First, illustrations demonize children's images.
The first time I saw illustrations, I felt that they brought discomfort: glassy eyes, strange behavior and sticking out my tongue. It is difficult for me to relate these to the teaching materials. The role of primary school textbooks is to guide children to study hard. How can such a "textbook" arouse children's reading interest? If you keep using this kind of "textbook", it will have an impact on children's aesthetics, and in the long run, it will even endanger children's mental health.
Second, illustration involves the spread of bad ideas.
In these ugly illustrations, there are many things related to "sex education", such as deliberately drawing girls' skirts, scratching their chests and pulling skirts while playing games, etc., which are all sources of bad information. There are many such bad behaviors in the illustrations. If children are shown these illustrations, it is difficult for them not to learn the behaviors, which will hinder their sex education guidance.
Third, illustration involves the concept of worshipping foreign things and obsessing foreign things.
It is not difficult to see some American elements in these illustrations, such as T-shirts with striped flags, tattoos, rabbit elements, etc., and even draw the national flag wrong. It's hard not to ask which nationality the illustrator is from. Many pictures contain bad metaphors. If we say this is as profound as "art", please forgive us for not understanding it.
Public opinion is escalating. As the saying goes, "When you see a cockroach, there are actually a thousand cockroaches in the dark." Although the media came out in time, our doubts and anger did not disappear. People's Daily also commented on this incident.
There are truth, home country and soul shaping in the teaching materials, and even the pictures should conform to the public aesthetic and national temperament. Every word, every picture, every painting should be improved. High standards and strict requirements, compiling teaching materials with awe, enlightening and increasing wisdom with excellent teaching materials, and casting souls with bacon.
People's understanding of "beauty" can be varied, but teaching materials should sow the seeds of beauty in children's hearts and not have a negative impact on their aesthetics. What's more, textbook illustrations are not only related to aesthetic cultivation, but also to value cultivation.
Conclusion: The illustration design of healthy sunshine can guide children to form a positive spiritual world and pursue values. The compilation and design of teaching materials need a strong sense of responsibility and mission, and firmly grasp the correct political direction and value orientation. We should face up to the public's controversy over the illustrations of relevant textbooks, draw inferences from one example, comprehensively review and sum up experience, further improve the textbook construction system, improve the textbook system and norms, use emotions with heart, improve high-quality textbooks, build Bacon's soul, enlighten and increase wisdom.
I want Lu Xun's handwritten newspaper pictures, pictures and materials about Lu Xun's life.
Lu Xun (188 1- 1936) was born in Shaoxing, Zhejiang. China is a great modern writer, thinker and revolutionary. Lu Xun was originally named Zhou Shuren, Zhang Shou and Cai Yu. "Lu Xun" is the pseudonym he used after taking part in the May 4th Movement. Because of its growing influence, people used to call it Lu Xun.
Lu Xun was born in Fangkou, Duchang, Shaoxing on September 25th, 1982. Enlightened at the age of 7, 12 years old went to study in Santan Yinyue. He is studious, knowledgeable and good at remembering. He likes reading unofficial history's notes and folk literature books after school. He became interested in painting art and laid a solid cultural foundation. He is not confined to the four books and five classics, but tries to find extracurricular reading materials and master historical and cultural knowledge.
Shaoxing's long history and splendid culture, especially the moral articles of many Vietnamese and China sages, have greatly influenced and played a role in Lu Xun's thought. When Lu Xun was a teenager, his grandfather was imprisoned for the imperial examination case, his father died, and his family wealth plummeted from then on. Lu Xun changed from the eldest son of a feudal scholar-bureaucrat family to a ruined child. The family suffered a series of major changes, which made the young Lu Xun suffer from the cold and warm world, saw the true face of the "cold world" and realized the decay and decline of feudal society. Lu Rui, Lu Xun's mother, is the daughter of a farmer. She has a noble character and has a great influence on Lu Xun.
1898 In the spring, Lu Xun left his hometown and was admitted to Nanjing Jiangnan Naval Academy with new hopes in life. The following year, dissatisfied with the school's "cigar smoke", I changed to the Mining and Metallurgy School affiliated to Jiangnan Lushi College. He has extensive contact with western natural science and social science, read Time and Evolution, and was deeply influenced by the reform trend of thought and evolution theory, and initially formed a social development concept of "the future is better than the past, and teenagers are better than the elderly".
