How many primary and middle school students are there in susong county City?
There is more here: reference: Bai (70 1-762), the word Taibai, the number is Qinglian layman. Known as the "Poet Fairy", he was a great romantic poet in the Tang Dynasty. He is over 7 feet long (about 65,438+0.83 meters). His ancestral home is in Ji Cheng, Longxi (near Tianshui, Gansu), and his predecessor was in Central Asia at the end of Sui Dynasty for crimes. He was born in Broken Leaf in Central Asia (now tokmak, Soviet Union). At the age of five, he moved with his father to Qinglian Township, Zhangming County, Sichuan Province, and was named Qinglian layman. His family may be a wealthy businessman. In addition to Confucian classics, he was educated from an early age. His life interests and talents are also diverse. He is not only a young writer with "fifteen wonderful books", but also a young ranger and feather guest with "fifteen immortals" and "fifteen good swordsmanship". It is said that he once "counted several people by hand" to fight injustice. After the age of 20, he began to roam in Shu, and once climbed Emei and Qingcheng Mountain. These life experiences have an important influence on the formation of Li Bai's bold personality and poetic style, but they also cause the complexity of his thoughts. In the fourteenth year of Kaiyuan, Li Bai was twenty-six years old. In order to realize his political ideal, he "courageously seeks his wisdom, and is willing to help him, so as to make the Huan area stable and the Haijun county clear" (Dai Shoushan answered Meng Shaofu's transfer document), and he "fought his sword to serve the country, resigned his relatives and traveled far away" and began a new period of roaming for officials. He drifted in Dongting, went to Lushan, went to Jinling and Yangzhou in the east, and then returned to Hubei. Taking Anlu as the center, he traveled to Luoyang, Longmen, Songshan and Taiyuan in the north, Qilu in the east, Taishan, Anhui, Jiangsu and Zhejiang in the south, and visited China several and a half times. Li Bai's roaming has its own side, but it also has its political purpose. He didn't and didn't bother to take part in the imperial examination, because it didn't conform to his character of "constantly striving for self-improvement and refusing to work" and his ambition of "making a blockbuster and soaring to the sky". Therefore, during roaming, he sometimes lobbied by strategists, hoping to get promoted by celebrities with his own talent, such as writing letters to the people in North Korea; Sometimes, he followed the "shortcut to the south" that had become a common practice at that time, hoping to establish a reputation by learning Taoism in seclusion and climb high and look far. For example, he lived in seclusion with Yuan Danqiu, Kong and Taoist Wu Yun in Songshan, Culai and Tongzhong successively. He tried to say that he was "invisible". To put it bluntly, he lived in seclusion for his career. In the first year of Tianbao, Li Bai was forty-two years old. Finally, due to Wu Yun's recommendation, Tang Xuanzong sent a letter to Chang 'an. "Laugh at the sky and go out. Are we Artemisia people? " The poet's joy is understandable. When Li Bai first arrived in Chang 'an, He Zhangzhi, the guest of the Prince, was known as the "fallen fairy" and became famous. When Xuanzong summoned him, he also "stepped down to meet him, as if he were in the garden." But in fact, Xuanzong only appreciated Li Bai's talent, and regarded him as a royal scholar who decorated Shengping and court life, and presented him to Hanlin in order. This can't help but make Li Bai feel disillusioned with his political ideal. At the same time, his arrogant style of despising the court dignitaries, as he himself said, "praised the Nine Masters, teased the trendsetters, and ignored the young sages", also attracted the denigration of the dignitaries and made him feel that Chang 'an could not stay long. After living a drunken life, he wrote to ask for it back. "Five trips to Xijing" made him feel heavy. After three years of offering sacrifices to Hanlin, Li Bai, a naive poet, initially realized the corruption of the ruling clique and the darkness of real politics, and began to write some poems to express his anger and attack reality. "As soon as I go to Beijing, I will take ten passengers to Liangyuan." After three years in Tianbao, Li Bai left Chang 'an and started his wandering life again. In Luoyang, he met Du Fu, and in Bianzhou, he met Gao Shi. Three poets traveled to Liangyuan (Kaifeng) and Jinan together. Li Bai and Du Fu forged a profound friendship: "Get drunk in autumn and walk hand in hand." (Du Fu's "Seeking Ten Absolutely with Li Twelve") Tianbao four years in autumn. After Li Bai and Du Fu broke up, they traveled south to Jiangsu and Zhejiang, north to Zhao Yan, and back and forth between Qilu, but Song Liang was the longest. During this period, Li Bai's life was very embarrassing: "coming home without a job, causing trouble like a floating canopy", and he was also very