1906, Lu Xun received telegrams from his mother urging him to get married in Japan again and again.

Lu Xun replied that it is better to let the girl marry someone else.

The content of mother's telegram was changed to: mother's illness will come back soon.

The dutiful son Lu Xun hurried back to China, and of course there was a wedding waiting for him.

Lu Rui is a cheerful mother who loves novels. She has always had a good relationship with Lu Xun. Only when her son got married did she do what she should and what she shouldn't have done.

On the sixth day of the sixth lunar month in the thirty-second year of Guangxu (1July 26th, 906), an unruly young man, Lu Xun, wore a fake braid, a hat, a ceremonial robe and a groom's costume.

Zhu An, the bride's foot, timidly sticks out from the curtain of the sedan chair, of medium size, hanging in the air for a long time, eager to land.

Embroidered shoes finally fell to the ground carelessly, and a big ball of cotton was stuffed in their toes.

Her old woman's little feet are exposed.

When he lifted the veil, Lu Xun saw a long and narrow face, sallow complexion, prominent cheekbones, high and nearly bald forehead, underdeveloped, and looked ill.

That night, Lu Xun sat all night and stayed up all night.

For the next few days, I read and slept in my mother's room.

Four days later, Lu Xun went to Japan with his second brother Zhou Zuoren on the pretext of "not neglecting his studies" for three years.

The traditional marriage system invited him into the castle of marriage, but he regarded Zhu An as a "gift from my mother, and I want to take good care of it.

But love is something I don't know. "

From then on, they were trapped in the tomb of marriage, one inside and the other outside, only wasteland and cold rain, and both of them swallowed endless bitter water.

1August, 909, Lu Xun returned to China.

19 10 In July, he returned to Shaoxing and later served as the principal of Shaoxing Normal School.

Although he was in Shaoxing, Lu Xun seldom went home on the grounds that he was tied up with official business. In fact, he deliberately avoided Zhu An.

At that time, Lu Xun was just 30 years old, which was the year of people and tigers.

However, his mood is lonely, his description is haggard, he always wears a blue shirt, he smokes and gets drunk, he looks like a young man drowned in his restaurant, and he is trapped in a depressed life and gloomy fate.

In a letter to his good friend Xu Shoushang, he said: "The servants are exhausted ... and they turn over books and collect several escape books. This is not for reading, but for women who drink. " Laugh at yourself from the heart.

As can be seen from the text, Lu Xun, an ascetic monk who escaped from marriage, treats women like wine, which can solve the worries of the ages, desire them and ban them.

Like an ascetic, he was burdened with the despair of survival and abstinence, but he transferred Libido to sorting out that pile of old paper, pinned his heart on the yellow scroll of The Blue Lantern, and then compiled the ancient novel Hook and Sink.

And Zhu An lived alone in Zhoujia year after year, waiting and waiting hopelessly. His body withered and buried with his youth until his heart was like a lamp and his life was like a bitter gourd.

19 12 years, at the invitation of Cai Yuanpei, Lu Xun was transferred from Nanjing to the Ministry of Education in Beiping.

A few years ago, he lived in the "Book Bookstore" in the "S" hall. According to the preface to the scream, "there was a woman hanged there ... on summer nights, when there were many mosquitoes, she shook her cattail leaf fan and sat under the locust tree ... In the evening, locust silkworms often landed coldly on her head and neck." It can be seen that opportunities are lonely.

In the long silence, Lu Xun sneaked into history and copied historical sites and rubbings ... He once hid a dagger under his pillow and thought, "Go to hell ..."1919, when people like Qian came to see him, he finally roared out, cheered for the new literature and wrote chapters such as Diary of a Madman.

1919110 In October, Lu Xun used the money from selling his old house in Shaoxing to buy a set of three-way quadrangles in Badaowan, Beijing.

As Zhou's parents, Lu Xun has the ideal of a big family.

He took his mother and Zhu An to Beijing and arranged them in the Intermediate People's Court.