1902, Lu Xun graduated with honors and was sent by the government to study in Japan. He first entered Hongwen College in Tokyo to study Japanese, and then entered Sendai Medical College to study medicine. Deeply influenced by the wave of bourgeois democratic revolution, he actively participated in the flood of anti-Qing revolution. After school, I made a vow of "I recommend Xuanyuan with blood". 1906 Facing the facts, Lu Xun felt the weakness of his compatriots at home and realized the importance of changing the national character. He resolutely abandoned medicine to join the army and took a decisive step on the road of life. He chose literature and art and used pen as his fighting weapon to save the country and the people. He participated in the preparation of the literary magazine New Life, and wrote some important early papers such as History of Mankind, Teaching of History of Science, Theory of Cultural Deviation, and Theory of Moro Poetry. Lu Xun believes that China's serious problem lies in people, not things; It lies in spirit, not in matter; It lies in personality, not "people"; "Building a country" must first "establish a person", and the key to "establish a person" lies in the awakening of personality and the excitement of spirit.
On the eve of the Revolution of 1911, Lu Xun returned to the motherland. First, I taught in Hangzhou Zhejiang Normal School as a chemistry and physiology teacher, and then I returned to my hometown of Shaoxing, where I served as an inspector and natural history teacher of the affiliated middle school of Shaoxing and an inspector (principal) of Shanhui Primary Normal School. On the one hand, he taught and educated people, on the other hand, he actively participated in the Revolution of 1911. He led the Sheyue literary group in his hometown and supported the establishment of The More Daily. 19 12 At the beginning of this year, Lu Xun was invited by Cai Yuanpei, the chief of education, to work in the Ministry of Education of Nanjing Provisional Government. Soon after, he was transferred to Beijing with the Ministry of Education as the first section chief of the Social Education Department. At the same time, he has been employed as a part-time lecturer in some universities such as Peking University, Beijing Normal University and Beijing Women's Normal University.
After the victory of Russian October Revolution, Lu Xun was deeply encouraged. He wrote articles and ran magazines with many advanced intellectuals at that time, such as Li Dazhao and Chen Duxiu, which opened the prelude to the May 4th Movement in China. He stood at the forefront of anti-imperialism and feudalism, actively advocated new culture, new ideas and new morality, and lashed out at the old culture, old ideas and old morality for thousands of years. 19 18 published the diary of a madman, the first vernacular novel in the history of modern literature in China. Through symbolic artistic techniques, the novel mercilessly exposes the cannibalism of China's feudal society for thousands of years, and strongly accuses the feudal ethics and patriarchal clan system of evil. Since then, Lu Xun has created many novels, such as Kong Yiji, Medicine, The True Story of Ah Q, and a large number of essays, essays and comments with a completely uncompromising attitude, thus becoming the pioneer of the May 4th Movement and the founder of modern literature in China.
1in the summer of 926, Lu Xun left Beijing, which was occupied by the Beiyang warlords, and went south to Xiamen, where he became a professor in the Department of China Literature of Xiamen University and concurrently served as a professor at the National College. 1at the beginning of 927, Lu Xun moved to Guangzhou, the revolutionary center at that time, and served as the head of the Chinese Department of Sun Yat-sen University. At the same time, he served as the director of educational administration, engaged in education and literary creation, and engaged in new battles. In April of the same year, a counter-revolutionary coup took place, and Lu Xun stood the test of blood shed. He resigned because he failed to rescue the students. Facing the lessons of blood, Lu Xun's early social development concept has undergone profound changes. He made a severe analysis of his thoughts and corrected the "prejudice" that he only believed in evolution in the past. Since then, his thought development has entered a brand-new starting point.
In the mid-1920s, he participated in the establishment of Mangyuan Weekly, Yusi Weekly and the last famous literary society. 1927 Joined Sun Yat-sen University in Guangzhou at the beginning of the year, and served as the head of literature department and the dean of educational affairs. 1August, 927, became a professor at Xiamen University.
1927 10 In October, Lu Xun arrived in Shanghai and settled down from then on, devoting himself to the revolutionary literature movement. 1928, co-founded Liu Ben magazine with Yu Dafu. 193O, the Chinese Left-wing Writers Union was established. He is one of the founders and the main leader. He has successively edited important literary periodicals such as Germination, Sentinel, Ten Streets and Translation. He joined and led many revolutionary societies, such as China Left-wing Writers League, China Freedom Movement League and China Civil Rights Protection League. He edited the Sentinel, Running, Germination Monthly and other publications, United literary and art workers who led the revolution and progress, and waged tit-for-tat struggles with imperialism, feudalism, the Kuomintang government and its royal literati. He persisted in tenacious fighting and wrote hundreds of essays. These essays, such as daggers, are like throwing guns and have made special contributions to the anti-cultural "encirclement and suppression". He kept close contact with * * * producers and firmly supported the anti-Japanese national United front policy of * * * producers in China. He called himself a "fire thief", devoted himself to cultural exchanges between China and foreign countries and advocated the new woodcut movement. He cares about and cultivates young people and has devoted a lot of efforts to the growth of young writers.
