1973 Mr. Zhang Jinbiao is a friend of my father's generation. He was the first teacher in Shanghai and introduced many famous painters.
During the period of 1974, Mr. Cheng Shifa visited Yanqing Road and received a comic book, which was deeply influenced by his painting art.
65438-0975 studied printmaking under Han Yang, then president of Shanghai People's Fine Arts Publishing House and a famous printmaker.
1976 specially recruited to join the army and enter the professional workshop of the army.
65438-0977 studied under Mr. Shen Maishi, laying a solid foundation for traditional painting.
1980 created the print "Morning Song" and won the Excellence Award in the Art Exhibition of the whole army jointly organized by the Ministry of Culture and the General Political Department of the People's Liberation Army. It became an important starting point for Tang Tianyuan's artistic career.
198 1 year followed the troops to go deep into Dabie mountain to collect wind and sketch, and created a large number of military works.
From 65438 to 0986, I met Mr. Qian, observed a large number of famous works collected by Mr. Qian, and got his true stories in painting, calligraphy and seal cutting.
On Chongqing South Road, Tang Tianyuan came to a beautiful house in Qian Juntao with her newly finished "A Lady's Sketch". At this time, many tourists have been waiting downstairs. Who knows, Mr. Qian Juntao and Tang Tianyuan in their early twenties hit it off and became bosom friends. "Your pen and ink lines are very talented, which is innate. Some people have no such pen and ink when they are 70 years old. " Qian Lao praised Tang Tianyuan's paintings and affirmed his solid traditional foundation. When I learned that his paintings were hand-painted, I couldn't put them down. Immediately, I splashed two pieces of ink on my sleeve and easily became friends with Tang Tianyuan. Since then, in 1989, Qian Juntao wrote a preface for Tang Tianyuan's paintings, and in 1992, he wrote "Painting Genius Tang Tianyuan" again and published it in Liberation Daily. This certainly inspired Tang Tianyuan.
1987 introduced by Qian Juntao, he got to know Zhao Hongben and Yu Zicai, a disciple of Wu Hufan, studied painting techniques in Tang, Song and Yuan Dynasties, and focused on mastering Wu Hufan's landscape painting techniques.
65438-0988, paid a visit to Shen Roujian, Vice Chairman of China Artists Association and Chairman of Shanghai Artists Association, and the famous painter Liu Danzhai.
In addition to the above figures, Tang Tianyuan met a large number of accomplished artists such as Lu, Liu Haisu, Zhang Leping, Xie, Ying Yeping in this critical period of self-growth and artistic development, which was of great benefit in painting, calligraphy, Chinese studies and appreciation.
1988 collected wind in Fujian, Guangdong, Shantou and other places to paint Hui 'an's daughter and Fujian Minnan landscape series.
/kloc-published the first "Tang Tianyuan Painting Collection" in 0/989. Lai Shaoqi wrote the title for the painting collection, and Qian Juntao prefaced it.
1989 30th anniversary of Shanghai Archives, invited to paint landscape paintings, collected in Shanghai Archives.
1992, I boarded a boat from Wuhan and went down to Chongqing along the Yangtze River, enjoying the beautiful scenery of the Yangtze River all the way and creating long scrolls of the Yangtze River landscape and Wujiang River landscape.
1993 On the way from Chongqing to Chengdu, I stopped at Suining, and since then I have formed an indissoluble bond with this place. Copy the murals of Baofan Temple, create a picture of ten thousand buddhas, and draw a series of mountains, rivers and folk life in Sichuan.
Tang Tianyuan believes that pen and ink are the flesh and blood of Chinese painting, and lines are the bones and muscles of Chinese painting, and has made in-depth exploration in the field of lines in China. At this stage, his first figure of Buddha was born in guangde temple, Suining, and he began to study pen and ink lines, forming a distinctive self-painting style-the original "Tianyuan line".
1993 Soong Ching Ling 100 anniversary was invited to paint "Shan He Fu", now in Soong Ching Ling Exhibition Hall.
1997 Commemorating the 30th anniversary of Sun Yat-sen's birthday/kloc-0, he was invited to paint and collected in Sun Yat-sen's former residence.