The second brother Zhou Zuoren and the third brother Zhou live in a big backyard suitable for children's games.

At this time, the nominal marriage between Lu Xun and Zhu An has lasted for 13 years.

Lu Xun is nearly 40 and Zhu An is 43, which is beyond words.

Lu Xun continued to firmly admire Zhu An.

According to Yu Dafu, Lu Xun, who was in his prime at this time, deliberately wore pants and slept in a hard bed to suppress * * *.

Lu Xun himself said: If a person has to live a single life, it is not normal, and physical changes will inevitably lead to psychological changes, paranoia, boredom and nausea in character.

1923, Lu Xun and Zhou Zuoren turned against each other, left angrily and moved to Zhuanta Hutong.

Before moving, Lu Xun asked Zhu An's whereabouts-whether to stay in Badaowan or return to Shaoxing Zhujiajian Island? Gloomily, Zhu An replied, "I can't live in Badaowan. I live with my uncle, aunt, nephew and niece. What is it? " I don't want to go to Zhujiajian Island.

When you move to Zhuanta Hutong, someone always cooks, sews, washes and sweeps the floor for you. I can do these things ... "I feel inferior and miserable."

1In May, 924, Lu Xun borrowed money to re-purchase the residence at No.21Xisantiao Hutong, that is, "There are two trees in my backyard, one is a jujube tree and the other is a jujube tree".

They live under the same roof, meet every day, become strangers, and have nothing to say every day.

The conversation between two meals is nothing more than asking how salty the food is. Those who agree either nod their heads or say "yes" or "no"

Zhu An made cotton trousers for Lu Xun, but Lu Xun abandoned them. Later, Zhou Mu asked Sun Fuyuan to persuade him, but he was still abstinent, even to a pair of cotton trousers! Mother asked him what happened to Zhu An. Lu Xun only shook his head and replied, I can't talk to her. The conversation is boring and sometimes I am smart.

Lu Xun gave an example: once, I told her that there was a delicious snack in Japan, and she said yes, yes, and she also had it.

In fact, this snack is not only available in Shaoxing, but also in China. How can she eat it?

After Lu Xun and Xu Guangping settled in Shanghai, Yu Fang, who had lived with Zhu An, asked her what to do in the future. Zhu An said excitedly and disappointedly, "Mr. Big used to treat me badly. I want to serve him well. Everything will be fine if I follow him. " Another analogy is made: "I am like a snail, climbing up from the wall root bit by bit." Although I am a slow climber, I will climb to the top of the wall one day. "

But now I have no choice, I have no strength to climb.

No matter how good I am to him, it's useless. He added, "It seems that I have to treat Queen Zhou Mu well all my life. In case the empress dies in the west, judging from the fact that Mr. Da has always been a man, he will take care of my future life. " -at this time, Juan really fell like a snail and fell.

After Lu Xun met the sea, Zhu An's face lit up and he felt a little relieved for his "no mistakes".

I thought that after I died, I would burn paper, send rice and cold clothes to her. Yan wouldn't think she was a ghost, send her to hell and make her hungry and cold. ...

1944, Tang Tao and others stayed in Beiping to preserve Lu Xun's relics and discourage the sale of Lu Xun's books.

Accompanied by Lu Xun's student Song Zipei, he visited Zhu An.

At this time, Zhu An was white-haired, with cold clothes and poor life.

Juan couldn't help saying to the bearer, "You always said that Lu Xun's relics should be preserved, and preserved! I am also a relic of Lu Xun, you have to save me! "

It was her only and last cry, like a cuckoo dripping blood.

She was once a gift from Lu Xun, and finally became a relic of Lu Xun. She is no longer a person or a wife.

Alas, alas! Although both of them were victims of the same era, Zhu An undoubtedly suffered a double cold shoulder and pain.

A kind of cold reception and pain comes directly from Lu Xun.

Although Lu Xun once said that he was "sacrificing for his life", Xu Guangping and Zhou Haiying came later. Zhu An, on the other hand, has been a domestic servant all his life, and has been left in limbo all his life, without a husband and children.

