-Master of Chinese Literature and Culture, the first person to study Chu Ci in New China.
Mental clarity, mental abnormality. In the crowd, such as auspicious clouds falling between tiles.
—— Wang Xuezhong, former vice chairman of China Calligraphers Association, a famous poet and calligrapher.
The bright moon and stars enter the sea of words, but you are happy to add poetry to the mountains. Qin opera has two ancient tunes, and Yuefu 24 listens to this play.
-Zhang, a famous calligrapher, was the first person to write regular script in China.
Wen Haoran and I have always insisted on serious writing.
-Love, a great contemporary poet and a writer nominated by Nobel Prize in Literature.
I came back from Jianghu to try a boat and met this girl by chance. Qian smiled and thought foolishly, like singing Mochow at the swallow's house. I can look for the past from Sanyu and dare to continue my dream. Look askance at the old, when the poem light Wan Huhou?
—— Zhou Ling, a famous redologist, screenwriter of 87 Dream of Red Mansions and speaker of CCTV lecture room.
Wen Haoran is a talented woman writer, some of whom are particularly delicate but comfortable. We have reason to believe that with Wen Haoran's talent and pen power, this young post-70s writer will bring more "feasts" to the literary world.
-Wen Rumin, a professor, doctoral supervisor and famous scholar of Chinese Department in Peking University.
The continuation of A Dream of Red Mansions in the new century requires the author not only to violate the existing mainstream research results of Dream of Red Mansions, but also to continue the significance of the times and the spirit of subjectivity. From this perspective, Wen Haoran's sequel obviously represents a brand-new turning point. The author summarizes it as: "based on a dream of red mansions, loyal to the heart, display talents and face the times."
—— Kong is a famous scholar, outstanding essayist and professor Peking University.
The sequel to A Dream of Red Mansions is an unbearable lightness in Wen Haoran's life. It is no exaggeration to say that her sequel to A Dream of Red Mansions is the best one in the history of the sequel to A Dream of Red Mansions in the past two hundred years.
-Zhao Jianzhong, a famous contemporary redologist in China and a professor at Tianjin Normal University.
In Wen Haoran's pen, every woman is beautiful and every lover is beautiful. Even the breakup between lovers is so intoxicated and obsessed, sacred and solemn.
—— Zhao Zhenjiang, professor, doctoral supervisor and famous translator of Peking University International Studies University.
I just received it from zhanghua. I just looked at it casually, and the ending was brilliant. For example, Fangguan sweeps snow, Xiangyun climbs trees and flowers and plants. Although slightly modern, I still see the original style. Lyric narration is beautiful and ingenious, full of appreciation.
-Liu Yongqiang, a famous scholar and professor of Chinese Department in Peking University.
Everyone has his own sequel to a dream of red mansions. Is Tso Gong's intentions the best? I dare not speculate. But he is brilliant in literature and has the best feelings.
—— Professor Huang Mei of Beijing Foreign Studies University
I have to say that the artistic world created by Xu Wen hides an incredible magic. Throughout the ages, how many people who are obsessed with art have worked hard to build a magical "literary world", and how many people can finally be called masters of language art? The words of the master of language art are immortal.
—— Long Lihong of Guizhou University
Baizhou is a long river. What happened to the wicker? I was moved by Daiyu's endless tears, but I was still worried about the Western Qin Dynasty. I accidentally visited the dreamland in my dream, but I never woke up in the bamboo building. Talents are not British things since ancient times, and wealth is also a violation of life.
—— Zhao Que's Seven Laws and Wen Haoran (rhyming with Mr. Zhou Ling), advocates of new national style creation.
In the new era, the sequel to A Dream of Red Mansions presents a colorful situation, but there are few excellent works in terms of specific content and artistic style. Xu Wen, with his unique narrative style, plays the role of a direction target, representing and leading the direction of the sequel to A Dream of Red Mansions in the new era, galloping freely in the gap of historical narrative, exerting his creative talent, breaking through the shackles of the original work and making Dojo in the snail shell.
