Because it broke through the previous ballet's pursuit of formal beauty and technical beauty, and turned its focus to the spiritual world of mankind. The following is a detailed explanation.

1, artistic breakthrough

Traditional ballet pays more attention to the expression of external forms and skills of beauty, while Lilac Garden pays attention to emotion and imagination. The works successively depict the inner dreams and fantasies of girls, and show the emotional changes and inner contradictions through fluent body language and unique arrangement techniques, which not only creates brand-new aesthetic standards, but also makes contemporary audiences appreciate unusual artistic charm.

2. Deep exploration of human nature

Dancers in Lilac Garden play the role of girls, and explore the emotional changes of adolescent girls' complex psychology. From stage design to music selection, we pay great attention to the presentation of details, so that the audience can feel the unique charm of the girl world in audio and video. In this way, the works deeply explore and reveal the spiritual world of human beings and inject more humanistic atmosphere into ballet art.

3. Innovative performance skills

Lilac Garden is not only ingenious in arrangement, but also contains many innovative performance skills, such as adding human elements such as arms and feet to fluent body language, so as to achieve the artistic effect and spiritual connotation complement each other. This expression technique has broken people's traditional cognition of ballet and further promoted the development of ballet art.

4. Summary

To sum up, dance critics praised Lilac Garden as the pioneering work of psychological ballet, because the work created new artistic standards in many aspects, broke through the formal limitations of traditional ballet, and injected more humanistic atmosphere into art through the in-depth description of human spiritual world.

Lilac Garden is a pioneering work of psychological ballet and a masterpiece of modern British ballet in the middle period. It is a one-act play, premiered by Lambert Ballet in London on 1936, and directed by Tudor.