Throughout his life, Lu Xun respected her until he became a stranger.

Among the women who have been bound by the old marriage all their lives, Zhu An is the most heartless and miserable wife.

Second, Lu Xun and Yutai Noko

Scholar Sun Yu said: In Lu Xun's personal life, two things hit him hard.

One is his married life, and the other is the disharmony with his younger brother Zhou Zuoren.

Moving from Badaowan to Xisantiao Hutong is the disillusionment of Lu Xun's big family. From then on, he broke up with Zhou Zuoren who had been respectful and blind for many years.

Lu Xun and Zhou Zuoren have always been brothers, and Lu Xun's concern and enlightenment for his second brother is really "taking his brother as his father".

Zhou Mu once said: "The three brothers live together and have deep feelings. They have said in front of me more than once that brothers will never be separated." Reasons for the Disagreement between Lu Xun and Zhou Zuoren's A City on the Sea.

But in general, the direct reason is because Yutai believes in children.

1923, 19 July, Zhou Zuoren gave Lu Xun a dear John letter:

Mr. Lu Xun:

I didn't know until yesterday-but there's no need to talk about the past.

I am not a Christian, but fortunately I can afford it, and I don't want to blame anyone-we are all poor ... please don't come to the backyard again, that's all.

May you feel at ease and respect yourself.

Zuoren

July 18.

The diaries of the two brothers are very vague these days.

Zhou Zuoren tore off two pages of diary afterwards and said to the reason, "There is no excuse." "If you want to explain my good, you must first say the other person's fault.

Otherwise, there are always some secret things to do.

This is not easy to say, or I don't want to say it, so even if the defense is effective, it is funny to say these poor words. Isn't the front door driving the tiger and the back door driving the wolf? "Over the years, many scholars or busybodies have been speculating about Gua Tian and Li Xia between Lu Xun and Yutai, but they are inevitably gossips of outsiders.

A Japanese woman, Yutai Mako, was a maid when Lu Xun and Zhou Zuoren were studying in Japan, and lived in the "Five Societies".

It is said that this woman comes from a poor family but enjoys luxury.

1909, Zhou Zuoren married her, 19 1 1 returned to China with his wife.

Compared with Zhu An, Yutai Shinko has rich skin and a little beauty.

Others say that he suffers from hysteria and paranoia.

When you have a hysterical attack, it's like crying.

In the memory of Lu Xun's good friend Xu Shoushang and his third brother Zhou, the reason for the disagreement between the two brothers is probably because Tadao is extravagant and dissatisfied with Lu Xun's "parent" status, while "(Zhou Zuoren) is really dizzy" and listens to women's rumors.

At that time, Lu Xun's salary in the Ministry of Education was 300 yuan per month, and he also earned money for lectures and writing manuscripts. Zhou Zuoren also continued to write. Their income is more than 65,438+00 times higher than that of ordinary staff, but their families are still struggling and the monthly deficit is high.

After a hard day's work, Lu Xun went out by rickshaw.

As a man and a believer, they often go in and out of cars, and slaves are in droves, which is extremely luxurious.

Mr. Lu Xun once lamented that his rickshaw was transported, how could it be transported away by car?

After Lu Xun moved out of Badaowan, he was in a coma and had a high fever for several months.

Until 1936 died, the suicide note to his mother still said: be expelled from Badaowan and die unsatisfied.

And Zhou Mu said: The disagreement between Mr. Da and Mr. Er is entirely the fault of the second child, and Mr. Da has not wronged them.

Lu Xun's worries and resentments were written in a new historical novel, Running to the Moon, which was published under the pseudonym of Yan Ao.

He explained that the "banquet" came from China, from Japan and from women; "ao", from the out, from the release.

He was expelled from his family by the Japanese woman.

In the novel, Chang 'e is portrayed as a woman who complains that she ate a "crow on the dregs of the river", swallowed the fairy medicine and ran to the moon alone, in order to satirize Ersao.