193610 June19, Lu Xun died at the age of 55 in his apartment in Shanghai Xincun.
Lu Xun wrote a poem "Self-mockery", in which two lines are "looking at a thousand fingers coldly and bowing down as a willing ox", which is a true portrayal of his life.
Lu Xun wrote more than 8 million words of translation in his life. His works such as Scream, Wandering, Weeds, Morning Flowers, Evening Picking, etc. were reprinted in one edition and translated into English, Russian, German, French, Japanese, Esperanto and other languages, which are world-renowned. The complete works of Lu Xun are the precious spiritual wealth he left to the people of China and the people all over the world.
Lu Xun's works
Shout (collection of short stories) 1923, trendy society.
A Brief History of Chinese Novels (Volume I) 1923- 1924, Xinchao Society.
Hot air (essay) 1925, Beixin
Wandering (short story collection) 1926, Beixin
Gai Hua Ji (Essay) 1926, Beixin
Gai Hua's Chronicle (Essay) 1927, Beixin.
Grave (paper, essay) 1927, unnamed society.
Weeds (Selected Prose Poems) t927. Beixin
Flowers in the morning and flowers in the evening (essays) 1928, unknown society.
Gangji (Essay) 1928, Beixin
San Xian Ji (Essay) 1932, Beixin
Two Hearts (Prose Collection) 1932, He Zhong Bookstore.
Selected Works of Lu Xun 1933, Tianma
Book of Two Places (Collection of Letters) co-authored with Matsui, 1933, Guangqing Bookstore.
Pseudo-Free Books (Essay) 1933, Guangqing Bookstore.
Selected Works of Lu Xun's Miscellaneous Feelings, edited by Qu Qiubai, 1933, Guangqing Publishing House.
Southern accent and northern assembly (anthology) 1934, wentong publishing house.
1934, the collection of He Zhong Bookstore.
Zhuntan (essay) 1934, Bookstore.
Outside the collection, edited by Yang Jiyun, revised by Lu Xun, 1935, People's Book Company.
About Foreign Languages (Thesis) 1935, Tianma
New stories (novel collection) 1936, Vincent.
Lace Literature (Essay) 1936, Lotus Bookstore.
Chejiege Essay (Essay) 1936, Sanxian Bookstore.
Night Notes (essays, later edited as the end of Qi Jieting's Essays) 1937, Vincent.
Two Essays on the Pavilion of Anta (Essays) 1937, Sanxian Bookstore.
At the end, the essay (essay) 1937, Sanxian Bookstore.
Lu Xun's Letters (photocopy) edited by Xu Guangping, 1937, Sanxian Bookstore.
Complete Works of Lu Xun (1-20 volumes, including works, translations and ancient books) 1938, Complete Works of Lu Xun Publishing House.
Extracorpora (comprehensive collection) 1938, Lu Xun Complete Works Publishing House.
Outline of China Literature History (Literature History) 194 1, Complete Works of Lu Xun Publishing House.
Supplement to Complete Works of Lu Xun, edited by Tang Tao, 1946, Shanghai Publishing Company.
Lu Xun's Letters, edited by Xu Guangping, 1946, Complete Works of Lu Xun Publishing House.
Lu Xun's Diary (photocopy) 195 1, Shanghai Publishing Company; Print, 1959, Humanities
Selected Works of Lu Xun 1952, Enlightened.
Lu Xun's Novels 1952, Humanities
Supplement to Complete Works of Lu Xun, edited by Tang Tao, 1952, Shanghai Publishing Company.
Wu Yuankan's Supplement to Lu Xun's Letters, 1952, Shanghai Publishing Company.
Complete Works of Lu Xun (Volume1-LO)1956-1958, Humanities
Selected works of Lu Xun. (Volume 1-2) 1956- 1958, Zhongqing
Historical changes of China's novels (literary history) 1958, Sanlian.
Selected Works of Lu Xun (Volume I) 1959, Humanities
Letters from Lu Xun (to Japanese friend Masuda) 1972, People's Daily.
Poems of Lu Xun 1976, cultural relics; 198 1, Shanghai People's Fine Arts Publishing House
Lu Xun's Letters Collection (one volume and two volumes 138 1 Letters in Two Places) 1976, Humanities.
Lu Xun's lost article 1976, Liberation Army Daily.
Lu Xun's Letters (to Cao Jinghua) 1976, Shanghainese.
Manuscripts of complete works of Lu Xun (8 letters and 6 diaries) 1978- 1980, cultural relics.
Lu Xun's letter to Xu Guangping 1980, from Hebei.
Complete Works of Lu Xun (Volume1-16)1981,Humanities
The Complete Works of Lu Xun Volume I (Hot air shouting at the grave)
The Complete Works of Lu Xun Volume II (New Story of Wandering Weeds Picking Flowers Late)
The Complete Works of Lu Xun Volume 3 (Gai Hua Ji Gai Hua Ji is a sequel)
The Complete Works of Lu Xun Volume 4 (Three Idles and Two Hearts Set North and South)
The Complete Works of Lu Xun Volume 5 (Pseudo-Free Books and Quasi-Romantic Talks on Lace Literature)
The Complete Works of Lu Xun, Volume VI (Also on Introduction to Pavilion Essays, Pavilion Essays II and Pavilion Essays Final Draft)
The Complete Works of Lu Xun Volume 7 (Excerpts from various episodes)
The Complete Works of Lu Xun Volume 8 (Supplement)
Lu Xun chronicle
188 1 year.
On the third day of August (September 25th of Gregorian calendar), he was born in Dongchangfangkou, Shaoxing, Zhejiang. The surname is Zhou Ming Shu Ren, the word Cai Yu, and the nickname is Zhang Shou.
1886 Six years old.
When I entered school that year, I recited "Jian lue" by Mr. Shu Zuyu Tian.
When he was five or six years old, all religious parties called him "Hu Yangwei". Known for its small size and flexibility.
1888 Eight years old.
1 1 month, sister1month died. When she was seriously ill, her husband sobbed in the corner of the room. Mother's wife asked her why, and replied, "It's for her."
On the first day of New Year's Day, the elders of our family got together to push the nine rows, and my father Boyi was with Yan. Mr. Wang watched silently, and from Mr. Bovernon's inquiry, he said, "Who do you want to win?" Mr. Wang immediately said to him, "May everyone win."
1892 Twelve years old.
In the first month, I went to Santan Yingyue to learn from Mr. Shou Jason Wu.
At school, I like painting and collecting scrolls at leisure, but I am very disgusted with the only child in the 24 th filial piety picture, "Lao Lai entertains his relatives" and "Guo Ju buries his son". My husband's surname is Lu, Anqiaotou, and he lives in one family. When he was young, he often went with his mother-in-law and got in touch with nature in the countryside, which had a great influence. The people described in "Social Drama" are all the scenery around Anqiaotou, when they were eleven or twelve years old. My family moved to Huangfuzhuang and Xiaogaopu.
On December 30th, my great-grandmother Dai Taijun died at the age of 79.
1893 thirteen years old
In March, my grandfather introduced Fu Hong and Ding You and returned from Beijing.
In autumn, Xie Fuguong went to prison because of something. His father, Bo Gong Yi, was seriously ill, and his fortune declined. He went to high-quality stores and pharmacies for many years.
1896 Sixteen years old
On the sixth day of September, my father Boyi died at the age of 37. After my father died, it became more and more difficult at home.
1898 18 years old
In March, he went to Nanjing and was admitted to Jiangnan Naval Academy.
1899 Nineteen years old
In the first month, I switched to the Road Mining School affiliated to Jiangnan Lushi School. I didn't review my lessons, but I was among the best in every exam. After school, I need to read newly translated books, especially good novels, and sometimes I go horseback riding.
190 1 year I was twenty-one years old.
/kloc-in October/February, I graduated from Railway and Mining School.
1902 Twenty-two years old.
In February, Jiangnan DuDu Department sent him to study in Japan and entered Tokyo Hong Wen College. I like reading books on philosophy and literature after school, paying special attention to human nature and? F
Soul of china-how to do Luxun's handwritten newspaper? The seniors upstairs don't need so much information to make handwritten newspapers!
Headline: Miss soul of china (write "Miss" in a unique font, and "soul of china" in a larger, darker and more standardized font)
Subtitle: Soul of the Nation-Mr. Lu Xun (actually an introduction)
Content: Lu Xun, 188 1, a native of Shaoxing, Zhejiang. After several changes, he finally gave up medicine and went to literature, aiming at giving people a fundamental treatment and "changing their spirit." Mr. Lu Xun left many works in his life. Even in the last stage of his life, he still maintained a strong artistic creativity. From 1907, when he published his first paper, The History of Mankind, to 1936, when he died, Mr. Lu Xun always paid attention to and thought about the problems faced by mankind. If English literature cannot be separated from Shakespeare, then our nation cannot be separated from Lu Xun-he is the soul of china of modern China!