sad: "killing the tiger at the threshold and dragging the eagle to the top", but he never lost his optimism and confidence, nor gave up his political ideal. He thinks he is "brilliant, trustworthy and not ashamed of the British people in the world". With the growing darkness of politics in Tianbao period, more and more works revealed the reality, and his rebellious spirit became stronger and stronger, which became the remarkable feature of his creation in this period. In the 14th year of Tianbao (755), after the Anshi Rebellion broke out, Li Bai took refuge in Xuancheng, and soon lived in seclusion in Pingzhan, Lushan Mountain, paying close attention to the development of the incident. The following winter, Li Lin, Wang Yong, led his troops from Jiangling to the east with the call of resisting the enemy and suppressing chaos. When crossing Lushan Mountain, Li Bai was strongly invited to attend the shogunate, and Li Bai accepted the invitation out of patriotic enthusiasm. Unexpectedly, Li Lin's ambition to compete for the throne with his younger brother Tang Suzong (Hengli) was soon destroyed. Li Bai was found guilty and sent to Xunyang prison. After he was released from prison, he was sentenced to a long-term mission to Yelang (now Tongzi, Guizhou). At this time, Li Bai was 58 years old. Under the cruel persecution of "everyone wants to kill people", poets who often laugh sometimes have to cry silently: "I can't stop crying all my life, so I can't stop here." ("Jiang Xia Bie Song Zhi") In the second year of Gan Yuan (759), Li Bai went west to Wushan, but he had to be released because of Amnesty. He went to Jinling via Jiangxia, Yueyang and Xunyang, and traveled between Jinling and Xuancheng. In the second year of Shang Dynasty (76 1), Li Bai was sixty-one. He heard that Li Guangbi led an army to conquer Shi Chaoyi and went north from Dangtu to kill the enemy, but he went to Jinling and turned back because of illness, so he said, "Heaven takes the heart of a strong man and says goodbye to Jason Wu forever." The following year, in the first year of Baoying, Li Bai died at the behest of his uncle Dangtu. The first burial was in Caishiji, and later generations followed the poet's wishes and were reburied in Qingshan. Du Like Fu, during the Anshi Rebellion, Li Bai's poetry was also characterized by patriotism. Li Bai's life is complicated. As a talented poet, he also has the temperament or behavior of a ranger, an assassin, a hermit, a Taoist, a counselor, an alcoholic and others. This is inseparable from the complexity of his thought. On the one hand, he accepted the Confucian thought of "being kind to the world" and demanded "helping the poor and protecting the country" and "harmony is precious". What's the use of "being kind but not helping?" On the other hand, he accepted the idea of Taoism, especially Zhuangzi's independence from the world, pursued absolute freedom and despised everything in the world. Sometimes he even mentioned Zhuangzi above Qu Yuan: "Laugh at the ancients, and you will get heaven if you are near." At the same time, he was deeply influenced by the thought of ranger. The so-called ranger spirit of "breaking the ban with force", "not caring for his body" and "shaming his morality" also exists in Li Bai. Therefore, he dared to despise feudal order, to break traditional idols, to despise Yao and Shun, to ridicule, to make friends with princes on an equal footing, and to make great efforts. Confucianism is incompatible with Taoism and Rangers. Chen Ziang once lamented that "Confucianism and Taoism coexist", while Li Bai combined the three into one. This is what he repeatedly said in his poem: "Retire after success". This is the dominant thought that dominated his life. Therefore, he worships historical figures, such as Fan Li, Lu Zhonglian and Sean. Subjective combination is not equal to fact. Facing the dark reality, Li Bai's life ideal has never been realized. But he has been pursuing, contradictions, conflicts, anger and wildness after being hit. Gong Zizhen said: "Zhuang and Qu's family can't get along, and it begins with confession; Confucianism, immortals and chivalry are three things that cannot be combined into one. If they are angry, they will confess. "This is very enlightening for us to understand the contradiction and complexity of Li Bai's thought. Of course, Li Bai's thoughts also have vulgar and negative aspects, such as living like a dream, eating, drinking and having fun, which are all reflected in his life and creation. Now there are more than 990 poems and songs by Li Bai. There are a large number of political lyric poems, which fully show the poet's extraordinary ambition, unrestrained passion and chivalrous spirit, and also represent the typical tone of poetry in the prosperous Tang Dynasty. Li Bai has a strong sense of self and compares himself with Dapeng many times. " One day, the wind rises in Dapeng, and the waves go straight to Wan Li and Li Yong. However, Li Bai's frustration in Chang 'an for three years turned his full