Sun He, a native of Henan Province, is a professor and master tutor in the Art Teaching and Research Section of the School of Humanities, China University of Political Science and Law, a postdoctoral fellow in calligraphy at the Central Academy of Fine Arts, and a member of the China Calligraphers Association. He studied in the history department of Henan University and got a bachelor's degree. Hubei University, majoring in Chinese language and literature, with a master's degree; The direction of calligraphy art in the Institute of Calligraphy Culture, Capital Normal University, received a doctorate. His research fields are mainly calligraphy art and philology, and he has published monographs such as Research on Qin Bamboo Slips (Peking University Publishing House), Wang Xizhi, a Book Sage (Hubei People's Publishing House) and Art History-Expression of Human Emotions (Hubei People's Publishing House). , People's Daily, Guangming Daily, Legal Daily, China Calligraphy, China Cultural Studies. China Calligraphy, Guangming Daily, and China Education News all made special presentations and people's reports. "I wrote a reflection of my daily life. For example, when I look at the history of the piano and see something that makes people think, I will take notes conveniently. I will write more when I have a big piece of paper, and less when I have a small piece of paper. Naturally, there is no design, and I didn't want to show it to others in the future. It is the natural expression of my true nature. " Sun He said with half seriousness and half humor: "I am a person who makes cars behind closed doors and has never seen much of the world. Like a village woman in a backcountry outside a busy downtown. The traffic is underdeveloped. I'm here to build a vessel and move it out for everyone to see. "

Sun Heyou was trained by the imperial court and was obsessed with calligraphy. Bachelor's degree, master's degree in Chinese language and philology, doctor's degree in calligraphy, and then postdoctoral degree in calligraphy at Central Academy of Fine Arts. Later, he entered China University of Political Science and Law to teach calligraphy, and took a unique road of learning and growth-not from calligraphy to calligraphy, but from history, people to calligraphy. She said: "Although I began to learn calligraphy very early, I never took calligraphy as my near-term goal. The basic idea is' to nurture books by learning and promote learning by books'. What I am worried about is seeking technology with technology, but it is far from the humanistic spirit of calligraphy. "

Since he studied calligraphy with Mr. Liu Gengsan in the third grade of primary school, Sun He has successively studied under Liu Yazi's great-grandfather Li Baifeng, disciple Gao Wen, literary historian Cheng and other great scholars. Their moral cultivation and spiritual strength formed a powerful magnetic field, which influenced her and benefited her a lot.

Zong Zhiyuan, a calligrapher who once instructed Sun He, said: "Sun He is a typical scholar and artist. She has the temperament and spirit of an ancient scholar and a scholar of the Republic of China, which is related to her years of immersion in Chinese studies and the influence of the older generation of scholars around her. This naturally distinguishes her from the agitation of contemporary calligraphy. She has been on the bench for ten years, so naturally she has a silent state of mind that ordinary calligraphers do not have. " Qiu Zhenzhong, Sun He's postdoctoral tutor, thinks that her calligraphy is different from others without pretense and glitz. Dong Kun, a researcher at the Institute of Linguistics, Chinese Academy of Social Sciences, said that "Sun He's calligraphy is well combined with temperament". Calligrapher Liang Peixian said, "The appearance of Professor Sun He's calligraphy in the contemporary era is totally an anomaly". She never calls herself a calligrapher, but regards calligraphy as a means of literati cultivation, expresses her literary mind through calligraphy, and places her life on it.

Sun He has his own clear thinking and judgment on the mode of calligraphy education and the main vein of calligraphy inheritance. She believes that the postgraduate calligraphy education model initiated by Mr. Hu Xiaoshi of Jinling University during the Republic of China is still worth learning today. "Starting from the understanding of characters, we can trace the origin of calligraphy and clarify the evolution history of calligraphy. Mr. Hu Xiaoshi is a China scholar with all-round achievements. His excellent works, such as Gawain, You Shou and Zeng, are outstanding in the fields of philology, archaeology and history. At the same time, their calligraphy has a unique literati temperament. They don't take calligraphers as their main social image, but take learning as their lifelong goal. Calligraphy training strictly follows the guidance of Mr. Hu Xiaoshi. I feel that Mr. Hu Xiaoshi's extremely high success rate in cultivating talents has actually explained what direction calligraphy education should be after entering the modern and contemporary education system. "

"Let's look at the three great calligraphers-Wang Xizhi, Yan Zhenqing and Su Shi. They all have social status. Whether civil servants or military commanders, their literati temperament and height exist, and calligraphy reveals the literati atmosphere, which is very worth learning by future generations. After thousands of years of practice, predecessors have already proved that learning calligraphy has a mature path, that is, the essence of calligraphy should express culture, have a certain understanding and accumulation of culture and academics, and with personal temperament, calligraphy will naturally have a good atmosphere. " Sun He firmly believes that the inheritance of calligraphy should move in the direction of not leaving the roots of traditional culture.

For Sun He's constant embarrassment, many scholars said that they "can't understand the current calligraphy". "You say this is the tragedy of calligraphy, or the tragedy of the literati themselves? Calligraphy itself is inseparable from literati. Where do we play calligraphy? Some people are willing to play it as a pure visual art. I don't object to this kind of play, but I personally don't treat calligraphy like this. Unfortunately, when everyone flocked to spare no effort to make visual impact and shape changes, the quiet side of calligraphy was ignored. " Sun He felt helpless for this, but she always had a firm direction, that is, putting calligraphy on an academic basis and never chasing fashion. The national art science project and the scientific research project of the Ministry of Education, which she presided over, have been successfully concluded and won favorable comments, which explains her persistence in academic direction in action.

Ancient literati paid attention to "Zuo Qin You Shu", in fact, they used different artistic forms to interpret traditional culture, and they were interlinked and promoted each other. Besides writing, Sun He likes playing the piano. She said: "The performance of guqin is different from other musical instruments. More humanistic, guqin is for yourself. Once you sit in front of the guqin and start playing, you are actually regulating and restraining yourself. This is a way of self-study and introspection. So is calligraphy. "

In this exhibition, Sun He also wrote Qin Ming by Tan Sitong. In her eyes, Tan Sitong is a scholar, pianist and soldier. After the failure of the Reform Movement of 1898, he could run but didn't, deliberately trapping himself. He proved a truth with his own blood and guided a kind of thinking. "Tan Sitong's calligraphy is also very good, engraved with Wei Qin Ming. From him, we can feel a spirit, that is, readers' concern, responsibility and dedication to the future and destiny of the country, which is a precious spiritual wealth left by traditional literati. "

Sun He took calligraphy as his major, but he stayed out of the calligraphy circle and lived at his own pace and way. Professor Nan Da, a disciple of Mr. Cheng, described Sun He in this way: "When the whole world is racing and bustling, one person has cold sleeves and stands on his own feet to cultivate bamboo." This is not the state that Sun He deliberately pursues, but the true expression of her natural interest. The book is like a person, and her calligraphy ink can tell everything.