—— Xiong Lijuan of Tianjin Normal University
The first time I saw Wen Haoran, it was amazing. This "post-70s" female writer, who enjoys the title of "creating the text of China's pure classical novels" and "2 1 the first talented woman in the century", is a gentle and noble woman who came out of ancient ladies' paintings. It is said that beautiful girls can't sit on the bench, so Wen Haoran is definitely an exception. In her books, people can feel the cultural connotations of The Book of Songs, Li Sao and novels of Ming and Qing Dynasties, the soul of Buddhism and aesthetics, and the realistic literary spirit of Mr. Lu Xun who dares to face the bleak life and shed blood.
-Jane Long, the top aristocratic member publication in China.
Another masterpiece of female writers is Elegance by Wen Haoran, a little dragon girl born in Tianjin in the 1970s (Culture and Art Publishing House, June 2005). Wen Haoran is the editor-in-chief of The Third Way. He has written many long articles. This "masterpiece of post-modern classicism" was written by a 30-year-old beauty, which is really elegant and textured. The preface to the poem "Let a Hundred Flowers Put to Shame" written by the master of Chinese studies is intended to praise the author, which is also appropriate.
-Kong Dong Qing, professor of Chinese Department in Peking University, excellent essay writer and famous scholar.
Wen Haoran's attitude of distinguishing good from evil, punishing evil and promoting good is fully reflected in Fengmingtai. While constructing a beautiful myth, he has not forgotten the true colors of the writer.
—— Huang Mei, Associate Professor and Doctor of Literature, Russian Institute, Beijing Foreign Studies University
Wen Haoran's works are characterized by youthful writing. But many popular works about the experience of "cruel youth" are different. What she created is a text world with strong idealism.
-Bai Yang, postdoctoral fellow, School of Literature, Fudan University.
In all kinds of wonderful and unique blending, the author's most remarkable skill lies in her classical feelings and dreamland of the Red Chamber.
—— Wang Zhong, a postdoctoral fellow at Peking University College of Literature
The imitation of A Dream of Red Mansions by Wen Haoran, a talented young woman writer, not only shows her extraordinary courage and talent, but also shows her good wish to return to tradition.
—— Yan Lifei, associate researcher and doctor of literature, Institute of Literature, Tianjin Academy of Social Sciences.
The temperament in Wen Haoran's works does not come from postmodernism advocating "flattening depth" and "deconstructing authority", nor from classicism abandoning modern sharp life experience, but from religious consciousness filtering out most "distractions".
-Liu Weidong, Associate Professor and Doctor of Literature, School of Literature, Tianjin Normal University.
On the whole, Wen Haoran's writing can be included in the "Beijing School", which inherits the classical tradition of the "Beijing School" and has deep-rooted lyric characteristics.
-Thumb of God, postdoctoral fellow and famous poet in College of Literature, Henan University.
Wen Haoran is a wonderful flower in the garden of contemporary literature in China. He stands on the literary world of the century with his unique writing style. Her works, like pearls and beautiful jade, always attract readers' temperament with their crystal clear and moist.
—— Zhao Xiaohu, associate professor of Chinese Department of Anshan Normal University, deputy editor-in-chief of China Fortune magazine and visiting scholar of Beijing Normal University.
Wen Haoran is a scholar writer, with profound knowledge of Chinese studies, history and geography, and profound attainments in religion. I used to wonder why a young writer has such practice, such ideological thickness and artistic skill! Apart from her hard work and extensive reading, I am convinced that she is a genius!
—— Hua, a famous critic and former chairman of Tianjin Beichen District Federation of Literary and Art Circles
She has extraordinary talent and wisdom, and created vivid characters with wonderful fairy handwriting; She has a unique temperament and beauty, and draws beautiful landscapes with a unique aesthetic feeling; Fengmingtai's tactfully beautiful story and profound pursuit of classical aesthetics lead us through the modern crowd to a pure and detached spiritual world.
-Peking University Recitation Association.