The use of metaphors in The Book of Songs is also extensive and easy to understand. Among them, the whole capital expresses its feelings by imitating things, such as Feng Wei? 6? Xiaoya Shuozhou 1? 6? 1 heming is unique; And a part of a poem uses contrast, which is even more vivid.
Feng Wei? 6? 1 Shuoren used a series of comparisons to describe the beauty of Zhuang Jiang: "Soft hands, solidified skin, collar like a salamander, teeth like a rhinoceros, and a cicada's head like a moth eyebrow." Soft white pheasant buds, frozen oil, long white longhorn beetle larvae, neat white roe deer, broad-fronted beetles and silkworm moth tentacles are used to compare a beautiful woman's fingers, skin, neck, teeth, forehead, eyebrows and delicate image.
The application of "Xing" in The Book of Songs is complicated, and some of them only play the role of regulating rhythm and arousing emotions at the beginning, and the connection between Xing sentences and the following paragraphs is not obvious. For example, "Xiaoya? 6? 1 Yuanyang for the second time: "Yuanyang is in the beam, slapping its left wing, and the gentleman will be happy for a thousand years. "Xing sentence has no meaningful connection with the blessing of the last two sentences." Xiaoya? 6? 1 the seventh time in the vernacular, the beginning is the same sentence, but it expresses resentment: "Yuanyang is in the beam and slaps its left wing." Unscrupulous sons, two or three virtues. "
This has nothing to do with the original intention, but coordinates the rhyme at the beginning of the poem, causing the following rise, which is a relatively simple sentence in the Book of Songs. There are many sentences in The Book of Songs, which are euphemistic and obscure and related to the following. Whether it is the atmosphere that sets off the environment or the central theme with additional symbols, it is an indispensable part of the artistic realm of poetry.
In The Book of Songs, the works with the most skillful techniques of Fu, Bi and Xing have reached the artistic realm of blending scenes and harmony between things and me, which has a direct inspiration for the creation of poetic artistic conception in later generations. For example, "Qin Feng? 6? 1 Jiaxu "
The Millennium is frost. The so-called Iraqis are on the water side. Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water
Sadly, the Millennium is still there. The so-called Iraqis are in the water. Tracing back and forth from it, the road is blocked and broken. Swim back from the inside and swim in the water.
Jia Cai, peace and prosperity have not passed. The so-called Iraqis, in the water, go with the flow, the road is blocked and right. Swim back from the inside and swim in the water.
Modern pop songs also use Fu, Bi and Xing as lyrics. For example, Wei: There is a beautiful little girl named Wei. She has gentle eyes. She stole my heart quietly. Wei, do you know how much I love you? I will take you to the sky to see how beautiful the stars are. I picked one for you myself. There is a beautiful little girl. The lyrics of this song express the love for "Wei" directly, without much rendering and profile description.
Bi's technique is also used in the lyrics, such as The Story of Time: The windmill circulates every day in the song of the Four Seasons. In the romantic poem, I grew up year by year, and the story of running water took away time and changed a person, just at that sad and waiting youth ... The past vows are like the colorful bookmarks in that textbook, depicting many beautiful poems, but after all. In the blue and white porcelain in Jay Chou, there are many interesting ways, such as: misty rain is blue, I am waiting for you. Smoke billows from the kitchen, thousands of miles away from the river. In the book review, Han Li imitates the elegance of the previous dynasty. As far as I'm concerned, I'm waiting for you because of the misty rain, and the moonlight is salvaging. For example, celadon handed down from ancient times is beautiful, and your eyes are smiling. Here, Fu's technique is very obvious.
Fu is the most basic and commonly used expression. Its characteristic is telling the truth, that is, telling stories directly, laying out the plot and expressing feelings.
Comparison is divided into metaphor and analogy. The characteristic of Beatty's poetry is to write this thing with another thing. The things described in the poem are not what the poet really wants to praise, but express the poet's thoughts and feelings through analogy. For example, the poem "Storytelling" uses a comparative expression. By writing disgusting mice, the greedy and cruel nature of slave owners is vividly expressed. Why not express it directly but use comparison? Using what you like can make it lifelike, give people a kind and appropriate feeling, and use it to express ugly things, which can make it show its true colors and give people a sense of disgust.
Xing, that is, rising, is at the beginning of a poem or a chapter of a poem. Let's look at a poem first. The expression used in The Tempest is: "The tempest is bleak, the rooster crows …" Why not just say what you want to write and say the rest first? This is mainly because xing has the function of rendering atmosphere and has a strong appeal.
Written on Tuesday, 20 13, 10/8, 10, Shanxi Datong university.