The Embarrassment of Inscription and Postscript: The Embarrassment of Understanding Chinese Painting and Art Observation.
Another tune of landscape painter: Lotus in Pure Art, Muslim Lotus, Shandong Fine Arts Publishing House.
Notes of Quyi Bookstore 14 Oriental Morning Post Art Review 20 13, 7, 8.
Let a Hundred Flowers Bloom: Shanghai Style Art in the New China Period, the first issue of China Art Palace Museum.
Jiangnan Gardens: Extremism in China's Art Privatization, Wujiang LiteratureNo. 1 issue, 20 13.
Interview with Xue Jia, Calligraphy and Painting, No.5, 20 13.
Quyi Bookstore Notes VII Oriental Morning Post Art Review 20 13,5,13.
Interesting Contemporary Art 20 13 Phase II.
20 12
Dialogue and interview with Xue Jia, which will be included in Xue Jia's painting collection.
Published an article "Let's talk about him for a while-Peng Sculpture", Contemporary Art News, No.9, 20 12, and Art Contemporary, No.7, 20 12.
Published the book Context and Semantics of Chinese Painting since the Late Ming Dynasty, Shandong Fine Arts Publishing House.
He has published papers in Rong Baozhai, such as "History Meets the Standards We Want" and "Helpless Fun-About Sketch in Painting".
Published a paper "Context and Context of Chinese Painting" in People's Artist.
Reading Notes of Quyi Bookstore was serialized in Oriental Morning Post, Special Issue of Art Review.
"300 Tang Poems-Shao Qishan Ink Painting Exhibition" was held in Peking University Centennial Lecture Hall.
The landscape painting "Dark Frost" was published in Book and PaintingNo. 1 1, 20 12.
Calligraphy and landscape painting were published in Book and Painting No.9, 20 12.
Four volumes of landscape painting participated in the "Wind, Frost, Rain and Snow Exhibition in the Forest", which was exhibited in Haikuo Art Museum, Lu Art Museum and Xuhui Art Museum successively.
"China Ink Painting" contains six sets of poems and paintings of Tang Dynasty and a commentary by Chun Zhu.
A landscape painting, a calligraphy, participated in "The Same Origin of Painting and Calligraphy" sponsored by Shanghai Federation of Literary and Art Circles and Shanghai Painting and Calligraphy Institute.
In Xuzhou, he participated in the "Water Painting Exhibition of Wang Shuxia and Shao Qishan".
10 works (page number of album) participated in the "Exhibition of Contemporary Young and Middle-aged Powerful Painters" planned by the editorial board of China Contemporary Painters of CCTV New Film Production Center, which was successively exhibited in Hu Xiang Art Museum in Xiaoshan, Zhejiang, Qingteng Art Museum in Shaoxing and Chengdu Art Museum.
Landscape was published in the ninth issue of Shanghai Painting and Calligraphy.
Participated in the "Invitational Exhibition of the Spring Festival Maritime Master Ai Danqing" sponsored by Shanghai Painting and Calligraphy Institute.
20 1 1 year
His works "Clear Glory in Chengjiang" and "Thick Trees and Breeze" were included in the first collection of Contemporary Chinese Paintings, Jiangxi Fine Arts Publishing House.
His works such as Pine Clouds on a Cliff, Clouds in Wet Rain, Fishing Boat in Autumn River, Smoke Without Mountains, Shadow in the Forest, Half-day Spring, Hogg Xiang Ji, Sean's Poetic Farming and Jiang Hong's This is a Clear Heart were published in the sixth series of China Ink and Wash.
Published papers "Wang Wei's Studio Examination" and "Four Kings who can't get around", which were published in the Oriental Morning Post Art Review Special Issue.
Six works, including Autumn Water, participated in the Invitation Exhibition of Contemporary Painters in China sponsored by the editorial board of China Contemporary Painters of CCTV, and were included in the Invitation Exhibition of Contemporary Painters in China (with comments by Zhu Liangzhi).
Published "Shao Qi Landscape Painting Collection-But Which Corner of the Mountain" (edited by Shi Jianbang), Shanghai Bookstore Press.
Song Yun Bookstore participated in the 3rd China Art Exhibition sponsored by Shanghai Painting and Calligraphy Institute.
Participate in the "Lin Poetry Exhibition" sponsored by Haikuo Art Museum.
He has published papers such as Transcendence and Shelter, Spirit and Charm, and Shanghai School without School, which have been published in Rong Baozhai successively.
Published the paper "Reading Wang Wei's Narrative Paintings", published in the second issue of Newsletter of Shanghai China Painting Academy, 20 1 1.
20 10 year
Nine works, such as The Wind Blows Like Rain and Spring Moves, were published in Calligraphy and Painting 20 10 and 12.
Participate in the "Lin Zhi -20 10 Shanghai Landscape Painting Invitational Exhibition" sponsored by Haikuo Art Museum.
