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Introduction to the Works of the 9th Mao Dun Literature Award
The author introduces that the Jiangnan trilogy "Jiangnan Trilogy" is a series of long masterpieces conceived by the famous writer Ge Fei from the mid-1990s and finally finalized in 20 1 1, which shows the evolution track of the inner spirit of China society over the past century. Jiangnan trilogy refers to: peach blossoms with faces, mountains and rivers in dreams, and spring scenery in Jiangnan. Spiritual perspective of Jiangnan utopia

From Peach Blossoms on the Face, Dreams of Mountains and Rivers to Spring in the South of the Yangtze River, Jiangnan Trilogy has been written for nearly 20 years, covering a hundred years of China's history since the Revolution of 1911. The first part is about the Revolution of 1911, the second part is about the 1950s and 1960s, and the third part is about the new century. In the process of historical development, the place has not changed, people have not changed, and the world has changed. However, in "Spring in the South of the Yangtze River", the focus is on the spiritual world of the characters, and the mental state of the current intellectuals is deeply observed, and the grand historical proposition is condensed to the deep spiritual level-the pursuit of intellectuals in China in the 20th century, especially in China, is indeed closely linked with social history.

Expert comment: Gefei's "Jiangnan Trilogy" was conceived in the late 1990s and was formally written around 2003. Ge Fei claimed, "This is a work written with 10 years of hard work." "Jiangnan Trilogy" has won unanimous praise from all the judges, and it is considered to be the thickest and most integrated work in recent years. Liu Yong, male, pen name "Ge Fei", was born in 1964, a Dantu native of Zhenjiang, Jiangsu. 198 1 was admitted to the Chinese Department of East China Normal University in Shanghai, and stayed there to teach after graduation. In 2000, he received a doctorate in literature, and in the same year he was transferred to the Chinese Department of Tsinghua University. Now he is a member of Chinese Writers Association and a professor of Chinese Department of Tsinghua University. He is the author of Collected Works of Ge Fei, Banner of Desire, Singing of Sai Ren, Narrative of Novels, Lecture Notes of Novels, etc. His novella Brown Birds was once considered as the most profound novel in contemporary China, and it is a necessity when people talk about "avant-garde literature". The scenery here

The Scenery Here is a novel written by Wang Meng while working in rural areas of Xinjiang in the 1960s and 1970s. For various reasons, it has never been to Fu Zi, but it is mentioned in Wang Meng's autobiography and various versions, so it is a novel that has not appeared for a long time. The novel reflects the real life of the Han and Uygur people under the special historical background, with heavy historical weight, and depicts the characters in daily life with extremely vivid suspense and unique Xinjiang style. The new steamed bread is still old.

The scenery here was first finalized at 1978. After 35 years of dust, when the author Wang Meng was nearly 80 years old, the manuscript was freshly released. It describes the class struggle in rural areas in the 1960s, the scenery of Yili, the lifestyle of Xinjiang and the daily communication of more than a dozen ethnic groups, with sincerity and enthusiasm for life between the lines. This work, written in a special period, has its special historical value, which fills the gap in the literature of the "Cultural Revolution" to some extent. The author himself is still thinking about whether literature is a steaming new steamed bread or an old wine that has been brewing for a long time.

Expert comment: Bao Mingde, vice chairman of China Minority Writers Association, said: "Wang Meng told the readers the story of Xinjiang in the 1960s with a realistic literary courage and narrative consciousness. Art reproduces the features of China in 1960s from a unique perspective, enthusiastically eulogizing honest labor, honest character, national unity and beautiful love. I was very moved after reading it. " Wang Meng, 8 1 year-old, claims that this is a hard-working book. "Without many years of rural life, living and working with farmers of all ethnic groups, familiarity with Uygur language, and love and investment in life, the earth, the frontier and the day, it is impossible to have this work." Wang Meng, male, born in Nanpi, Hebei Province and Cangzhou, Hebei Province, was born in Beijing on June 1934+ 10/5. The 12th and 13th Central Committee members and the 8th, 9th and 10th Chinese People's Political Consultative Conference Standing Committee members. China is a contemporary writer and scholar, former Minister of Culture, honorary chairman of Chinese Writers Association, professor, honorary professor and consultant of PLA Art College, Nanjing University, Zhejiang University, Shanghai Normal University, Huazhong Normal University, Xinjiang University, Xinjiang Normal University, China Ocean University and Anhui Normal University, and dean of Wenxin College of China Ocean University. He is the author of nearly 100 novels, such as Long Live Youth and Activity Becoming Human. His works reflect the bumpy course of China people. He has won the Italian Mondro Prize for Literature, the Japanese Sōka Gakkai Prize for Peace and Culture, honorary doctorates from the Far East Institute of the Russian Academy of Sciences and the University of Macau, and an honorary member of the Jordanian Writers Association. These works have been translated into more than 20 languages and distributed in various countries. Life handbook

Life Book is the pinnacle of Li's Plain Trilogy. The hero "I" is an intellectual who goes from the countryside to the city, and is a "man who walks with his back on the land". He walked from the countryside to the provincial capital, from the provincial capital to Beijing, and then from Beijing to Shanghai. The identity of "I" has also changed from a university teacher, a North drift gunman and a trader in the southern stock market to a person in charge of a pharmaceutical factory of a listed company. "I" is profound, calm, restrained, temperate, not paranoid, not frivolous, with all the characteristics of introspection and intellectual dignity, so I have been silently observing and examining everything around me from beginning to end. I can't find my hometown and I can't go back.