1997, as the executive director of Hainan Nanhai Guanyin Foundation, participated in the design, planning and construction of the "Three-sided Guanyin" statue in Sanya, Hainan.
During this period, I traveled to Nepal, Myanmar, India, Thailand and other Buddhist countries, looking for famous temples and grottoes in China. Get to know Miao Shan, Zen, forbearance, sincerity and Xianggen Baden Duoji, and study Buddhist culture deeply.
1998 donated "Cloud Water Listening to the Flute" to China Poverty Alleviation Fund, and Yang Rudai, then vice chairman of Chinese People's Political Consultative Conference and president of China Poverty Alleviation Fund, presented the book.
From 65438 to 0998, Shanghai Artists Association organized a tour of Xinjiang culture and visited the military outposts in northern and southern Xinjiang, which lasted for one month. He created a series of paintings with Xinjiang as the theme.
1999, to commemorate the centenary of Liu Shaoqi's birth, he was invited to draw a picture of the mountains and rivers of the motherland, which is now in the Soong Ching Ling Exhibition Hall.
In 2000, the Chinese Chamber of Commerce in Thailand established the "Tianyuan Hall" for Tang Tianyuan in the 22nd Lane of Suokongwei in Bangkok.
200 1 Work-Portrait of Plateau was selected for the 5th Contemporary China Painting and Calligraphy Art Exhibition and won the silver prize.
In 2002, at the invitation of Sichuan Industrial and Commercial Bureau, he drew the "Lele Migration Map" and presented it to the industrial and commercial hotel.
In 2002, he was invited to draw the Arahant Life Festival for China Nanshan Longevity Culture Festival in Sanya, Hainan, with a length of18m, a height of1.2m, 29 words and a time of10h. Donated to Nanshan Maritime Guanyin Merit Foundation.
In 2002, Ren Jie, a monk of Putuo Mountain, ascended the throne and was invited to make a big Buddhist mural for Putuo Mountain-Putuo Mountain celebrates the whole world, which is 33 meters long and 2.5 meters high.
On the eve of the 16th National Congress of the Communist Party of China in 2002, he was invited to Jingxi Hotel to paint Songpan Early Spring.
In 2002, Sina's global operation center settled in Shanghai and painted "The sea is the world of dragons, and heaven is the hometown of cranes" as a gift to Sina.
In 2003, at the invitation of Chengdu Painting Academy, he painted a huge scroll "Twenty-eight Stars Universiade" in Sichuan.
In 2003, he went to Jin Jia Mountain, Ya 'an, Jiuzhai Huanglong, Songpan and other places to collect wind. He created a series of works, such as Jiuzhai Paradise, Clouding with Gold, and so on.
In 2004, at the invitation of monk Ke Xiang, he went to Qita Temple in Ningbo to paint and created a large-scale long-scroll line drawing work "Eighteen Arhats", which added a new scene to the Arhats in Qita Temple and a new connotation to Qita culture.
In 2005, invited by Zhouzhuang, he went to Procedural Taoist Temple to draw a large-scale line-drawing mural "Eight Immortals Crossing the Sea".
In 2005, I went to Zunyi, Chishui and other places to experience the customs of ethnic minority areas. Draw a long travel map of Daba Mountain, praise the mountains and rivers of Chishui in Danxia and Qingyan ancient town, and present it to Guizhou Provincial People's Government and Zunyi CPPCC.
In 2006, calligraphy and painting works were selected as the theme activities of the 4th Beijing 2008 Olympic Culture Festival sponsored by Beijing Municipal Committee of the Communist Youth League and Beijing Youth Federation.
In 2006, he went to Yinchuan to collect wind along the Yellow River, and spent three days creating huge line drawings of "99 Fortune Maps" and "The First Bay of the Yellow River", which were presented to Yinchuan University and Baota Petrochemical Group.
In 2006, he visited Japan at the invitation of Okada Foundation of Japan. Draw a "great auspicious map" and send it to Japan as a cultural exchange.