Published the article "The Transformation of China Fine Arts: Modernity Turning to Self", which was published in the "Art Research" edition of China Social Sciences News on September 7, 20 10, and was later included in "Four Cardinals and the Modern Transformation of China Fine Arts-Proceedings of a Series of Seminars on the Road of Modern Fine Arts in China: Shanghai Seminar", People's Fine Arts Publishing House.
Shanghai TV documentary channel "Collection" column filmed the feature film "Thinking of Urban Hermit-Shao Qi".
The landscape hand scroll "Cool as a Wash" and "Poems of Yuan People" participated in the "Second Landscape Painting Exhibition" held by Shanghai Painting and Calligraphy Institute in Shanghai Library.
Attended the "18 World Aesthetics Conference" held in Peking University, and acted as the host of "China Art Branch (V)". Submit the paper "Visual Block Diagram: Mental Image" and give a speech at the conference.
In 2009
The landscape painting "There is a light shadow across the trees" and "The sound is too loose and turbulent" participated in the "Landscape Painting Invitation Exhibition" held by Shanghai Painting and Calligraphy Institute in Shanghai Library.
The landscape painting "Infinite Wind and Smoke Returning to the Column" and "Late Smoke in Qingjiang River" participated in the exhibition of graduate tutors' works in the Academy of Fine Arts of Shanghai Normal University.
The landscape painting "Evening Smoke on the High Tree" and "Clear Stream of Maosong" participated in the "Shanghai Publishing Art Exhibition" held by Shanghai Art Museum.
Participated in the "Sea Breeze-Shanghai Landscape Sketch Exhibition" sponsored by Heilongjiang Artists Association, and was listed in the exhibition catalogue of "Sea Breeze-Shanghai Landscape Sketch".
Participated in the creation of the 20 10 Shanghai World Expo's large-scale scroll "Morning glory on both sides of Pujiang", and cooperated with Yu Xin in the landscape painting "The Source of Pujiang".
Published a paper "There are bamboos beyond mountains and rivers", published in Rong Baozhai 59.
Published the article "I can't go out, I can't come back-reading Peng's book", published in Sculpture, No.70, No.2, Sichuan Fine Arts, No.4, 1 15, and Contemporary Art Newspaper, No.5, No.52.
Published the paper "Examination of Wang Wei's Studio", published in the 28th issue of Newsletter of Shanghai China Painting Academy.
Editor-in-Chief: A Brief History of China's Ancient Design Thoughts, Shanghai Bookstore Press.
Published A Brief History of Creative Design (co-edited with Chun Zhu), Shanghai Bookstore Press.
He served as the editorial board of the 20-volume Mirror Series of China Flower and Bird Painting by Shanghai Painting and Calligraphy Publishing House. Works A Mirror of Flower-and-Bird Painting, A Mirror of Flower-and-Bird Painting Xu Luti (co-edited with Jiang Hong) Shanghai Painting and Calligraphy Publishing House.
the year of 2008
Editor-in-chief "Essays on Chinese Painting in the Twentieth Century", Shanghai Painting and Calligraphy Publishing House.
Published "Shao Qi Painting Collection" and "Shanghai Famous Painters Works Collection", Shanghai Jinxiu Articles Publishing House.
In 2007
Attended the annual meeting of China design history, published a paper "Modern Enlightenment of China's Classical Design Thought" and made a speech at the meeting. The paper was included in Research on Design History published by Shanghai Calligraphy and Painting Publishing House, and then published in Decoration.
Published the paper "Distance with People", which was included in the 80th anniversary paper "Collection of Folk Art Research" of China Academy of Fine Arts, China Academy of Fine Arts Press.
Published a paper "Artistic Conception: Naming of Contemporary Art", published in Art Contemporary.
In 2006
He served as the deputy editor of 16 volume of "Series Textbooks for Environmental Art Design Major in China Colleges and Universities", which was published by Shanghai People's Fine Arts Publishing House.
Published a collection of paintings, Contemporary China Young Painter Shao Qi, Hebei Fine Arts Publishing House.
Participated in the "International Symposium on Landscape Painting in the 20th Century" sponsored by Shanghai Calligraphy and Painting Publishing House and the editorial department of Duoyun, submitted the paper "Context of Landscape Painting in the 20th Century" and made a speech at the conference. The article was included in the conference collection "Collection of 20th Century Landscape Painting Research" published by Shanghai Painting and Calligraphy Publishing House.
His works such as Flowing Mountain and Flowing Water, Xi Gu Yin Qing, The Initial Setting of Wild Colors, Smoke and Water, Songxi Yu Yan, etc. were published into books and paintings, and Zheng Juxin wrote a review on Moire Heng Chang.
Participated in the international seminar "Modern Transformation of China Fine Arts" organized by Central Academy of Fine Arts and Shanghai Art Museum, submitted a paper "Transformation: Modernity to Self-identity" and made a speech at the conference.
