In fact, his suicide has many historical and objective factors. In the society at that time, a high-ranking chief may become a prisoner in the blink of an eye. As you can imagine, an open major general commander. He became a prisoner in a blink of an eye and was dragged into the street every day. How many people can withstand such a blow? At that time, many people like Li Yunlong couldn't figure it out and committed suicide. In the end, Zhao Gang and Feng Nanxian committed suicide, and their children were later raised by Li Yunlong and Tian Yu. During the Cultural Revolution, Li was criticized, and finally committed suicide with the pistol given to him by Chu, and also cut his wrist.

Data expansion;

"Bright Sword" was first broadcast in 2005, and it has been more than 1 1 year, but it never seems to be forgotten by the audience: it has almost always been a hit drama on major channels and summer files, and its popularity among women and children is no less than that of the old dramas such as Journey to the West "Princess Pearl", and the word "bright sword" has since become a more common term in people's daily life. Even Li Youbin's Li Yunlong and the six-year-old Monkey King have become one of the "30 most popular screen images in the 30 years of reform and opening up", which is an extremely rare honor for a drama that came out as late as 2005. Other movies include Shanghai Beach, Blood Suspicion, Dream of Red Mansions, Desire, etc. )

In fact, Liang Jian is a drama with obvious advantages and disadvantages. Let's talk about shortcomings first. Judging from the strict war dramas and anti-war dramas, "Bright Sword" can't get high marks, but at most it is a pass. She has too many serious injuries. Even if she knows as little about military history and party history as I do, she can pick out a lot: an ordinary regiment has the capital to use 3600 grenades at one time; There are no hidden allegations of direct suicide; