Text/Lao She
For a person who is used to living in Beiping, it is a miracle that it doesn't blow in winter. There is no wind in winter in Jinan. For a person who has just returned from London, it is strange that I can't see the sun in winter; Jinan is sunny in winter. Naturally, in tropical places, the sun is always so poisonous, so loud and a little scary. However, in winter in the north of China, Jinan is really a treasure house with warm and sunny weather.
If there is only sunshine, it is not surprising. Please close your eyes and think about it: an ancient city with mountains and water is basking in the sun, sleeping warmly and comfortably, just waiting for the spring breeze to wake them up. Is this an ideal realm?
The mountain completely surrounds Jinan, except for the lack of some food in the north. This circle of hills is particularly lovely in winter, as if Jinan were put in a small cradle. They whispered, "Don't worry, it will be warm here." Really, people in Jinan laugh in winter. As soon as they saw those hills, they felt that they had landed and leaned over. When they saw the mountains from the sky, they unconsciously thought, "Tomorrow may be spring, right? With such warmth, the grass may turn green tonight? " Even this fantasy can't be realized for a while, and they don't worry, because there is such a charity winter, what else do they want!
Best of all, it snowed a little. You see, the dwarf pine on the mountain is getting darker and darker, and there is a bun of white flowers on the top of the tree, like a Japanese wet nurse. The top of the mountain is all white, and there is a silver edge on the blue sky. On the hillside, there is thick snow in some places, and grass color is still exposed in some places; In this way, one is white, the other is dark yellow, and the mountain is covered with a floral dress with water patterns; Looking at it, this floral dress seems to be blown by the wind, which makes you want to see more beautiful goatskin. When the sun goes down, the yellowish sunshine is obliquely sprinkled on the hillside, and the Bo Xue seems to suddenly blush with shame, showing a little pink. It's just a light snow. Jinan can't stand heavy snow. Those hills are so fragile!
Ancient Jinan, the city is so narrow and spacious. There are some small villages lying on the hillside, and there is some snow on the roofs of the small villages. Yes, this is a small ink painting, or it was painted by a famous painter in the Tang Dynasty.
What about water? It did not freeze, but steamed on the green duckweed. Seaweed is really green, and all the green stored all the year round is taken out. The clearer the sky, the greener the algae. With these green spirits, the water can't bear to freeze. And those weeping willows with long branches have to be photographed in the water! Look, slowly rising from the clear river, the sky, mid-air and sky are so clear and blue from top to bottom, and the whole is an ethereal blue crystal. In this crystal, there are red roofs and yellow grass hills, like small gray shadows of flowers on the carpet.
This is Jinan in winter.
Winter study in Jinan:/b/14431988-1323640094.html.
"Winter in Jinan" video: /programs/view/_ jbbfwiiru/
About the author:
Lao She (1899 ~ 1966), a representative of Beijing School, died at the age of 67. His original name was Shu Qingchun, Manchu, an old Beijinger, a modern novelist, dramatist and famous writer in China. Because of his many works, he was awarded the title of "People's Artist". He used to be a primary school principal, a middle school teacher and a university professor. His pen names are She Yu and Lao She. Lao She is his most commonly used pen name, and there are other pen names such as Qing, Hongse, Yu, She and Fei Ming. He used to be a professor at Shandong University and other well-known universities. His works are included in The Complete Works of Lao She. His major works in his life include Camel Xiangzi, Four Generations under One roof, Longxugou, Teahouse and so on. 1899 was born in Xiaoyangquan Hutong (now Xiaoyangjia Hutong) in Xicheng, Beijing, a poor family in Manchu city. Modern famous writers and outstanding language masters are known as "people's artists". Manchu is a red flag man, and his father is a Manchu guard. He was killed in street fighting when Nazi fascists attacked Beijing. The pseudonym Lao She was originally used in the novel Lao Zhang's Philosophy. Other pen names include She Yu, Qian Qing, Yu Qian, Feizi and Hongse.