Yoko Yutai is an inextricable knot in Lu Xun's family life.

Lu Xun encountered a black box slingshot; Without this slingshot, Lu Xun couldn't rush out of his earlier ideal of a big family, and whether he could meet Xu Guangping was an unpredictable fate.

Third, Lu Xun and Xu Guangping

Beijing Women's Normal University.

Lu Xun, a lecturer in Chinese Department, left Xu Guangping with the first impression that his two-inch long hair was thick and hard and stood upright, which made people "furious".

There are many patches on clothes, and all patches on leather shoes, jumping up and down on the rostrum. So you can't cover the big patch on your knees.

Lu Xun, a mentor admired by young people, was full of patches of life in addition to the blade-like wisdom and light in his mind when he reached middle age.

In the class where he teaches the history of China's novels, Xu Guangping, a student, often sits in the front row with bright and enthusiastic eyes, full of * * * and admiration.

1March, 925, Lu Xun received a special letter, asking him for advice on "the future of women's education in China" and other issues. At the end of the letter, he signed: Xu Guangping, a pupil who is willing to receive education.

Lu Xun wrote back that day, and Xu Guangping was very happy.

Many years later, these two letters were placed at the top of the first series of One Book in Two Places, which was the initial spiritual exchange between Lu Xun and Xu Guangping.

Since then, the spiritual sparks of the two people have been constantly generated in frequent letters.

One month after the correspondence, Xu Guangping went to Lu Xun's home in Xisantiao for the first time.

Sitting in the study named "Tiger Tail" by Lu Xun, Xu Guangping has a strange feeling of "exploring".

(Editor/Liao Xiaohong)

Xu Guangping blew the wind of youth to Lu Xun.

Bitter cactus blooms among thorns.

At this time, Lu Xun was gradually proud of the spring breeze, and his communication with female students was gradually liberalized.

1925 On Dragon Boat Festival, Lu Xun invited Xu Guangping, Yu Fen, Yu Fang and other female normal university students to dinner at home. During the dinner, Lu Xun became free and easy. "Punch a girl with two fists" and "Be a kid's head (Xu Guangping)"-spiritual pleasure gradually brought relaxation to his limbs.

Lu Xun seems to be welcoming the late spring in his life.

However, after all, Lu Xun's body is covered with the dust of decades of old life, which makes him so heavy that he disdains it and easily meets new lovers.

His inner struggle and hesitation: "I love the opposite sex, but I always dare not, because I understand all kinds of shortcomings and I am afraid of humiliating my opponent." Lu Xun dissected his "old" and "unworthiness" to Xu Guangping, and finally asked: "Why do you still love?" Xu Guangping responded with a poem by the English poet Browning, and the answer was clear: "God may not think so!"

As a sober realist and a desperate existentialist, coupled with being imprisoned as a castle in abstinence, Lu Xun fell into a dilemma of longing for love and anxiety.

Just a few days before and after their relationship was confirmed (according to research, it was1925101October 20th), Lu Xun wrote his sentimental love novel "Regret for the Past", which expressed his doubts and reflections on the unattached love and was also an answer to Xu Guangping.

Looking at Regret for the Past, what we see is not "love", but the "void" after the death of love in Lu Xun's works.

How brave and resolute Zijun's declaration of love is: "I am my own, and none of them has the right to interfere with me!" " "Juansheng's attitude towards love is similar to Kafka's-opening the door to spy on his lover Phyllis, then closing the door to isolate himself and avoid marriage-shrinking and vigilance, despair and nothingness.

Therefore, Xu Guangping was as brave as Zijun and blew a storm of love to Lu Xun.

Not afraid of the indifference and oppression of the world, run wholeheartedly in the direction of love.

-1925 10 month, Xu Guangping's peer.

Whether it is not self-measured, not too, legal or not, it has nothing to do with us!

-1925 10, Xu Guangping's Wind is My Love.

In a sense, love is close to the power of God. Just like the Fengshen in Botticelli's famous painting "The Birth of Venus", it blows away the flowers on the dead branches and leads the flesh to fly.