political enthusiasm into a wild song of grief and indignation when he was hit by reality again, and it gushed out from his chest: "The road is as wide as the sky, and there is no way out in front of me. I am ashamed to follow those people who have no backbone, fighting cocks and betting on pears, and I want to return home with no fish to eat, and I don't think Zhou will succumb to the nobles." Li Bai also used a hearty drinking poem to dispel the sadness of his talent. "Into the Wine": "Oh, let a man with spirit take risks where he likes, and never point his golden cup at the moon! Since God has given talents, let them be used! , spin one thousand silver, all back! Cook a sheep, kill a cow, sharpen your appetite, and let me, 300 bowls, take a long drink! " It is in line with this unrestrained emotional momentum. The remarkable characteristics of Li Bai's poems in artistic techniques are: magical imagination, endless changes, vertical and horizontal structure and patchwork sentence patterns, which form a magnificent and elegant style. Li Bai's poems and songs have diverse themes. His seven-character ancient poems (Shu Dao Nan, Tian Mu Shan Meng Deng, Jiang, Yin, etc. ); Five-character ancient poems (59 ancient styles); There are some poems in Yuefu folk songs in the Han, Wei and Six Dynasties, such as Long March and Midnight Wu Ge. And seven-character quatrains (looking at Lushan Waterfall, looking at Tianmen Mountain, making Baidi City as early as possible, etc. ) became masterpieces in the prosperous Tang Dynasty. Li Bai was already famous in the Tang Dynasty. His poem "There is no set volume, but every family has it". He is the first poet in China's poetry. Li Bai's text in primary and secondary school textbooks is 1. Words? Lesson six? Quiet night thinking II. Literacy 6? Lesson 25? Wang Lun's two ancient poems 3. Lesson 65438? Two ancient poems on Lushan Waterfall 4. Group six? Lesson 265438 +0? Two ancient poems on Tianmen Mountain 5. Group six? Lesson 20 See you again on the way to Yangzhou, two ancient poems by Meng Haoran and Yellow Crane Tower. Group one? Lesson 65438 +0? Three ancient poems sitting alone in Jingting Mountain 7. Unit 6? Lesson 30? Four poems of farewell to friends at Jingmen Ferry. Unit 6? Lesson 30? Five Poems Difficult to Walk 9. Unit 2? Lesson four? Difficult points in the Shu Road 10. Recite "Drinking the Bright Moon Alone" 1 1 with ancient poems after class. 12 Recite the ancient poem "Farewell to Secretary Shu Yun at Xie Tiao Villa in Xuanzhou" after class. Recite "seeing a friend off" 13 with ancient poems after class. Recite "Emei Mountain Moon Song" 14 with ancient poems after class. 15 Recite "The Flute in Los Angeles on a Spring Night" with ancient poems after class. After class, I heard that Wang Changling moved to Longbiao Kiln to send this short message. Li Bai's Thoughts on Quiet Night is the eternal mystery of Ma Maoyuan Li Bai's moon. Yao Liping appreciates Ma Maoyuan Li Bai's Thoughts on Quiet Night. The exploration of Li Bai's life and thoughts has become a needle-the place names in Li Bai's childhood poems are the same as those in Taibai's childhood Li Bai and Wang Li Bai and Du Fu's "Ending Life with a Smile". Talking about Li Bai's "Difficult Walk" in the Face of Li Bai ── A Portrait of Li Bai's Rough Life Fu Bai: Sending a Letter to the Former Residence of White Goose Peak in Huangshan ── Li Bai despises the powerful Li Bai being "fooled" by the Hanlin who fell by the sword ── An analysis of Li Bai's thoughts. Briefly describe the historical road of Siguo Li Li Bai and Du Fu's reaching the same goal by different routes. Wang Yilin's interesting talk about Li Bai's name in Li Bai's poems. Bai's Footprint and the Way to Quench Thirst by Drinking Poison and Li Bai's "Difficult to Walk" by Shu Dao and Deng Yueyang Tower (II) Li Bai's poetic style of Li Bai and Du Fu, the twin stars in the history of Li Bai's poetry of homesickness-Li Bai and Du Zongqiang, the prodigal Li Bai and his lover Du Fufang have achieved fame for thousands of years and fame for thousands of years. What's good when you're dead ── Li Bai and Du Fu, Wang Xueyuan, Forever Li Bai and Liu Xuefeng's exploration of Li Bai's artistic achievements in landscape poems: A preliminary study of Li Bai's tragic life and its characteristics: the composition of Tao Xinmin's elegant poetic style to Li Bai; the influence of Wu Tongyu's thoughts on chivalry on Li Bai's poems: Yan Ping's character and artistic characteristics: Ning's escape, madness, anger, Drunkenness ── the origin of Li Bai's emotional world ── Li's analysis of Li Bai's mentality that it is difficult to get out of Sichuan through Shu Dao Nan ── Reading the artistic conception that Zong Xiaozu and Li Bai's landscape poems and paintings come down in one continuous line ── Why did Zhou write Shu Dao Nan and Zhang Bing's Strange Poems were a swan song ─── Appreciation of the spiritual world of Li Bai's poems ─── On Kang's three spirits from Li Bai's Shu Dao Yu Nan. Cai Chen's brief introduction to Li Bai.