19 13 was admitted to Beijing Normal University, and 19 18 graduated from Beijing Normal University. He served as the principal of a primary school and gave advice to students in the northern suburbs. The ideological trend of democracy, science and personality liberation aroused by the May 4th New Culture Movement awakened him from the life creed of "running a primary school seriously, respectfully serving his mother, getting married and having children properly". The prosperity of the literary revolution made him "obsessed with new literature and art", thus starting a new starting point in his life and career. 1922 worked as a Chinese teacher in Nankai Middle School. In the same year, the first short story Jason Chung was published. From 65438 to 0924, he went to England and worked as a Chinese lecturer at Oriental College of London University. After teaching, I read a lot of foreign literary works and officially started my creative career. Three satirical novels describing the life of citizens, Lao Zhang's Philosophy, Zhao Ziyue and Ermayina, were published one after another. Since 1925, three novels have been written one after another: Lao Zhang's Philosophy vividly exposes the smoky educational circle; Zhao Ziyue's flogging edge points to the young students who praise the new school, but they are actually intoxicated; The protagonist of Two Horses is a Beijinger living in Britain. Ironically, it is still the abnormal mentality of "leaving the nest" cultivated in the soil of feudal small-scale production society. They all use crisp Beijing spoken language and humorous language to render the folk customs of Beijing, and through the analysis of the national psychology of conservatism and stealing peace, they express their worries about the fate of the motherland, showing their unique artistic personality and ideological perspective. After the three works were serialized in Novel Monthly, they attracted the attention of literary circles. 1926 Lao She joined the Literature Research Association. /kloc-in the summer of 0/929, he returned to China via Europe and Asia. During my stay in Singapore, I was inspired by the rising demand for national liberation and created a novella "Xiaopo's Birthday" reflecting the awakening of the oppressed nation. /kloc-returned to the motherland in 0/930, served as an associate professor at cheeloo university College of Literature in Jinan, and edited Qilu Monthly.
Camel Xiangzi is based on the whereabouts of Xiangzi, a rickshaw driver in Beiping (now Beijing). He bought and sold cars, but after several times, he was down and out I went into the barracks by mistake, but I pulled out some camels from the barracks. Lao She compiled and created Camel Xiangzi. This170,000-word novel shows people the images of warlords fighting under the dark rule and the poor citizens at the bottom of Beijing living in the abyss of pain. From the story of Xiangzi's attempt to get rid of the tragic fate of life through personal struggle, he finally failed or even degenerated, warning people that it is impossible for urban poor peasants to turn over and become masters by personal struggle alone. Camel Xiangzi came out and was translated into more than ten languages, which had a great influence and amazed people all over the world.
Lao She's Creative Features
Lao She was first famous for his novels. When he started writing, few writers of new literature wrote novels. He is one of the earliest writers of modern novels in China, and has contributed to the development of this genre. Later, he became famous for his plays, with a large number of works, and became one of the most important playwrights in the 1950s and 1960s. His short stories are few, but there are also many graceful and meaningful masterpieces, such as "Broken Soul Gun", "Taking Office" and "Liu Family Courtyard", all of which are written with their own characteristics. His short stories are often superior to novels in artistic conception and wide range of subjects. He wrote many interesting and witty articles and some old and new poems. Lao She's novels include novels, novellas, short stories and short stories, as well as fairy tales and fables. In drama creation, in addition to drama, there are children's dramas, pantomime, opera, drama and vaudeville. Different from most writers after the May 4th Movement, he also created a large number of popular works of different genres by using various traditional forms, including operas transplanted and adapted from different traditional operas. Lao She is one of the most diversified writers in modern China, and has made outstanding achievements in many fields.
Besides the writer's diligence and being good at drawing nutrition from China tradition and foreign literature at the same time, there are deeper ideological and artistic reasons. When War of Resistance against Japanese Aggression broke out, Lao She was already a famous novelist. In view of the urgent need to encourage the Anti-Japanese War in the form of literature and art that people understand and love, he interrupted his novel creation, fully explored the utilization and transformation of popular literature and art, and personally "boldly tried various genres of (popular) literature and art" ("Three-year Writing Self-report"). Later, due to the consideration that "drama is needed in the war of resistance against Japan, drama must resist Japan" (the development and predicament of drama during the war of resistance against Japan), he turned to drama creation. People's Republic of China (PRC) was founded. When he just returned to China and wrote Longxugou, he knew what a difficult transition it meant to be a critic in old China and a singer in new China: "In my writing experience of more than 20 years, writing Longxugou is the biggest adventure"; Thanks to the enthusiasm of the government, I dare to take risks. He answered the new topic put forward by the times with his own creative practice. After the success of his drama creation, he continued to make "new attempts, not completely bound by his conservative son" ("Answering Several Questions about Teahouses"), challenging the traditional drama law that emphasizes that time, place, clues of characters and plots need to be highly concentrated, and wrote a unique "painting drama". In Lao She's view, "it not only shows the most precious political enthusiasm of an artist, but also shows the real courage of an equally valuable artist" (Zhou Yang, "What to learn from Longxugou? ), with a strong sense of social responsibility and artistic innovation spirit, he has tirelessly dabbled in all fields of literary creation, never satisfied with any achievements he has made, and has been able to make important progress and breakthroughs in his creative career for more than 40 years.
