Jing M.Guo has become a "successful model" with a unique paradigm since a teenager in a mountain village stepped onto the peak of fame and fortune. However, along the way, the accompanying negative keywords never stopped.
plagiarize
-right and wrong have been judged. Xiaosi never apologizes.
In Baidu's search keyword "Jing M. Guo", "plagiarism" ranks fifth in related associations. The top four are Height, Han Han, Tiny Age and Yang Mi.
No matter how much wealth Jing M.Guo has accumulated, how high his reputation is, and how crazy his fans are, "plagiarism" is still a shameful record in his growth track. Jing M.Guo has never formally apologized since the plagiarism scandal began and was confirmed by the court's judgment.
A brief review of the history that Jing M. Guo and his loyal fans may not want to face: In February 65438, young writers found that their work "Inside and Outside the Circle" was copied by Jing M. Guo and renamed it "How many flowers fall into a dream", suing Jing M. Guo for plagiarism. From June, 5438 to February, 2004, Beijing No.1 Intermediate People's Court made a judgment of first instance, and found that Dream copied the original content of the relationship between characters in The Circle, which led to the substantial similarity between Dream and The Circle as a whole. Jing M.Guo's appeal was dismissed. In May 2005, the Beijing Higher People's Court made a final judgment: the original judgment of the first instance was upheld. On June 5th, 2006, Jing M.Guo made a comprehensive response to the lawsuit on his blog for the first time. He said that he would execute the compensation awarded by the court and stop selling, but he would not apologize to Zhuang Yu. At the same time, he stressed that this post was his first and only response to the litigation judgment. "From now on, I won't make any comments on this matter."
Jing M.Guo's debut novel "Fantasy City" is accused of having many similarities in style and content with the Japanese comic book "Legend of God". During the prosecution of Zhuang Yu, Jing M.Guo's new work "Summer hasn't arrived yet" was exposed to plagiarize the Japanese cartoon "Nana". In 20 10, his masterpiece "Grand Prix" was officially released, and everyone with a discerning eye could see that its plot was also released in 2005. This time, the theme song of Tiny Times is once again caught in a plagiarism scandal, which really shows that "the result is the same". Senior media people jokingly call it "plagiarism from the beginning."
Downward monopoly
-Target third-tier cities for fan economy.
Although fan marketing is only a method of movie marketing, the box office of movies often depends on the audience. Judging from the great popularity of Jing M Guo in second-and third-tier cities, success is inevitable-novelty and other products with Jing M Guo brand can also be bought in the most remote mountainous areas of China. When criticizing Jing M.Guo and his novels and movies, I often get such a reply: "A little thing in the fourth grade (referring to plagiarism) is arbitrarily described as a big thing by you, which is unreasonable." "After all, not everyone can copy so well. You are jealous. " "You feel bad, that's because you can't see the feeling." "Xiao Si's works are the best."
A close look at Jing M Guo's works can weave an unreachable urban dream for second-and third-tier cities. From clothes to handbags, from drinks to cars, and even a chair with a chandelier, we should point out its foreign texture and brand origin. In Tiny Times 2.0 and Tiny Times 3.0, Jing M. Guo began to try to be original, which led to the plot getting out of control and all kinds of illogical plots, but as his fans proudly declared, "Even if a stack of white paper is set up and the author signs Jing M. Guo, it can sell 500 thousand!" The core figure and screenwriter of "The Battle against Guo Curse" concluded: No one knows how small the times are.
Guo Chenggong
-fame and fortune decide everything to step onto the throne of "example"
When the film Tiny Times set off another upsurge, the media sought after Jing M.Guo as scheduled. For an instant, standing at the peak of fame and fortune, he seemed to be the interpreter of the "Chinese Dream". Many people say that his success is worth learning anyway.
Jing M.Guo's growing process is an inspirational drama. He came to Shanghai from an unknown village and wrote one bestseller after another. A poor boy, a short man, can also wear expensive materials, stay in a five-star hotel, hang a dazzling title, be sought after by millions of fans and become an instant hit in Vanity Fair. In a recent media interview, I described in detail the decoration of Jing M.Guo's mansion in Jing 'an District, the oil painting on the wall, his dog and the mineral water in the reception room ... It is not himself or his achievements that obeys and worships Jing M.Guo's admirers, but his "role model" of making money and becoming famous.
Dr. Changjiang, a young teacher in the School of Journalism, Renmin University of China, has been immersed in journalism research for many years. He said that the media should objectively report and coldly analyze social hot spots, and provide various viewpoints to explain the events in an all-round way. Even if pleasing the public mood can gain immediate benefits, in the long run, it will definitely damage the overall reputation of the media industry: "Material success now looks more like a daydream that the whole society is morbidly pursuing."