He has published a mirror of landscape painting, coming out, a mirror of landscape painting, Songjiang School of Painting (in cooperation with Xie), a mirror of landscape painting and other works, which were published by Shanghai Painting and Calligraphy Publishing House.
In 2005
His works "Time flies" and "Xi Gu has a book" participated in the "Duo Yunxuan 105 Anniversary Colleague Exhibition" Shanghai Art Museum.
Published a paper "Three Exhibitions, a bunch of problems" in "The Artist's Teahouse".
Before 2005
In 2004
Published the book Context of Chinese Painting-One of the Training Series of Art Colleges, Shanghai Painting and Calligraphy Publishing House.
Participated in the seminar on China Classical Graphics and Modern Design jointly organized by Changjiang Design College of Shantou University and Tsinghua University Academy of Fine Arts, and delivered a keynote speech entitled "Taking Images with Lines, Writing God with Shapes —— A Brief Introduction to the Cognition and Expression of China Classical Graphics", which was included in the proceedings of the conference and published by Shandong Pictorial Press.
In 2003
At the invitation of Fudan University's "Lecture on Liberal Arts", he gave a lecture on "Art and Academics".
Published the paper "Outlet and Mainstream" and published it in Contemporary Art..
In 2002
Published Wu Hufan Dictionary (co-edited with Jiang Hong), Shanghai Ancient Books Publishing House.
Published the book Notes on Famous Paintings of China in Past Dynasties: 100 Bamboo Paintings, published by Shanghai Pictorial.
200 1 year
Participated in the "International Symposium on Shanghai Painting" sponsored by Shanghai Painting and Calligraphy Publishing House and Duoyun Editorial Department, and wrote a paper "Modern Identity and Self", which was published in Shanghai Painting and Calligraphy Publishing House.
Published the book "A Drunk Heart Opens itself" (in cooperation with Zheng Juxin), Zhejiang Fine Arts Publishing House.
In 2000,
As the editor-in-chief, Modern Design Department has published five volumes, and won the third prize of the first national fine arts book, the first prize of excellent books in Shanghai and the first prize of scientific research achievements in Zhejiang Province.
Published a paper "Tradition and Way Out" in "Duoyun".
1998
Published a book "Zanhua Ladies-Painting Art of Pre-Qin, Han and Tang Dynasties", Shanghai People's Fine Arts Publishing House.
1997
Publication of Creation and Eternity (co-authored with Jiang Hong and Sean), Shanghai Baijia Publishing House.
1996
Wang Yi's Six Paintings of Qing Dynasty, edited and published by Shanghai People's Fine Arts Publishing House.
1995
Participated in the "Zhao Mengfu Academic Seminar" sponsored by Shanghai Painting and Calligraphy Publishing House and Duoyun Editorial Department, and delivered a speech entitled "Seeing Zhao Mengfu from Dong Qichang". The thesis was included in the Collection of Zhao Mengfu Studies by Shanghai Painting and Calligraphy Publishing House.
Published the paper "The Historical Status of the Second Generation Oil Painters in China", which was included in the anthology.
1994
Published the Essence of National Art (co-authored with Jiang Hong), Fujian Education Press.
Published a paper "The Evolution Orientation of Privatization in China Painting", which was published in Cloud.
1993
Published "On the Mind of Chinese Painting" (co-authored with Jiang Hong), Shanghai Painting and Calligraphy Publishing House.
Published a paper "Line, Privatization and Action Integration", published in Calligraphy Research.
1992
Participated in Shanghai Painting and Calligraphy Publishing House and China Painting Research Quarterly-Duoyun, and delivered a special speech "Four Kings-A Topic Related to the Present", which was included in the conference proceedings, Shanghai Painting and Calligraphy Publishing House.
Attend the "Ni Zan International Symposium" held in Wuxi.
Published the paper "Being Chosen under Western Concepts" and published it in Youth Daily.
199 1 year
Participate in the "Pan Tianshou Art Seminar" organized by Duoyun.
Participated in the "Chinese Painting Art Seminar" organized by the Art Department of Shanghai Jiaotong University.
Published a paper "Context of Chinese Painting", containing "Clouds".
1990
Published a paper "Rediscovering Time —— An Investigation on the Time View of the article" On the Integration of Chinese Painting ",published in" Duoyun ".
Published a paper "On the Context Display of" Southern and Northern Schools ",containing" Cloud ".
1989
Participated in the "Dong Qichang International Academic Seminar" organized by Shanghai Painting and Calligraphy Publishing House and China Painting Research Quarterly-Duoyun, and published the paper "Context Display of North-South School Theory", which was included in the conference proceedings, Shanghai Painting and Calligraphy Publishing House.
1987
Published a paper "Paradigm and Decline" in Duoyun.
1986
Invited to participate in the "First Literature and Art Festival" in Peking University and give a special speech on "New Image Criticism".
1985
Participate in the artistic activities of Southwest Art Troupe, plan and organize the first new portrait exhibition and the second new portrait exhibition.