When Lao She started writing, she held the attitude that "no matter who or what, it should be funny anyway" and "humor is the purpose" ("How do I write Zhao Ziyue"). His works have a distinctive humorous and satirical style from the beginning. He is one of the few humorous writers in the history of modern literature. He was once known as a "humorist" and a "comedian". His early works are mixed with some episodes that are purely for fun and lack ideological significance. His character of "laughing and cursing, but not killing them all" (How do I Write Lao Zhang's Philosophy) makes his satire less cold and sharp than Lu Xun's, and more warm and relaxed, thus forming his unique humorous style. Since1the mid-1930s, Lao She's writing style has become more and more serious with more experiences of national disasters and the harshness of life. Humor is no longer the keynote of most of his works, and it is no longer humorous works that are praised. However, in most of his works, witty language still often appears, which makes people laugh or laugh, and sometimes makes people cry or think deeply. In his later works, the writer made many characters say goodbye to yesterday with smiles. These all have an inherent humor-sublimated humor.
Most of Lao She's works focus on citizen life. He is good at describing the life and fate of the urban poor, especially the conservative and backward middle and lower class citizens saturated with feudal patriarchal ideology, their ambivalence of confusion, hesitation and loneliness, and their ridiculous behavior of being in a dilemma and being at a loss under the impact of the new historical trend. He likes to reflect common social conflicts through ordinary daily scenes, and his brushwork often extends to the excavation of national spirit or the thinking of national destiny, which makes people taste the seriousness and heaviness of life from relaxed humor. Colorful natural scenery rendering and meticulous description of customs and human feelings add to the life breath and interest of the works. In the history of modern literature, Lao She's name is always closely related to the citizens and the theme of Beijing. He is an outstanding painter of local conditions and customs in modern literature in China, especially in Beijing. As a great man, the social reality he reflected may not be broad enough, but within the scope he described, he combined history with reality, from the natural scenery throughout the year, the social atmosphere and customs of different times to the joys and sorrows and subtle mentality of various people, which was colorful and lively, forming a complete world full of "Beijing flavor". This is a special contribution of Lao She in the history of modern literature.
Another feature of Lao She's works is that it shows a distinct anti-imperialist and patriotic theme. Anti-imperialism and feudalism is the basic theme of the whole new literature since the May 4th Movement. However, except in certain periods (such as the May 30th Movement, after the September 18th Incident and War of Resistance against Japanese Aggression), there are not many anti-imperialist themes and contents in the creation of ordinary writers. Lao She's works are often obvious. Jason Chung, his first work, expresses the national consciousness of resisting foreign invaders through the childish actions of primary school students. Mao Dun deeply felt "love and yearning for the motherland" from Lao She's earliest works (Mr. Lao She who has worked brilliantly for twenty years). After that, Lao She wrote many works that directly exposed the crime of imperialist aggression and described their economic, cultural and religious infiltration and the harm caused by racial discrimination to the people of China from different aspects. He showed national awakening, praised national integrity, and criticized the humble and unwise foreign slaves who faced these invasions and infiltration. The drama Shenquan (also known as the Boxer Rebellion), which was written in the early 1960s, reproduces the heroic scene of Beijingers fighting against Eight-Nation Alliance. His later works strongly show the joy and pride of China people who are masters of their own affairs and stand on their own feet to strengthen themselves in the world. His love for the socialist motherland has added new content and brilliance to his patriotism and reached a new ideological height. Strong national pride and ardent patriotism are the noble character and precious spiritual heritage in Lao She's works.