In 2007, he went to Sanjiangyuan to explore and became the first contemporary painter to reach the source of the Yangtze River and the Yellow River. Along the ancient Silk Road, Tang Tianyuan started from Chengdu, crossed the Qinling Mountains, Guanyungang and went out of Yangguan. With courage and heroism, he went all the way west and reached the no-man's land in Hoh Xil.
Subsequently, a series of unique works of post-plateau colorful landscape figures, such as Gongga Shenshan, fickle Hoh Xil, Anima Qingshenshan and the First Bay of the Yellow River in the world, were born. After years of plateau life and continuous creative exploration, Tang Tianyuan finally formed a unique painting skill-Gao Yuan Tuan.
On the opening day of Suining Song Porcelain Museum in 2007, a solo exhibition of Tang Tianyuan was held.
In 2008, Shanghai Hongqiao Painting Academy was established and served as the dean.
In 2008, Beijing Hanhai Spring Painting and Calligraphy Auction released Tang Tianyuan Album, setting a new record for contemporary painting auction.
In 2008, I collected wind in Xinjiang alone and entered one no-man's land after another.
Chengdu Gongbi Painting Academy was established in 2008 and was invited to attend the listing ceremony. On the spot, she created Gong Bi's paintings of ladies and presented them to the academy.
In 2008, Zunyi Branch of Shanghai Hongqiao Painting Academy was established, and Tang Tianyuan attended the unveiling ceremony of the branch and Zunyi CPPCC Painting and Calligraphy Institute.
In 2008, he was hired as a visiting professor and taught at the School of Logistics Engineering.
During the "5. 12" Wenchuan earthquake in 2008, Tang Tianyuan launched a large-scale charity sale and love donation activity in the disaster area with the theme of "working together for earthquake relief".
In 2009, Harmony with Nature was selected as the "Third National Exhibition of Chinese Paintings" sponsored by China Artists Association.
20 10 was invited to paint a large mural of Ode to Happiness in Dafa for Daxiong Hall in longxing temple, Shaanxi Province.
20 10 held a lecture on "Dialogue with Ankang National Studies Art Forum" in Ankang City.
20 10 at the invitation of the abbot of Huayan Temple, Master Daojian, made a large-scale mural for the Buddhist Museum of Huayan Temple-"The Picture of Harmonious Prosperity".
20 10 served as the chairman of the jury of Gubei Huang Jincheng Road International Children's Street Painting Competition.
20 10 Go to Kweichow Moutai Town, Xishui Tucheng, Moon Lake and other places to collect wind.
From October 20th to October 10th, Kloc began to paint a large-scale mural in Anfamen Temple in Xi 'an-Ode to Fatu at the Gate of Eighteen Arhats, becoming the first painter with long hand-painted scrolls in the hundred-year history of Famen Temple.
On 20/0/0, Kloc was invited to paint murals for guangde temple, the Royal Zen Forest in Suining, Sichuan, namely "Guangde Faxi Tu" and "Three Sisters of Guanyin in White".
20 10 Suining invited me to draw a 100-meter scroll "Prosperous Harmony Cihang Pudu" with an estimated price of 80 million yuan, which was taken care of by Suining government. This volume is the largest existing line-drawing figure painting in Sichuan, which is now in the Song Porcelain Museum.
20 10 Shanghai Hongqiao painting academy Sichuan branch was established and attended the listing ceremony.
In August of the same year, he was specially appointed as "cultural industry development consultant" and "charity ambassador" by Suining Municipal People's Government. In the same month, Tang Tianyuan's landscape painting "Mountain Peak Waterfall" was published in Qiushi magazine 16.
In June+10 of the same year, he was invited to visit Universities of Applied Sciences and was hired as a professor of the school.
In June165438+1October of the same year, he was invited to attend the 10th anniversary celebration of Chongqing Zhejiang Chamber of Commerce.
In June165438+1October of the same year, he painted for Chongqing Institute of Logistics Engineering.
In June 5438+February of the same year, he painted a picture for the Chengdu Military Region to express condolences to the troops.
