1. Modernity and Distance: Zimmer Aesthetics from the Perspective of Cultural Sociology, Social Science Literature Publishing House, 2009.

2. Defamiliarization in Poetic Discourse, Xiangtan University Press, 2009.

Two. participate in

1. Marxist literary theory (edited by Wang Jie), Higher Education Press, 201/year (with references).

2. Introduction to Literary Theory (edited by Ji Shuihe), Xiangtan University Press, 2009 (with references).

3. Keywords of Western Literary Theory (edited by Zhao Yifan), Foreign Language Teaching and Research Press, 2006 (with references).

4. Cultural Modernity and Aesthetic Issues (edited by Zhou Xian), Renmin University of China Press, 2005 (with references).

Three. translate

1. Nietzsche: Will to Power, Shaanxi People's Publishing House, 2006 (translated).

2. Bacon: On Life, Shaanxi People's Publishing House, 2004 (translated). 1.CSSCI papers (all independent or first authors, ***34 papers)

20 12

1. From poetic aesthetic appeal to critical social planning: Marcuse's reflection and criticism of Russian formalism, Russian Literature and Art No.2, 20 12. 2. Autonomy of Art, Foreign Literature, No.2, 20 12 (a second-class periodical recognized by Xiangtan University). 3. The aesthetic change of men's wear and its reasons, Journal of Hunan University of Science and Technology,No. 1 issue, 20 12. 20 1 1 1. Cultural sociology: the emergence of disciplines or theories, Ideological Front, No.6, 20 1 1.

2. Knowledge construction in the border: reflection and review on the knowledge construction of literature and art in the new century, Journal of Liaocheng University, No.3, 20 1 1 (full text of literary theory, 20 1 1 reprinted). 3. Fashion, eye-catching and the pursuit of famous brands: the aesthetic transformation of men's wear from the perspective of post-modern culture, Qiushi magazine, No.2, 20 1 1 (the full text is reproduced in No.7, Aesthetics, copied by the National People's Congress). 4. The Prison of Language and Its Breakthrough: Interpretation of Jameson's Formalism Aesthetics, Literary Criticism Series, No.2, 20 10 (the full text is reproduced in No.6, Literary Theory, Copying by NPC, 20 1 1). 20 10 1. After Russian Formalism: Reflection and Review of Western Marxism, Jiangsu Social Sciences No.4, 20 10. (Reprinted in China Social Science Abstracts,No. 12, No.20 10)

2. Reportage in China in the New Era from the Perspective of Ecology, Literary Theory and Criticism, No.3, 20 10.

3. Cultural Tragedy and Modern Currency, Journal of Hunan University, No.3, 20 10.

4. Distance, Foreign Literature, No.2, 20 10.

5. From Kant to Baudrillard: Multidimensional Interpretation Based on Aesthetic Distance, Qiushi Journal, No.2, 20 10.

6. Cultural Sociology: A New Paradigm of Literary Theory Research, Journal of Xiangtan University, No.2, 20 10.

7. Polyphonic Variations of Politics and Emotion: Paradox of Mao Zedong's Luxun Theory, Research on Marxist Aesthetics, No.2, 20 10.

In 2009

1. A New Interpretation of Imitation and Replication, social sciences in yunnan, No.3, 2009.

2. Defamiliarization and Non-Aristotelian Drama: Brecht's Criticism and Transcendence of Aristotle's Drama, Journal of zhejiang vocational academy of art, No.3, 2009.

3. Unfamiliar Rereading: Reflection and Review of Russian Formalism, Contemporary Foreign Literature, No.3, 2009.

4. Modernity, Game and Aesthetics: Interpretation of Zimmer's Game Theory, Oriental Series, No.3, 2009.

5. Zimmer's Modern Experience Theory, Journal of Xiangtan University,No. 1 2009 (Academic Abstracts of Liberal Arts in Colleges and Universities, No.3 2009).