After the May 4th Movement, writers of new literature abandoned the classical Chinese written by feudal literati and did not adopt modern vernacular in vernacular novels and operas. Instead, they created modern vernacular Chinese from modern spoken language, which is convenient to reflect modern life and express modern people's psychological activities. As a new literary language, Lao She has made outstanding achievements in this respect. He is from Beijing and can speak standard Mandarin. More importantly, we should try our best to learn and refine literary language from people's oral language. Pay attention to study, avoid hard work and over-Europeanized student accent problems; Paying attention to refinement can break away from the rough natural form and overcome the weakness of copying and abusing dialects. He used a truly artistic and living language. Lao She's novels and essays are catchy, and the dialogue in the play is lively. The language of many characters in the works has its own personality characteristics. He solved the problem of language disconnection well. He is outstanding among modern writers in the accuracy, vividness, expressiveness and artistry of language and the creation of new literary language. Lao She believes that the writer's style is first embodied in language, and his language has indeed become an important means to express artistic style. Even the language of his theoretical articles is very individual. His contribution in this respect is beyond the scope of literary creation. As early as 1930s, some people advocated that his works should be regarded as "textbooks to promote pure Putonghua" (Lao She's letter to Zhao Jiabi), and his works have been frequently cited in modern Chinese textbooks.
Lao She's creation was influenced by British Dickens, Conrad and others, and had a deeper connection with China's traditional literature and art, mainly among the people. This makes his works have the characteristics of popularization, popularization and strong national color, and can be appreciated in both form and content. Therefore, it broke through the narrow circle of new literature circulating only among students and intellectual youth earlier, and was loved by a wide range of readers. Later, it vividly described the social outlook and people's feelings of modern China, with distinctive China characteristics. Coupled with standardized modern Chinese, it has attracted foreign attention. All these have expanded the influence of China's modern literature. Based on the daily life of small people in Beijing Hutong, he skillfully used the literary language of "Beijing flavor" and was imitated by some latecomers.
Winter in Jinan (unedited edition):
Last time I talked about autumn in Jinan, this time I should talk about winter.
For a person who is used to living in Beiping, it would be a miracle if there were no strong winds in winter. There is no wind in winter in Jinan. It's strange that a person like me, who has just returned from London, can see the winter sun. Jinan is sunny in winter. Naturally, in tropical places, the sun is always so poisonous, and the loud weather is a bit scary. However, in winter in the north of China, Jinan is really a treasure house with warm and sunny weather.
If there is only sunshine, it is not surprising. Please close your eyes and think about it: an ancient city with mountains and water, all sleeping warmly and comfortably under the blue sky; Is it an ideal state to wait for the spring breeze to wake them up? The mountains surround Jinan for a whole circle, except for the mouth in the north. This circle of hills is particularly lovely in winter, as if Jinan were put in a small cradle. They all whispered, don't worry, it will be warm here. Really, people in Jinan laugh in winter. As soon as they saw those hills, they felt that they had landed and leaned over. When they saw the mountains from the air, they couldn't help thinking: Maybe tomorrow will be spring? With such warmth, the grass may turn green tonight, right? Even this fantasy can't be realized for a while, and they are not in a hurry, because there is such a charity winter, what else do they want?
Best of all, it snowed a little. You see, the dwarf pine on the mountain is getting darker and darker, and there is a bun of white flowers on the top of the tree, like some Japanese nurses. The top of the mountain is all white, and there is a silver edge on the blue sky. On the hillside, there is thick snow in some places, and grass color in some places. In this way, one is white, the other is dark yellow, and the mountain is covered with a floral dress with water patterns; Looking at it, this floral dress seems to be blown by the wind, which makes you want to see more beautiful goatskin. When the sun goes down, the yellowish sunshine is obliquely sprinkled on the hillside, and the Bo Xue seems to suddenly blush with shame, showing a little pink. It's just a light snow. Jinan can't stand heavy snow. Those mountains are too fragile.
Ancient Jinan, the city is so narrow and spacious. There are some small villages lying on the hillside, and there is some snow on the roofs of the small villages. Yes, it's a small ink painting, and it's also the work of a famous artist in the Tang Dynasty.
What about water? Instead of freezing, it is steaming on the green algae. Seaweed is so green that it takes out all the green stored all the year round. The clearer the sky, the greener the algae. With these green spirits, the water can't bear to freeze. In addition, weeping willows with long branches need to be photographed in water. Look, slowly rising from the clear river, the sky, mid-air and sky are so clear and blue from top to bottom, and the whole is an ethereal blue crystal. In this crystal, there are red roofs and yellow grass hills, like small gray shadows of flowers on the carpet; This is Jinan in winter.