Under the gale of Xu Guangping's love, Lu Xun is finally no longer an ice that refuses to melt. When Xu Guangping took the initiative to hold his hand in his "Tiger Tail" study, Lu Xun finally smiled at Zhan Yan and said to Xu Guangping, "You are defeated!"

On August 26th, 1926, Lu Xun and Xu Guangping rode south together.

Lu Xun was invited by Lin Yutang to teach at Xiamen University, while Xu Guangping went back to his hometown in Guangdong.

1927 10 Lu Xun and Xu Guangping live together in Shanghai.

That year, Lu Xun was 46 years old and Xu Guangping was 28 years old.

Zhu An and Liu Mu still live in their home in Xisantiao, Beijing, and their living expenses are provided by Lu Xun.

The combination of the two has been attacked by many public opinions.

Zhou Zuoren, the second brother who has always advocated civilization and sexual liberation, wrote an article criticizing Lu Xun's move as "an erotic elopement of a decent person"; An anonymous letter signed "Young people who worship Lu Xun" said: "Mr. Lu Xun sat at the same table with someone yesterday. They publicized that Mr. Lu wanted to be an aunt and abandoned his wife in Beijing to go with a female student ... This matter is related to Mr. Lu's reputation and personal morality, which is greatly unfavorable to him. I hope Mr. Lu will be vigilant ... "

Although, Xu Guangping made a cohabitation contract: "We believe that there is nothing to be bound in sexual life except the parties. We are congenial to each other, treat each other as colleagues, respect each other and trust each other, so there is no need for any prejudice.

Aren't we going to break all the old morals? Therefore, if we are not satisfied with one aspect of each other, there is no need to quarrel and solve it by law. I'm going to make a living by myself. If there is no need to live together, I will go my separate ways at once ... "

However, at the beginning of their marriage, Lu Xun still had a heavy body and an ideological imprisonment. "He didn't know how to arrange his own body ethics" (in Liu Xiaofeng).

When he introduced Xu Guangping to his friends, he called him his "assistant".

Friends invited them to Hangzhou for their honeymoon, but Lu Xun booked a triple room and told Xu, "You have something to do during the day, so you must come at night!" " As a result, the accommodation arrangement was awkward: Lu Xun and Xu Guangping slept in the beds on both sides, while Xu Qinwen slept in the middle bed across the mountain.

Of course, Lu Xun, bathed in love, also exudes youthful madness.

On one occasion, when Lu Xun was visiting Yuexiu Mountain, he suddenly had the impulse to express his love and youth. He jumped into a small mound in front of Xu Guangping and some friends.

But the ending was awkward. He hurt his foot and limped out, and it will be difficult for him to recover for several months-after all, time waits for no man.

After five months of pregnancy in Xu Guangping, they finally revealed the fact of cohabitation to their relatives and friends.

1929 September, Yinghai was born.

As a husband and father, Lu Xun was immersed in joy.

That morning, Lu Xun held a small pine tree in his hand and gently placed his blessing and gratitude on the bedside of mother and son.

The exuberance of life and the joy of life continuation have promoted the extremely gentle side of Lu Xun's temperament.

He used a thermometer to give the volume and temperature of bathing water facing the sea; He wrote "Answering the Guest" to Japanese doctor Kazuo Hirai with affectionate style: "Ruthlessness is not necessarily a hero. How can Reiko Kobayakawa not be a husband? If you know if you are screaming, you will look smaller when you look back. "

Lu Xun wrote a poem to Xu Guangping in mustard seed garden;

Ten years of joint efforts can also be sad.

Talking about painting is tiring, and I know all the joys and sorrows.

In Lu Xun's life, Xu Guangping played many roles: student, secretary, spiritual comrade-in-arms and life partner.

In life and work, material and spiritual, I bear all the responsibilities.

Look up materials, find references, copy manuscripts, record conversations, keep manuscripts, receive visitors, do housework and arrange living expenses for Lu Xun. ...