Subtitle: Facing Life, Seeking Truth from Goodness —— Features of Lu Xun's Works
Content: Lu Xun is ahead of the times and the nation, and his works contain profound historical and cultural connotations. Although there is sadness and hesitation in his bones, he has been resisting despair-exploring people's mental trauma and illness, which gives Lu Xun's novels extraordinary language tension and an internal force outside the article structure: it shows the depth of the soul. When the world is shocked and introspected by Lu Xun, a warrior in the spiritual world, it pays less attention to Lu Xun's call for "sincere voice" and "warm voice". Lu Xun's words can help people understand the deeper care and concern in all his works except the criticism of national character.
Subtitle: Lu Xun's famous sentences
1, bash one's eyebrows coldly at a thousand fingers, bow one's head as a willing ox.
2. Send a message to Han Xing, and I recommend Xuanyuan with my blood.
3, relaxed and even spacious, listening to thunder in land of silence.
4, the original grass is full of blood, and the cold condenses the earth.
5, endure to see peers become new ghosts, angry at the knife to find small poems.
6. Ruthlessness is not necessarily a real hero. How can Reiko Kobayakawa not be a husband?
7, do rob brothers, meet and laugh.
8. Is there any pride like the old days?
Subtitle: Famous sayings
1. Time is like water in a sponge. As long as you are willing to squeeze, there is always something.
If you only read books, you will become a bookcase.
I seem to be a cow, eating grass and milking cows.
4. May all the young people in China get rid of the cold air, just walk upward, and don't have to listen to the words of self-destructors.
5, in fact, there is no road on the ground, and more people walk, it becomes a road.
6. Where there is genius, I spend all my time drinking coffee in other people's works.
7. Only soul of china has value, and only by developing it can China make real progress.
8. Calm, brave, discerning and unselfish.
9. The more difficult it is, the more you have to do it. Reform has never been smooth sailing.
10, our top priorities now are: first, survival, second, adequate food and clothing, and third, development.
1 1, you must dare to face it, and you can expect to dare to think, speak, do and act.
12, in the past, the rich should be retro, the rich should maintain the status quo, and the poor should be innovative, average, average!
13, human beings will never be lonely, thinking that life is progressive and natural.
14, as long as it has not been like this, it is a baby.
15, the fact is a heartless thing, which can crush empty words.
16, the lies written by Mo can never cover up the facts written in blood.
17, in fact, pioneers can easily become stumbling blocks.
18, there is no freedom if you want stability, but you have to go through some dangers if you want freedom. There are only two ways.
19, if you want to cover everything, nothing can be done.
20. Time is life. Wasting other people's time for no reason is actually tantamount to killing people for money.
2 1. It is very bad to do something, no matter it is big or small, without perseverance.
22. If the deceased is not buried in the heart of the living, it is really dead.
23, intense fast, also peaceful fast, even decadent fast.
24. It is always more difficult to remould oneself than to forbid others to come.
25. As long as a flower can be cultivated, it is better to be rotten grass.
26. When I am silent, I feel full; I will open my mouth and feel empty at the same time.
27. Past lives were dead. I am happy for this death, because I know it once lived.
28. The dead life has rotted. I get great pleasure from this decay, because I know it is not empty.
29, but I am calm and happy. I can laugh and I can sing.
I love my weeds, but I hate the ground decorated with weeds.
3 1, when I am dust, you will see my smile!
32. If you don't break out in silence, you will perish in silence.
33. Doubt is not a weakness. Always doubt, but don't judge, this is the disadvantage.
Subtitle: Luxun's Works
Content: novel collection: Shouting (19 18- 1922), wandering (1924- 1925), new stories (1926-/kloc).
Essays: Jiuji (1927), Gai Hua (1925), Gai Hua's sequel (1926), Sanxian (1927- 1929).
Prose collection: Weeds (1924- 1926) and Flowers in the Morning (1926).
It is suggested that the landlord draw more illustrations on the handwritten newspaper, which is not only beautiful, but also can copy less words. # _ # Most of these words are typed by myself, so the landlord can use them if he thinks so! I am so sincere and tired, can you give me more points? Hee hee! \^o^/
It is said that the world is a good novel website, and you deserve it.