2。 Faced with such a beautiful picture and the most touching beauty reflected by the five objects on the riverside, perhaps it is really "joy begets sorrow". The clear universe of heaven and earth has aroused the poet's reverie and meditation: "Who saw the moon on the riverside first?" When did Jiang Yue take the photo at the beginning of the year? "Jiang Yue is so beautiful, and the wonderful scenery can't help but remind people of the profoundness and eternity of the universe, thus linking their own lives with such smallness and brevity. Who stood by the river and was the first to be surprised by the bright moonlight? In what year did the bright moon shine on the river? I'm afraid no one can tell. After all, human life is too short, too short! If people want to race against time, they will eventually fail, and life is really easy to pass. Isn't the eternal change of human beings from generation to generation a manifestation of the shortness of life? The bright moon is similar every year. Why is this month the same every year? Perhaps, just like people who have left this world, they are waiting for the arrival of their loved ones! "I don't know who Jiang Yuezhao is. "Here, an anthropomorphic technique is used to write the moon with great feelings. In order to meet the person she expects, it can last forever.
3。 Untitled (empty talk) expresses the painful yearning for a woman who is far away from the world. The poet misses his lover in his dream and falls into endless disappointment after waking up. The cry of pain has been useless. I wrote an urgent letter and sent a love letter, only to find that there are some vague handwriting on the paper. In desperation, the poet painted a charming scene with a candle corner. Yao Si's lover lived alone in the boudoir. "Blue lights your candle under the jade feather lamp, and the fragrance is stolen from your hibiscus curtain." The candle is half caged in the jade curtain, and the flame is dim and soft; The musk-smoked hibiscus curtain exudes a faint fragrance, which casts a hazy color on the gorgeous scenery. The whole room is full of charming charm and has an illusory aesthetic effect. This highlights the loneliness and desolation of lovelorn people in the two places.
6。 Zhang Dai was born in the family of benevolent officials in past dynasties. In his early years, he roamed Jiangsu, Zhejiang, Shandong, Anhui and other provinces with rich experience. After three generations' accumulation, his family collected a lot of historical materials of the Ming Dynasty and read a lot. From the age of 32, he will write the biographical history of the Ming Dynasty with family information. After the death of the Ming dynasty, I went into the mountains and poor books. His works include Stone Chamber Book, nirvana in fire, Tao An Dream, West Lake Dream, etc. Maid-in-waiting with bright eyes, gorgeous clothes, running posture of horses, magical lights, fireworks blooming in the deep blue night sky; There are also songs and dances in the pear garden, antiques on rosewood shelves, golden oranges broken by snow-white hands, and new green tea slowly unfolding in the spring. These are all things that Zhang Dai likes.
Zhang Dai is a busy and lively person. Zhang Dai is naturally noisy, so Zhang Dai has to get busy every time.
What Zhang Dai knows is that the world is disintegrating, Tianzhu is about to break, and the four dimensions will crack. Zhang Dai waited for that moment in his heart. That has nothing to do with Manchukuo's fighters and Li Zicheng's banner of righteousness, and has nothing to do with history. But the vast white earth is really clean and the dust has settled. So Zhang Dai and his people witnessed the last days. They witnessed infinite beauty, infinite prosperity, infinite exquisiteness and complexity, and witnessed the vast destiny that came slowly. Hugh said that the ups and downs of the dynasties, this sense of doom will cross the prosperous period of Kanggan and produce the most beautiful flowers, the so-called "wonderful flowers in Yuen Long".
In the essays of the Ming Dynasty, the characters are usually open, but the second is actually an official style, which makes them free and easy and approachable from a height; As for the families in Jingling, the more they let go, the more awkward they are, such as servants posing as masters, and they don't know where to put their hands and feet. It's Zhang Dai, it's heels, it's unreasonable, and it's also brought in from the womb.
In his works, Zhang Dai looked at his people in the battlements, and everything he lost was something he never had. He has no resentment or sadness. Occasionally, Zhang Dai will sigh, but it's just a sigh. Few adherents of the Ming Dynasty are so heartless as Zhang Dai. But Zhang Dai's ruthlessness has a broader realm: when winter comes, have the dead birds ever cried for the land? And the desolate winter of this ancient civilization has arrived.
During the Ming and Qing Dynasties, Neo-Confucianism of Cheng and Zhu became the official imperial examination proposition. It is an important proposition of Neo-Confucianism to "preserve justice and get rid of human desires".
Neo-Confucian dogmatism will inevitably lead to rigidity.
After the middle of the Ming Dynasty, capitalism sprouted in the southeast coast, and economic competition led to a cross-flow of human desires, which formed a destructive force to traditional ideology.
Fundamentally speaking, its existence is the expression of "maverick" personality, the upsurge of self-awareness and the courage to go against the trend.
The epitaph given to oneself seems absurd and arrogant, and opposes orthodox ideology and morality with individual values.
Seven insoluble:
First: noble and low (the world is cold)
Third: civil and military mistakes (ideal self)
Second: wealth (personal integrity)
Fourth: respect and inferiority.
Fifth: wide and fierce back
Sixth: Urgency is absurd.
Seventh: wisdom, stupidity and miscellaneous
I can only help you so much ~ ~ ~