The Book of Life by Henan writer Li was published in sixty years. It has accumulated for half a century and is used to writing the ups and downs of the land on the plain and the life on it from the hinterland of Central Plains culture. In his works, country and city, history and reality, ideals and desires are juxtaposed, and he tries to explore the relationship between times and human destiny. The novel not only describes the living conditions of the villagers in the political movement in the second half of the 20th century, but also describes the villagers' "escape" from the countryside and their persistence and loss in the face of the temptation of materialistic cities. He said that the local area is not the local area in the original sense, and many people can't find their "hometown". Tagore's poem is printed on the title page of the book: "passengers can only knock on their own doors if they knock on every stranger's door;" People have to wander outside, and finally they can go to the deepest inner hall. "

Expert comment: Li also ushered in the Mao Dun Literature Award in the 38th year of his writing career. The Book of Life is the final work of his "dull trilogy" completed in his sixties. He started with a gust of wind, a piece of dust, a tree and a flower, and wrote down all kinds of customs and customs on the whole plain and the living conditions of a village for 50 years. After winning the prize, Li said that he would "thank my plain, thank the wind on the plain, and thank the trees on the plain". Li, university degree, party member, CPC. National first-class writer. 1979 took part in the work. He worked as a creator of Xuchang Cultural Bureau, editor of Mangyuan magazine, director of the second editorial office, professional writer of Henan Federation of Literary and Art Circles and Writers Association, deputy editor of Mangyuan magazine, second director of Henan Writers Association, vice chairman of Henan Federation of Literary and Art Circles and chairman of Henan Writers Association. Enjoy the special government allowance of the State Council. His works include Black Dragonfly, Country Soul and Pastoral. Colorful/lush flowers

Bloom is a regional novel, and the characters can find the corresponding "tangible" map when they walk. This is also a memory novel. Childhood dreams in the sixties were widely radiated, and colorful memories of human fireworks were everywhere. In the 1990s, the voices and feelings of dogs and horses came and went. Narrative frequently alternates in two time and space, and legends are repeated constantly, extending the "inconsistency" and complicated situation about Shanghai, and carefully mocking and aggressive cartoons hide the fashion and popularity of Shanghai; Yesterday's negligence or tomorrow's revelation ... Even if the flowers are gone, the songs are gone and people are still there. Museum established by Shanghai Wenhua

Some people say that bloom and Shanghai have built a literature museum with papers full of Shanghainese dialect. How many years later, you went back to Shanghai and looked for it in the novel. The author Jin Yucheng is a literary editor and a non-professional writer. His works surpass many professional writers, and are recognized as the best works describing the life of the contemporary Shanghai alley.

This is a regional novel as well as a memory novel. The old dreams of teenagers in the 1960s, the lewdness of dogs and horses in the 1990s, the frequent alternation of narratives in two time and space, and the overlapping of legends hide the fashion and popularity of Shanghai.

Summarized as Shu Hua's letter in the novel "The Older I Get, the Lonelier I Get". It's normal to live and die independently. People can't communicate with each other, and human likes and dislikes are no longer worth laughing at. Life is a desolate journey. "

Expert comment: Art needs individuality. Tradition is the most basic engine of life and even literature. Jin Yucheng wrote "Shanghai, bloom" in Shanghai dialect, and the whole work shows strong regionality and distinct text recognition. He chose the improved spoken dialect because he thought that "compared with the fixed Mandarin, the dialect is more personalized and vivid, and it has been changing with the times, more vivid and more vital". Jin Yucheng, formerly known as Jin Shucheng, is from Shanghai and the author of the novel bloom Shanghai. Born in 1952, he is known as the "infiltrator" in the novel world. In 20 12, the editor-in-chief of "Shanghai Literature" completed a novel "bloom Shanghai" which described the life of Shanghai residents in Shanghai dialect. As soon as it came out, it received a strong response and won the first place in the list of China novels in 20 12 selected by the Chinese Fiction Society. 20 13, bloom Shanghai won 1 1 China Literature and Media Award for Novelist of the Year, the 2nd Shi Naian Literature Award and the 1st Luxun Culture Award. Huangqueji

The Tale of the Yellowbird continues Su Tong's narrative style and rhythm of small people and places. The story is not complicated, but a minor rape case happened in the 1980s. It is divided into three chapters: spring to keep wet, autumn to yagyu, and summer to Miss Bai-the titles of the three chapters imply three different narrative perspectives. The cruel youth of Xiangchunshu Street

Su Tong used the usual style and rhythm of small people and small places to describe yellowbird. The story is not complicated. Behind a juvenile rape case in the 1980s, the entanglement, growth and fate of three insulted and injured young people, the changes of the times and the variation of society, Xiangchun Street is full of his unique delicate southern sentiment and breath. Many of its stories were later transferred to mental hospitals. Maybe our time is really sick, and some things are destined to happen in abnormal places.

Expert comment: Su Tong, a novelist of "New Historicism", has written The Story of Toona Street for many years, and the award of "Yellowbird" made him feel that he finally had an account of himself. Tale of the Yellowbird is considered to be the most mature and complete novel in the series of Xiangchun Street, and it is an important label of Su Tong's writing in Xiangchun Street. Su Tong, formerly known as Tong, is a famous contemporary writer in China. 1980 was admitted to the Chinese Department of Beijing Normal University. He is currently a resident professional writer of Jiangsu Branch of Chinese Writers Association and vice chairman of Jiangsu Writers Association. His representative works include Gardening, Pink, Wives and Concubines, Riverside and Binu. The novella "Wives and Concubines in Groups" was selected as one of the top 100 novels in China in the 20th century, and was adapted into the film "Hanging the Red Lantern High" by Zhang Yimou, and was nominated for the best foreign language film at the 64th Oscar, which was well-known at home and abroad. 20 15 was nominated by Nobel Prize in Literature in August 20 15.