A Comparative Study of Characters —— On Characterization
Abstract: Buckwheat is an excellent traditional drama of Huangmei Opera, with distinctive characters and different personality characteristics. Anren Wang? This role is the housekeeping play of Lao Danxing in Huangmei Opera, with rich performances and is deeply loved by the audience. Its role is changing from glory to begging for survival. Through a series of events in the play, the changes of love, hate, resentment and regret in Anren Wang's soul are interpreted on the stage of Huangmei Opera, which gives people great reflection and enlightenment. I accepted the part in the play during rehearsal? Anren Wang? From reading the script to analyzing the script and analyzing the characters, I fell in love with this role, because she has flesh and blood and personality, and her mind has been thinking about how to shape it properly. Anren Wang? The artistic image of this stage, how to give the role soul.
Key words: buckwheat; Huangmei Opera
[China Library Classification Number]: J6 14.93 [Document Identification Number]: A.
[ArticleNo.]:1002-2139 (2013)-30-0-02
As an actress, there are many reasons for whether she can stimulate her creative desire when she is just exposed to a new script and a new role, such as the organization of the story, the arrangement of contradictions and conflicts, the tempering of literary language, and the emotional expression of singing. , will make actors interested and emotional. However, what can directly affect is the character of the role and the tasks that the role undertakes in important events. More precisely, the first thing an actress thinks of is whether her role is dramatic or not. Of course, we should not only consider these problems, but also start with shaping the characters.
Because in buckwheat? Anren Wang? In the whole play, the image is very vivid, the characters are very vivid and have personality, which makes a housewife with a millionaire? Mean? 、? Too poor to love rich people? My snobbish mentality is vividly reflected, which also deepens my understanding of this role. Here I want to talk about my superficial experience in shaping this character.
First, pay close attention to the drama eyes and add color to the pen.
If you want to shape this role well, you must first enter? Anren Wang? The inner world of her character, recognizing the distinctiveness of her character, the thinking trend of the characters, experiencing her ambivalence and reflecting her performance behavior, I think we should not only highlight her distorted psychology of being too fond of wealth, but also forget her reserve and solemnity as a rich and peaceful person. In the attitude towards the poor and the rich, including her attitude towards her three daughters, we should not only highlight her meanness, but also her kindness, seize her snobbery and highlight her fortitude and weakness in character. She interweaves hatred and loveliness, enthusiasm and indifference, joy and depression, arrogance and rudeness, kindness and helplessness, nobility and smallness, arrogance and begging, spirit and flesh, and becomes a very personal and flesh-and-blood figure. I like playing the role of Anren Wang. In the process of rehearsal, I tried my best to find Anren Wang's life and soul, and tried to shape a complete? Anren Wang? At the same time, we strive to find the duality of the characters and grasp the core points of the characters.
? Anren Wang? Is this play the third scene? Shoutang storm? At first, when the audience saw a kind housewife with a cane in her hand, the joy of Shoutang brought a very harmonious atmosphere to the audience. The opening banquet presented a happy scene of 5 million couples opening their doors to celebrate their birthdays. Then the eldest girl brought Shoutao, Gao Shou, Jin Shouxing and mink coat to her parents, and the second girl brought Gao Shou, Shouguo, pearl agate and pomegranate red dress to her mother. The old people looked at the dazzling array of gifts and rejoiced. A son and a baby on the left and a baby on the right show an old lady who is greedy for money. When she was ecstatic, the hospital bulletin said: Three girls went back to the house? The news brought a sudden change, causing great ups and downs (congestion). I didn't even look at the golden retriever poodle when I saw the buckwheat buns sent by my third daughter lying on the ground. Sigh? Blame yourself for raising such a poor man. In order not to make a fool of herself in front of the guests, she was sent to the kitchen to make a fire. Birthday and toast in the middle formed two more intense vortex of different attitudes and emotions, so in the end they drove three girls and their mother out of the house with crutches and even refused to live in the stable. This makes generate feel more indignant and unreasonable ambivalence, and makes secular human feelings more vivid through the expression of characters' emotions. So? Revenge and anger with joy? 、? Emotional and emotional? . Pass? Happy and angry? Reach? Anger against happiness? 、? Emotional and emotional? Effect, and later became a victim? Regret pleading? It should be said that it is the characteristic of this personality. In terms of performance, it has been properly achieved? Lizi? The stage effect is not easy. The actors are well aware of the development of the plot. Where is the climax? Where is the climax? Pave the way? More aware of this. Lizi? Is it not enough in the end? Begging? The effect will be affected. In addition, there is another situation that I knew from the beginning of the performance? Emotional and emotional? what's up Lizi? Role, but didn't grasp the discretion, recognize people? Hi? The more prominent the atmosphere, Angry? The more intense the emotion, the more times you perform? Hi? Stage, involuntary exaggeration, joy for joy, of course, will leave the play, are these all okay? Emotional and emotional? Made a formal understanding, not from the character's personality. In order to grasp the performance scale of this character thoroughly and accurately, and according to the aesthetic requirements of the audience and the improvement of appreciation interest, I took measures to pay close attention to the eyes and add color to the pen. In the process of continuous performance, I have achieved good artistic effects by kicking, thinking, exploring and embodying.
Second, want? Lizi? Find a play? Lizi? Ask influential people to help arrange sth.