6. Zimmer's Critical Path of Modernity, Essays on Social Theory, No.4, 2009.

the year of 2008

1. A Cultural Sociological Interpretation of Zimmer's Monetary Philosophy, social sciences in yunnan, No.5, 2008.

2. Zimmer's Criticism of Modernity Aesthetics, Journal of Xiangtan University, No.4, 2008.

3. Crossing Borders and Bridging the Gap: Reflections on Postmodernist Art, Research on Literary Theory, No.3, 2008 (China Art Museum, No.4, 2008).

4. Generation and Elimination of Distance: From Modernism to Postmodernism, Contemporary Foreign Literature, No.3, 2008.

5. Aesthetic illusion or aesthetic redemption: the paradox of Adorno's artistic autonomy, Academic Monthly, No.2, 2008.

6. Zimmer and Western Marxism from the Perspective of Cultural Sociology, Research on Marxist Aesthetics,No. 12, 2008 (reproduced in the full text of Literary Theory, copied by the National People's Congress, No.7, 2009).

7. The construction of the value dimension of defamiliarization poetics, Literature Review Series, vol. 1 1,No. 1, 2008.

8. Harmonious Beauty from the Perspective of Cultural Sociology, Theory and Creation, No.5, 2007. (The National People's Congress copied the full text of literary theory,No. 1 in 2008).

2003 -2007

1. Distance: A Thought of Modernism, Literature Theory Research, No.4, 2005. 2. The Beauty of Tension in Paradox, Russian Literature and Art, No.2, 2005 (from the Theory of Literature and Art copied by the National People's Congress).

3. Defamiliarization, Foreign Literature,No. 1 2005 (reproduced the full text of literary theory copied by NPC).

4. Modernity Interpretation of Zimmer Distance, Journal of Hebei University,No. 1 2005.

5. On Zimmer's Adventure in Modern Experience, Hubei Social Sciences,No. 10, 2004 (the full text of literary theory copied by the National People's Congress is reproduced).

6. Abolishing Presence, Foreign Literature Studies, No.2, 2003 (reproduced the full text of literary theory copied by the National People's Congress).

2. Other papers (all independent authors or first authors, ***52)

20 12

1. Reflection and Criticism on the Enlightenment Discourse of the May 4th Movement, Journal of Liaocheng University,No. 1, 20 12. 2. Follow Zimmer's ideological track: fashion and its aesthetic significance construction, Social Science Library and Humanities, official website, 20 12,10.5. 3. Generation and Interpretation of Bohemian Spirit, Art Design Research,No. 1 issue, 20 12. 4. Speech and 20th Century China Literature Theory, Journal of Guangdong Radio and TV University,No. 1 issue, 20 12. 20 1 1 1. Where is the lost road? Journal of Hunan University of Technology, No.5, 20 1 1.

2. Looking at the innovative construction of the influence of the party newspaper from the major festival reports of Xinhua Daily, Media Watch, No.9, 20 1 1. (Chinese core)

3. Speech and China's Literary Theory in the 1940s, Gentleman Lotus, No.3, 20 1 1.

4. New Exploration of Mao Zedong's Literary Aesthetics Research, China Culture News, August 4th, 20 1 1.

5. Dialogue between literary texts and political texts: the opposition between Lu Xun and Mao Zedong's literary criticism thoughts, Journal of Hunan University of Science and Technology, No.2, 20 1 1 (from Academic Abstracts of Liberal Arts in Colleges and Universities).

20 10 year

1. Image Memory of Childhood: Talking about the Collective Nostalgia Complex of Post-80s, China People's Political Consultative Conference, 20 10, 10, October 25th.

2. Reflections on the knowledge construction of literature and art, Literature and Art Newspaper, 20 10, 10, 15.

3. Theoretical thinking on the relationship between contemporary literature and images, Literary and Art Newspaper, August 3, 20 10.

4. Ideological Breakthrough: Althusser's Criticism and Transcendence of Brecht, Marxist-Leninist Cultural Studies Series15,2010 September, Xiangtan University Press.

5. The lofty subject of ideology, Journal of Wuling, No.3, 20 10.

6. Absence and Presence of Subjectivity: Imitation and Reproduction, Foreign Languages 20 10 No.2 (CSSCI Extended Edition).