In 65438+February of the same year, he was cordially received by Chen Changzhi, vice chairman of the National People's Congress Standing Committee (NPCSC) and chairman of the Central Committee of the Democratic National Construction Association, and made an in-depth discussion on culture and art, and wrote an inscription for Hongqiao Painting Academy.
20 1 1, on the occasion of the party's ninetieth birthday, went to Yan 'an, the revolutionary holy land, re-took the Long March Road, and created a group painting of "Red Hymn".
In May of the same year, he was invited to be a guest at Northwest University to teach graduate students in the Art College. And visit the archaeological site of Zhang Tang's family tomb.
In June of the same year, he went to Famen Temple to complete the long scroll "Eighteen Arhats' Practice Map".
In July of the same year, I visited Sina Studio to talk about the inheritance and development of China's line drawing technique.
In August of the same year, he went to Guangxi to collect folk songs and created "Sailing Wan Li to See the Red River" on the spot as a gift to the municipal party committee and municipal government. Dayaoshan collects folk songs, eats and lives with Yao people, and teaches children in the countryside.
In September of the same year, at the invitation of the Cambodian Embassy in China, he went to Phnom Penh, Angkor and Xigang for a cultural inspection and painted for the new embassy.
In September of the same year, at the invitation of the government, I visited Nangong Mountain Scenic Spot in Nangao, and was infected by the natural scenery of the scenic spot. I splashed ink and created a huge mural "Nangong Mountain Buddha Hall" to make suggestions for the development of scenic tourism.
In June 5438+10 of the same year, he donated the painting "Six Degrees of Promise" and participated in the charity sale of paintings and calligraphy on the International Poverty Eradication Day in Chongqing. The work started at the highest starting price of 350,000 yuan, and was finally sold at the highest starting price of 8 1 1,000 yuan.
In June of the same year 165438+ 10, I went to Famen Temple to attend the delivery of the mural Ode to the Eighteen Arhats and the unveiling ceremony of the 100m giant charity scroll Harmony on the Other Side of Dafa.
20 12, 12 in June, 18 arhats derivative scrolls were drawn and opened by a big monk in front of the phalanx of the Buddha in Famen Temple.
In February of the same year, he visited the Oriental Lecture Hall with the famous composer Shen Chuanxin and co-organized the activity of "There are so many great beauties of the country-appreciation of landscape music and Chinese painting art".
In February of the same year, I visited the Oriental Radio Station to talk about the art of calligraphy and painting and natural health preservation.
In March of the same year, he was invited to make two landscape paintings for Xinhua Hotel in Chengdu Military Region. 1. Splendid Rivers and Mountains is 7.5 meters long and 3.5 meters high. It is displayed in the conference hall. Secondly, in harmony with nature, it is 7.5 meters long and 3 meters high, and it is displayed in the hotel lobby.
In March of the same year, he was invited to draw a 9.9-meter "Ode to Wine and Flower Stone Gorge" for Quanxing Liquor Industry.
In April of the same year, at the invitation of Macau Polytechnic University, he went to Hong Kong and Macao for an academic visit.
In May of the same year, Tianjin People's Fine Arts Publishing House published a book "China Modern Famous Painting-Tang Tianyuan" for him.
In May of the same year, I went to the Tibetan Plateau to collect wind. In the past 50 days, I have traveled all over Lhasa, Linzhi, Shigatse and other cities. Along the way, I was not afraid of altitude sickness, but also sketched in Mount Everest, Nange Bawa, Namtso and Yang Zhuo Yongcuo. In addition, Tang Tianyuan copied the murals of Sakya Temple, visited the king of Tashilhunpo Temple, and visited Karin with the locals ... He absorbed nutrients from Tibetan culture and art and devoted himself to creation. In the following year, he created a large number of figures and landscape paintings with plateau as the theme.
In these paintings, Tang Tianyuan once again made a bold breakthrough on the basis of using the unique expression of "high-distance group" to describe the landscape characteristics of the plateau, and blended the colors of "high brightness, high gray level, high luster and high concentration" with dignified pen and ink to interpret the beauty of the plateau. Known as "taking the beauty of the plateau and building a new style of Chinese painting" (see Xinhua News Agency in Tibet for details).