The dramatic implication of Buckwheat is a portrayal of the old ethics, feudal consciousness and ethics, and it is also a masterpiece that stresses morality and inspires people. Although it is a satire, it does give people great aftertaste, reflection and education, which is shocking and inspiring. Throughout the development of the plot, each character runs through human feelings and life, and has different ways of understanding people and feelings, understanding people from all walks of life and treating people differently. And then what? Anren Wang? Our actions run through the mainstream of morality, affection and human feelings, only looking at the snobbery of temporary glory. What is this? Anren Wang? Main thread of thought. Because of her meanness, snobbery, meanness and heartlessness, the three sons-in-law worked hard with her family, sitting on the cold carpet, grinding through the inkstone and studying hard, and finally won the first prize, while the rich family in Anren Wang was burned to pieces by several raging fires and begged along the street. This change has brought great dramatic irony. ? The government gate was laughed at? What is a scene? Anren Wang? In this play, she mainly sings, taking emotion as the line, boasting, begging, regretting, begging, regretting and using? Complain about an example? Lizi? Mother and daughter are deeply in love, at? Lizi? Looking for a fight, in? Lizi? In the end, mother and son know each other. At the beginning, she was praised by the middle and senior officials of the third son-in-law as the champion and the scenery in front of the door. Just passing through the street, the gong was loud and the road was very lively? . In this aria, I try my best to find the accurate emotional color for each lyric, combine the flowing melody with praise and boasting, and point and point clearly, showing the helplessness of Anren Wang begging from the street, eager to see her daughter, begging her to forgive and take her in, so as to show Anren Wang's personality. She seems to have forgotten what she did before. In terms of performance, she was forced by time and space on the way to begging, and she also praised her figure and figure. The first is to stabilize the mood of the characters, suppress the mood of begging, and sing the heart with true feelings. With joy as the background? 、? Happy love? At the same time, you have to confess? Lizi? My sincere heart, although this drama is one of the highlights in the whole plot flow, at this moment, it is just a big foreshadowing, which has not been brought to the extreme, or? Lizi? Therefore, it is necessary to have stamina and play a key role in performance processing. When Sister Wang saw that this hatred had frightened her mother into such a state, she was as happy, annoyed, angry and pitied as ever. Pieces of sarcastic and clear dialogues and duets gradually showed the complexity of emotional changes: Anren Wang went from trying to confess to pleading, from despair to turning, until she was helpless? Pregnant in October? Coming? Appeal? . In the context of overall irony, I fine-tune different voice colors when singing. The so-called adjustment lies in the specific feelings, judgments and reactions of specific people in specific environments, such as? Daughter, she is kind-hearted and mean-spoken. I can't help but count the pregnancy to impress her? When singing? Kind? Use a little embellishment in the high-pitched area and then pause to sing softly? Hard mouth? With a little regret, no embellishment, no pause, singing in one breath, it looks like nothing? Smell? You can't achieve the artistic effect of praise, and then you sing helplessly and deeply? I can't help but count the times I'm pregnant, okay? There's a big change. Take a sob when you sing? Touch her heart? . This song consists of 74 lyrics. In the case of the same melody, we use different singing methods to complete the voice of the characters, arouse the resonance of the resentment of the third daughter, and at the same time infect the audience with voice and emotion to give Anren Wang a little pity. The melody of this singing song is charming, the ups and downs are just right, and the feelings are deep. Did you sing it right? Anren Wang? Her soul has a great impact, which evokes bittersweet memories of her life and the bitterness of raising children. Together with the meaning of regret, all these things are condensed together, prompting the audience to intuitively see the pain and repentance of the characters' souls. I realized that the first thing to sing this song well is to sneak into the role, not? Lizi? Find a play? Lizi? In some places, I sing word by word, trying to keep my voice dead, so as to give full play to the expressive force and appeal of singing. Because it was originally the epitome of a snobbish and mean old man's life, at this time, a lonely and weak old woman, who was on the balance of life, tried to cheer up and made the last (helpless) choice to change her fate, which was also a whip to those snobbish and mean people.
According to the audience's aesthetic requirements and appreciation interest, the drama should pay special attention to clear and sincere interpersonal feelings in the later stage of performance, and the singing should reflect the charm of Huangmei Opera with soft feelings and sounds, and try to combine the singing art with the character's personality, so as to achieve the unity of body movements, performing charm and vocal cavity art. This combination is the understanding of the communication between characters in the performance. If an actor wants to present his role vividly to the audience in the performance process, it is not only the singing skills, but also the understanding and embodiment of the role in the performance, and the degree of this understanding is mainly manifested in the communication between characters and the expression of voices, in order to seek to shape the characters.
In terms of portraying characters, I especially feel that every movement, every look, every expression of emotions and sorrows in the stage movements are traceable, well-founded and sensible. For performance, I urge myself to accurately shape the characters, pay attention to digging the emotional truth of the characters, grasp the emotional pulse of the characters, grasp the typical characteristics, thoughts and actions of the characters, and bring her into the role. Because the highest realm of art is a highly refined life, the most refined and typical performance methods and touching singing art are used to show the lives of the characters in the play, giving the audience life enlightenment and high-quality enjoyment. Finding the life and soul of the characters in the play, the characters created will not just be a body that performs emotions, but a flesh-and-blood character, which is the key to grasping the characterization.
Is this what I played in buckwheat? Anren Wang? Direct feeling and indirect inspiration are inevitably neither systematic nor correct. I hope readers can correct me more.
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