At the moment when the work was competing for the race walk, the artistically treated image of the athlete had both fluency, strength, foot posture and exaggerated and distorted pelvis, showing the profound connotation of going to the world. It shows the moment when a bodybuilding female athlete goes to the track and field for a race walk. Race walking is neither running in the air nor walking normally, but a specific sport. What the author grasps is a nerve marching movement, which is characterized by relaxation of hip joint and coordination of whole body movements. Although the sculptor's expression technique is basically realistic, the details are omitted and highly summarized. In fact, he used exaggeration and deformation to strengthen the characteristics of this movement. This is one of the representative sculptures in the 1980s. It shows that the expression techniques of sculpture creation are constantly expanding, enriching and strengthening.
Going to the World has a distinctive theme and far-reaching significance, and has been widely welcomed. This work won the 1987 First National Urban Sculpture Award for Excellence; Grand prize of the first sports art exhibition; IOC President Juan Antonio Samaranch expanded the IOC Sports and Art Award into a 2.2-meter-high bronze statue, which was placed in the garden of ioc headquarters in Lausanne. Since then, the sculpture forest in Sapporo and the sculpture parks in Shenyang, Fuxin, Shenzhen and Guangzhou in China have successively cast this statue. 1989 was awarded the "Sports and Art" award by the International Olympic Committee. In his second year in Lausanne, Tian Jinduo won the Olympic Art Award of the International Olympic Committee.