1, formerly known as Shandong, also known as Lu, was born in a family of calligraphy and painting. He loved calligraphy since childhood and spent ten years sharpening his knife. He devoted almost all his emotions to the art of calligraphy. It is with his unremitting pursuit of calligraphy that he is now famous.
Now he is a first-class calligrapher, a first-class artist, a national ceremony painter and calligrapher evaluated by the Ministry of Culture. He is also a painter of Zhong Yi Qingyun Painting and Calligraphy Institute of the Ministry of Culture, an academician of China International Painting and Calligraphy Institute, executive vice president of Zhong Yiming Painting and Calligraphy Institute and director of the National Brand Strategy Committee.
2. Li Chenglian, male, was born in 1943, and his ancestral home is Zhoukou, Henan. Now he is a member of China Calligraphers Association, and has made great achievements in cursive font. His cursive calligraphy works are atmospheric, flowing, vigorous, free and easy, elegant and unique, which has attracted much attention in the calligraphy field. China was rated as a master of painting and calligraphy by the International Artists Association. In 2000, it was named the honorary title of artists on both sides of the Taiwan Strait by the Ministry of Culture.
3. Lu, one of the few loyal followers of contemporary calligraphy art, has loved calligraphy since childhood. He has been learning from the North Monument and the South Monument for many years, and has continuously integrated his own elements on the basis of his predecessors, winning the brushwork of his predecessors without confusing the past. This is Shi Rong Lu's creative idea.
Lu, 1959, was born in the ancient city of Central Plains with splendid culture. He is a charitable painter and calligrapher. His name is Shi Feng and his name is Tian Shanju. At present, he is the executive vice chairman of Henan Branch of China Calligraphers Association, a member of Henan Calligraphers Association, a member of Henan Federation of Literary and Art Circles, a member of Henan Painters Association, the director of Tianshan Art Museum in Henan, the president of Central Plains Hanlin Painting and Calligraphy Institute, and the vice chairman of private branch of charity association.
4. Liu Wenxi, 1933 was born in Shuizhu Village, Changle Town, Shengzhou City, Zhejiang Province, and is a contemporary painter. ?
1950 entered the Yucai School founded by Mr. Tao Xingzhi in Shanghai to study fine arts. 1953 entered Zhejiang Academy of Fine Arts and studied under Pan Tianshou. 1958 worked in Xi 'an Academy of Fine Arts after graduation. He used to be a member of the All-China Federation of Literary and Art Circles, the former vice chairman of China Artists Association, a member of the Chinese Painting Art Committee, and the first batch of 100 famous teachers in China. ?
He is currently the president of the Loess Painting School Art Research Institute, the chairman of China Contemporary Painting School Friendship Association, the honorary chairman of Shaanxi Artists Association, the honorary president, professor and doctoral supervisor of An Academy of Fine Arts, the creator of "The Fifth Portrait of Mao Zedong in RMB", the consultant of Shaanxi Federation of Literary and Art Circles, and an expert with outstanding contributions in China.
His major works include Chairman Mao and the Shepherd, Shanbei People, Oriental People, Days in Liberated Areas and Loess People.
5. Fan Ceng (1938.7.5-), a native of Nantong, Jiangsu. He is a great scholar, thinker, master of Chinese studies, master of painting and calligraphy, writer and poet in China.
Currently, he is the president of Peking University Chinese Painting Research Institute, a lifelong researcher of China Art Research Institute, the only tenured professor of Nankai University and Nantong University, a "special adviser on multiculturalism" of UNESCO, and an honorary doctor of literature from Glasgow University in the United Kingdom and an honorary doctor of literature from university of alberta.
Advocating the return to classicism and nature, practicing the aesthetic principle of taking poetry as the soul and books as the bone, has made great contributions to the development of Chinese painting and created a precedent for neoclassical art. There are 24 words in self-evaluation: I am fascinated by painting and can write; I resigned and expressed myself quite well; Good at reading history and crossing the changes of ancient and modern times.
The above-mentioned influential calligraphers and painters in the field of calligraphy have long devoted themselves to the development and innovation of China's calligraphy and painting. They insist on being disseminators of China culture. Behind each painting is their understanding of China culture and their perception of life. They not only have their own style of painting and calligraphy, but also are regarded as the most potential painters and calligraphers in the contemporary era.