Although there is no Ye Er in the tree, the birds are not lazy. Look at the lark with wings in the sun. Shandong people are admirers of larks, and Jinan is the hometown of larks. Every household can hear their songs; Naturally, there are many little yellow birds, who also sing very hard in Bailing. There are also mountain magpies, crowing in the trees in droves and flying with their light blue tails. Although there are no leaves on the tree, these feathers are decorated, a bit like western beauties. Sitting on the river bank, watching them fly in the air and listening to the stream alive and kicking is hypnosis; Do not believe you try; Go to sleep, you will never freeze.
I wonder what will happen.
Title: Complete Works of Lao She (Volume 14) Chapter: Some Thoughts (Excerpt) Publisher: People's Literature Publishing House Publication Year: 1989 Bibliography:
Winter appreciation in Jinan:
Winter in Jinan is a successful landscape prose. His landscape painting art is commendable. To sum up, the art of landscape painting in the article has the following points.
(A) firmly grasp the main features of the scene to write, so that the full text of the same tone, color harmony.
Although Jinan is located in the north of China, there is no strong wind in winter, but there is plenty of sunshine. The most striking climate feature in winter is "warm and sunny" (warm and sunny). The article firmly grasps this point, so that all kinds of scenery in the pen are closely linked with this "warm and sunny" weather, which constitutes a warm and sunny winter picture of Jinan. Articles about mountains, water, cities and people are all painted with a layer of warm sunshine. Even writing snow scenes is still related to warmth-because of warmth, "it is best to have a little snow"; The sunshine is inseparable from the sunshine, because there is plenty of sunshine, so there is a scenery of "when the sun sets, the yellow sunshine shines obliquely on the hillside, and the snow seems to be ashamed and slightly red".
If the second paragraph mainly focuses on the panoramic view of Jinan, the third and fourth paragraphs mainly focus on the mountain view of Jinan, and the fifth paragraph mainly focuses on the water view of Jinan, then the full text is a long axis composed of these interrelated and relatively independent drawings. And this long axis is unified by this "warm and clear" tone, giving people a harmonious and consistent aesthetic feeling.
(2) The level of scenery is properly arranged, which makes the scenery in front of us come in droves and orderly.
The ancient Jinan, with beautiful scenery, is known as "every family springs, every family inserts willows" and "a city with mountains and half a city with lakes". How can we better show these beautiful scenery to readers? This is a question of writing the order of scenery. The article first gives readers a bird's-eye view of the whole city (the second paragraph), then gives readers a full view of the mountains and the sunset after the snow (the third and fourth paragraphs), and finally leads readers to the weeping willow bank to enjoy the waterscape where "the water is not frozen and steamed on the duckweed" and the algae are greener (the fifth paragraph). Write from big to small, from mountain to water, with distinct levels and clear context. Naturally, this is for all levels, and there are similarities and differences within each level. For example, the second paragraph is about scenery and people, the third paragraph is about snow and sunny, and the fifth paragraph is about water and sky. The style of writing is vivid without losing the purpose of uneven levels.
(3) The distance and size of the scenery are appropriate, so that the scenery is not a hundred miles long or a thousand miles long.
Let's see, in the author's pen, a huge Jinan can be placed in a small cradle surrounded by mountains, and the magnificent scenery is just an "ethereal blue crystal". This is the farthest thing from the scenery. Look again, "There is a bun of white flowers on the top of the tree, like a Japanese wet nurse", "The seaweed is really green, and all the green stored all year round is taken out", which is the closest thing to the scenery. Long-term vision makes people broaden their horizons and feel relaxed and happy; The close-up of a small scene makes people look carefully and listen attentively, making the scene more vivid. Moreover, the long-term vision can break through the limitation of "I don't know the true face of Lushan Mountain, but toward which corner of the mountain", while the short-term vision can avoid the disadvantage of "seeing the trees but not the forest". The ancient poem goes: "The distant mountains are colored, and the water near them is silent." This means that unless you look from a distance, you can't see that the mountains are actually colored, and unless you listen carefully, you can't feel that the running water is silent. Thus, regardless of distance, landscape writing techniques can not be ignored. If used properly, you can kill two birds with one stone.
It is worth noting that when writing landscape, this article not only uses the distance, but also the details are big and small, and it is often from near to far, from small to big, or from far to near, from big to small, and the writing closely promotes nature. For example, the scenery in the fifth section, from near to far, from fine to large: first, the water is steaming, then the algae, then the weeping willows, and then the sky above the water, even the air and the sky. The scenery in the fourth paragraph is from far to near, from big to small: first write outside the city, then write on the hillside outside the city, then write on the small village on the hillside, and then write about the snow on the roof of the small village. This kind of writing not only conforms to the logical order of narration, but also meets the visual needs of readers. No wonder the author is willing to adopt it.