Lu Xun once said to Xu Guangping, "It is very difficult to be a writer's wife." Besides physical difficulties, there are also metaphysical difficulties.

Just as Kafka was engaged to Phyllis twice, Phyllis actually played the role of a victim.

Although writers long for love, they have a natural rejection of marriage.

As an alien who strictly demands independent spirit and private creative space, it is difficult for him to accept that the same person (even his wife) has occupied his space for a long time.

Liu Xiaofeng explained that Kafka broke off the engagement twice in order to cut off contact with the outside world and "preserve his paradise".

Lu Xun arranged the departure and death of Zijun as early as in Regret for the Past, which is also the need for a writer (Juan Sheng or Lu Xun) to show selfishness and keep his own world when encountering the dilemma of "being and love".

During Lu Xun and Xu Guangping's stay in Shanghai, apart from receiving visitors, Lu Xun devoted most of his time and energy to his creation, burning himself day and night.

As far as his love life is concerned, from a love nihilist and a love skeptic to living together in marriage for nearly 10 years, this is a miracle that befell Lu Xun, a "desperate existence".

Of course, it is also because Xu Guangping's blessing came to Lu Xun-"The salvation of men sometimes depends on women."

Fourth, Lu Xun and Xiao Hong.

When Lu Xun was seriously ill in bed in his later years, he could neither read newspapers nor books, but lay quietly.

But there is a small photo on his pillow that he has been looking at.

This is a woodcut. There is a woman in a long skirt with long hair fluttering and running against the wind. At her feet, a bunch of red roses are in full bloom.

Xiao Hong asked Xu Guangping: Mr. Lu Xun has many paintings. Why did he choose this to put on the pillow? Xu Guangping replied: I don't know.

Both of them are smart people, and they may have something on their minds, but it is not convenient to say it.

In recent years, many people who reread Lu Xun have made a "Sphinx conjecture" and think that this wooden portrait of Lu Xun's attachment to illness is related to Xiao Hong: the person in the painting, with long skirts and long hair, is not like Xu Guangping with short hair, but Xiao Hong, and there are two long braids that like to play with the sea; The woman running in the wind has the shape of "rustling" and the color under her feet is "red"; And roses naturally mean "love".

In other words, Lu Xun likes Xiao Hong!

Among those who hold this view, Yu Jie, relying on his sensitive reading "intuition", concluded that Lu Xun and Xiao Hong had intimate love and soul collision in their hearts; Pu Cunxin, the actor who plays Lu Xun, also said that Lu Xun liked Xiao Hong because of his emotional experience in middle age.

This "like" message comes from 1939 Xiao Hong's article "Remembering Mr. Lu Xun".

This is a memorable article that can go deep into Lu Xun's mind, and several details are quite intriguing:

"Mr. Lu Xun doesn't pay much attention to people's clothes. He said,' I can't see who is wearing what clothes'. " However, he always looks at Xiao Hong's clothes and comments on one of her clothes: "The red top with brown plaid skirt is rather cloudy and not very nice!" "

Once, Xiao Hong was going to a banquet and asked Xu Guangping to bring her a piece of silk to tie her hair.

In order to make fun of it, Xu Guangping tied a pink hair band on Xiao Hong's hair. They wanted to attract Lu Xun's praise, but Lu Xun's reaction was very exciting. "When he saw it, he got angry, lowered his eyelids and said,' Don't make her up like that …' Mr. Xu was a little embarrassed. "

1934, after Xiao Hong and Xiao Jun came to Shanghai, they also lived in the mainland new village on Sichuan North Road and became Lu Xun's neighbors.

After the love of the second primary school broke down, Xiao Hong fell into infinite sadness and helplessness, so she came to Lu Xun's house every day, and the delay was a whole day.

