should interpret the author's thoughts, artistic conception and painting brushwork through the surface of painting, and get an understanding from it.
Chinese painting pays attention to "eyes", "hands" and "heart", which is a golden rule of artistic creation. We should not only learn to sketch, but also store and think in our hearts, so as to complete the creative process from mechanical sketch to full of personality.
4. In the actual painting creation, we should pay attention to the combination of divergent thinking and convergent thinking to open the shackles of thinking, but only if we have skilled skills. Only by combining the background of the times, the characteristics of artistic development and its own advantages can we create excellent and meaningful works.
I wrote a little casually for reference only. You can't be too lax without a letter of introduction.