A wooded road on both sides. It is hard to say whether these two words are right or wrong, but strictly speaking, the word "boulevard" should be used. First of all, the Modern Chinese Dictionary lists the mall as a recommended entry, while the forest vagina as a non-recommended entry, which shows that the social frequency of using the mall is higher than that of the forest vagina. When the Institute of Linguistics of Chinese Academy of Social Sciences chooses confusing words as recommended entries, the frequency of vocabulary use is the first reference standard. As far as cultural inheritance is concerned, "Avenue" has appeared since Qin and Han Dynasties, while "Lin Vagina" only appeared in Tang and Song Dynasties. From the word formation and sentence structure, "boulevard" has a covered image, while "forest vagina" tends to turn its back on the sun too much. Obviously, the former can express its meaning more vividly.
Forest vagina has two meanings: one is a broad avenue with dense trees on both sides and shady streets, such as the Elysee Palace Garden Street in Paris, France; First, it refers to the strip-shaped green space on the street for residents to walk, take a walk and have a short rest, such as Zhengyi Road in Beijing (see color map). Avenue in urban garden green space system refers to the latter. Title: Boulevard
Author: Hobema
Creation time: 1689
Inches: 140 × 103cm.
Category: oil painting
Collection: Britain, London, National Gallery This painting shows the beautiful scenery of the countryside. The quiet pastoral scenery on the screen seems dull, but it is thought-provoking and makes the viewer relaxed and happy. Symmetrical small trees see movement in stability. Looking forward along the path, you can also see the church spire on the left and two high-topped huts on the right. Rutting is printed on the muddy village road, showing the quiet and difficult life that is continuing. The sky, which occupies most of the pictures, is full of clouds and is intoxicating. There is also a sad irony in this painting. The long boulevard disappeared on the gloomy horizon. This sad irony in this painting is also a true reflection of Hobema's real life.
Boulevard is an extraordinary work and the most outstanding creation in Hobema's life. The picture depicts a very ordinary muddy country road with several ruts of different shades printed on the road surface. On both sides are trees that have not been shaded. These trees are arranged as a whole, uneven and sparsely branched. In the middle of the road, a hunter is leading a dog. On the far left side of the path stands a church, which is very tall in the terrain of Ma Pingchuan. On the right side of the road, in a sapling field, an old farmer is pruning the fruit trees in the field. There are two rural women walking and chatting in the distance. They are surrounded by simple houses. The vast sky is full of changing clouds. The whole picture is permeated with a strong flavor of life, which is a record of rural life in the Netherlands at that time. The most outstanding artistic feature of this painting is the clever use of the painter's perspective. The two rows of trees on the screen stretch straight into the distance, giving people a feeling of swaying. In fact, this composition is difficult to grasp. The painter uses the perspective technique of near big and far small, focusing on the end of the road, slightly inclines the two rows of trees in the picture, and then gradually shrinks from high to small, while the branches and leaves of the trees gradually tend to be lush and dense, forming a contrast and foil before and after. Thus vividly depicts two rows of trees extending into the distance with no end in sight. The overall composition of the picture is also very particular, which can be generally divided into three parts: the earth, trees and the sky. All the parts are interrelated, set off against each other and have their own characteristics. The fields, farmhouses, rivers, churches and a cluster of trees at the left end of the picture constitute a balanced organic combination. They are at the level of horizontal viewing, which is an important basic part of the picture, and also the background and foil of trees and the sky. These two rows of trees are in a critical transition position. On the one hand, they bring our vision to the depth of the picture, and pull the picture very deep and far, with a three-dimensional sense of depth; On the other hand, they extend to the blue sky, which is the connection between the blue sky and the earth and plays a role in setting off the blue sky. Is the center of gravity of the whole picture. It is against these tall trees and things on the earth that the lofty blue sky can be realized. It can be said that the composition of this painting is interlocking and seamless, achieving a high degree of perfection and harmony in composition. On the screen, 1/3 of the fields are warm, while 2/3 of the sky is cold. This kind of color collocation is extremely rare, and it is difficult to achieve a harmonious effect, but it is surprisingly harmonious in this painting. It is mainly because the balance transition and depth of these trees buffer the inadaptability caused by the sudden contrast of picture tones. Boulevard depicts an extremely ordinary and simple rural landscape. However, it is swaying and beautiful in the painter's pen. The harmonious natural scenery is particularly remote and ethereal in the artist's exquisite composition. Tian She, trails, trees and churches are all immersed in a harmonious, natural, plain and real atmosphere, which makes people feel the oncoming earthy atmosphere. The characters in the painting endow the picture with a humanistic atmosphere, which makes the picture full of fresh life interest. Nature and humanity are in perfect harmony here, and neither pure scenery nor pure characters can achieve this effect. This is also the place where the picture touches people's hearts, because it is vivid and can cause people to sing. A perspective method in which the same object is drawn relatively large near and relatively small at a distance. This is also the basic perspective hand. Hobema (1638 ~ 1709) is an outstanding landscape painter in the Netherlands. He was born in Amsterdam and lived in poverty since childhood. In his early years, he studied landscape painting from Restar. His works truly show the changeable scenes in nature, accurately and objectively describe the scenery, and have dynamic colors. Most of the content depicts country roads, farmhouses and Chi Pan. The work was not accepted by people at that time, and finally the painter fell into extreme poverty. Representative works include Boulevard, Cabin in the Woods, Mill and Forest.