One afternoon, when Lu Xun was proofreading a book, Xiao Hong walked into his bedroom. Lu Xun turned around from his round-backed armchair, stood up slightly and said to Xiao Hong, "Long time no see, long time no see." Xiaohong was surprised: "didn't you just come this morning?" Even if Mr Forget, but I come every day ... "

Among young writers, Lu Xun really loves Xiao Hong. He once praised Xiao Hong's literary talent: "Better than anyone else." Xiao Hong's novel The Field of Life and Death has a preface written by Lu Xun for her, and the description of "the struggle for life and death" "penetrates the back of the paper"; "The careful observation and deviant writing of female authors have added a lot of brightness and freshness".

In personal temperament, Xiao Hong is sensitive and fragile, frank and stubborn, delicate and lonely, which is very close to Lu Xun's "negative personality".

It is natural for two lonely, sentimental and talented souls to attract each other.

"If you don't let me call you' sad lady', I will call you' sad lady',' sad aunt' and' sad sister' ..." When Lu Xun wrote to Xiao Hong, he had a rare banter and teasing attitude, young and naive.

-Lu Xun really likes Xiao Hong.

But "liking" the cloud can only be said to be a pity emotion of human beings: love, joy, appreciation and joy ... If it involves the "liking" of love between men and women, it needs to be cautious.

Feelings are definitely personal secret experiences. Without conclusive evidence, any assumptions made by outsiders seem unfounded.

Lu Xun's essays in Street Pavilion II? There is a clever and funny metaphor when talking about similar problems in Unfinished Six: "If there is a trade-off, it is not the whole person, and if it is added, it is even more divorced from the truth.

For example, warriors, fighting, resting, eating, naturally. If you just take his last point and draw a picture to hang in a brothel as the Lord, you can't say it's groundless. However, that is not wrong! "

So, let's go back to the woodcut that Lu Xun often looks at when he is lying in his hospital bed.

Mr. Feng Yu found clues in Lu Xun's diary and learned that this painting was bound by Pikov, a Russian printmaker, for the first page of the poems of the Persian poet Hafez.

Hafez is a Persian lyric poet in the14th century, and his poetic temperament is very close to petofi, another favorite poet of Lu Xun.

In his time, Hafez was like a nightingale, singing about youth and love, freedom and democracy.

Pikov, a Russian printmaker, illustrated the first page of Hafez's Lyrics, which is in line with Hafez's poetic spirit: a bard with poems, absorbed in thinking; A woman with long hair has a strong figure and high spirits, and exudes youthful brilliance; The roses at her feet are in full bloom, with the heat of life and love.

This woodcut reveals two key messages: youth and love.

The characterization is so full of tension and the breath of life is so full and beautiful.

Staring at this painting, I suddenly realized that when Lu Xun was dying, the reason why he paid attention to this woodcut for a long time was rather because he was a man who measured life and was deeply attached to youth and love! Just like Johnsy's attachment to the last ivy leaf before she died.

Lu Xun used to be such a sonorous boy with boiling blood. "I don't care about cold stars, I recommend blood Xuanyuan." His life is so flamboyant, his chest is so angry, he is like a swordsman.

However, even if a warrior is like a mountain, he will get sick one day and become a dying patient with a broken lifeline.

At this time, people will certainly recall all the things in their past years, those who are gratified by life, those who regret life, and those who are deeply concerned about life (see Lu Xun's last words-none of them will be forgiven! )……

Youth and love, as the most beautiful elements in life, are two things he lost in the east corner and gained in the mulberry, which can't be kept like running water and the passage of time.

At the moment of staring at the picture, Lu Xun must have uttered countless silent shouts with his soul: "Ah-youth! Ah ah-love! "

As for the running woman in the painting, you can associate her with Xiao Hong-because Xiao Hong is also full of running youth-but the woman in the painting is only a virtual carrier of youth and love after all, and there is no need to put her and anyone in reality in a correct position.

Then, if there is a connection, one day, several poems by Russian poet lermontov jumped into my eyes and cracked the password of "Lu Xun likes Xiao Hong" at once:

I am deeply attracted to you.

Not because I love you.

But for my lost youth ...

I hope you can use it.