(4) The scenery is set off properly, which makes the image of the scenery more vivid in mutual setting off.
Some scenery is beautiful in itself, and it is even more beautiful against other scenery. There are also some landscapes that are not very beautiful in themselves, but they are beautiful against other landscapes. Of course, some scenery itself is beautiful, but once it is set off with other scenery, it loses its original beauty. As Lu Xun said, "It is still called a" work of art "to carve a preface to the Lanting Pavilion on an ivory tablet, but if it is hung on the wall of the Great Wall in Wan Li or at the foot of the Zhangba Buddha statue in Yungang, it is too small to be seen, even if enthusiastic people try their best to give directions. Therefore, the key to writing a good landscape is not only to set off, but also to set off just right. Properly set off, they can complement each other and turn mediocrity into magic.
In this paper, a group of white flowers is set off on the top of the tree with short pine, green and black; Set off the blue sky with all-white peaks; There is a piece of white on the hillside, which sets off a dark yellow; With a yellowish sunset, Bo Xue's slightly pink is set off. Colorful and pleasing to the eye, they are all wonderful pens that set each other off.
The "Yellow Grass Mountain" and "Little Gray Shadow" mentioned in the article are not very beautiful in themselves, but the article puts them in the following passage to show their beauty:
Look, slowly rising from the clear river, the sky, mid-air and sky are so clear and blue from top to bottom, and the whole is an ethereal blue crystal. In this crystal, there are red roofs and yellow grass hills, like small gray shadows of flowers on the carpet; This is Jinan in winter.
Please close your eyes and think about it. Open your eyes and have a look. This is a world made up of colored dots! However, "Huangcaoshan" and "Little Gray Shadow" are indispensable parts of this beautiful painting.
(5) The combination of reality and reality makes the scenery look like a legend.
It is undoubtedly necessary to write the image of the scene, such as the article "There is a bun of white flowers on the top of the tree, like a Japanese wet nurse". However, if we want to be more vivid than description, we have to rely more on imaginative writing. Therefore, in the author's pen, Jinan, which is sunny in winter, has the expression of "sleeping warmly and comfortably, just waiting for the spring breeze to wake them up"; A circle of hills surrounded by the city will also whisper "don't worry, it will be warm here"; Bo Xue will have a sense of shame of "showing a little powder"; Algae will have the spirit of "taking out all the green stored all the year round"; As for water, you can have a kind heart for seaweed. As for the hillside with uneven light snow coverage, it is natural to "put a floral coat with water lines on the mountain" and "those weeping willows with long branches should take a picture in the water", which is also a vivid sentence in the article.
(6) Point out the topic appropriately to make the meaning contained in the landscape itself more obvious.
One of the reasons why a painting has an inscription is that the inscription can make the meaning contained in the painting more obvious. It should be said that the inscription is an organic part of a painting, although it is not the scenery itself. Similarly, it is permissible for the author to directly point out the theme of his landscape. If he points out the theme, it is not dispensable. The topic of this article is very targeted, and a few words will make the finishing point. For example, after describing the snow scene in the hills, the article suddenly turned to a topic and asked the author as a commentator to talk about the topic: "It's just a light snow. Jinan can't stand heavy snow. Those hills are so exquisite! " This statement can be said not only in the picture described, but also in the picture described, because it is inherent in the picture, which is a bit unclear. As soon as it is pointed out, the beauty of a little light snow (not heavy snow) in Jinan will come to my face.
Don't digress, and don't overdo it. The title of this article is just right. When we ponder over the full text and read the last sentence "This is Jinan in winter", there seems to be a feeling of wanting more. It seems that we can start a new paragraph and add two sentences to end the full text: "I love Jinan in winter, I love Jinan in winter." But there is no need to think about it carefully, because readers of Ming Min should and will draw such a conclusion from the scenery described in the article and the feelings expressed. Why wait for the author to rap again? What's more, following the logic of the article, readers have the right to think more, bigger and farther, such as loving their hometown and motherland, and so on. These questions are endless. This may be the reason why the author brought the article to an abrupt end.
Text: Hen, my mother, raising flowers, our cat, winter in Jinan, camel Xiangzi-Xiangzi buying a car, grassland, Spring Festival in Beijing and Linhai.
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