7. The Origin of Mao Zedong's Literary Criticism, Journal of Liaocheng University,No. 1 issue, 20 10.

8. Subjective dimension of ideological poetics, Journal of Wuling, No.3, 20 10.

9. Emotional Bridge between Political Giants and Cultural Giants: An Interpretation of Mao Zedong's Luxun Complex, Journal of Guangdong Radio and Television University, No.4, 20 10. 10. Critical reflection on novel creation from the perspective of political culture, theory and creation,No. 1, No.20 10 (CSSCI Extended Edition).

In 2009

1. Cultural Transformation and Role Change of Intellectuals in the Media Age, Journal of Hunan University of Science and Technology, No.4, 2009 (Chinese core).

2. Knowledge Construction and Reflection in Border Displacement: the Trend of Literature and Art Development in 60 Years, Theory and Creation, No.4, 2009 (Chinese core)

3. Interpretation of Shanzhai Culture: A Cultural Sociological Approach to Literary Research, Theory and Creation, No.3, 2009 (Chinese core).

4. Defamiliarization and the Cage of Language: Jameson's Criticism and Transcendence of Russian Formalism, Exploration, No.3, 2009.

5. Style and Distance: An Interpretation of Zimmer's Artistic Thoughts, Journal of Liaocheng University,No. 1 2009.

2006 -2008

1. The Construction of Identity Discourse in China's Contemporary Literature from the Perspective of Modernity, Journal of Hunan University of Technology,No. 12, 2008.

2. Modernity Interpretation of Zimmer's Art Form, Journal of Hunan University of Science and Technology, No.6, 2008 (Chinese core).

3. The Modernity Interpretation of Zimmer's Art Distance, A Hundred Artists,No. 1 issue, 2008. (Chinese core)

4. Harmonious Beauty from the Perspective of Cultural Sociology, Theory and Creation, No.5, 2007. (Chinese core)

5. Defamiliarization and dehumanization, Journal of Liaocheng University, No.4, 2007.

6. Ortega and the dehumanization of art, Wen Jing,No. 12, 2006.

7. Interruption and redemption of modern life, Journal of Sichuan International Studies University, No.4, 2006. (Chinese core)

8. Money and Modern Lifestyle, Wenjing, No.7, 2006.

9. Fashion Thinking from the Perspective of Cultural Sociology, Wenjing, No.4, 2006.

2003 -2005

1. "Defamiliarization" and "Novelty", No.2, Volume 8 of Literary Criticism Series, Nanjing University Press, 65438+February 2005. (Chinese core)

2. Art Self-discipline from the perspective of modernity, Art Hundred Schools, No.3, 2005. (Chinese core journals)

3. Cultural Interpretation of Frye's Myth Theory, English Studies, No.2, 2005. 4. Sex and Death in Norwegian Forests, Academic Frontier, No.4, 2004. 5. A Survey of Western Defamiliarization Poetics, Journal of Shangqiu Teachers College, No.2, 2002. 6. On the Missing Experience in Artistic Creation, Journal of Xiangtan Normal University,No. 1 2003.

7. Shuo Yun, Han Sheng, No.9, 10, 2003. 8. Defamiliarization in Poetic Discourse, Journal of Tianzhong School, No.3, 2003.

9. Strangeness and Familiarity, Journal of Qinzhou Normal University,No. 1, 2003.

10. On the Evolution and Connotation of Rhyme, Journal of Zhuzhou Teachers College, No.4, 2002.

1 1. On Literariness and Defamiliarization, Journal of Yulin Normal University,No. 1 2002.

Three. Teaching reform papers (all independent or first authors, ***4)

1. New changes in the research paradigm of literature and art, qualitative wind (II), National University of Defense Technology Press, 20 1 1 year/1month.

1. Reflections on the teaching reform of theoretical courses for Chinese language and literature majors, Contemporary Education Theory and Practice, No.8, 20 1 1. 2. Reflections on the Reform and Construction of Aesthetics Curriculum, Higher Education ResearchNo. 1, Xiangtan University Press, 2008.

3. Reflections on the Reform and Optimization of Literary Theory Courses, Higher Education Research Series 2, Xiangtan University Press, 2009.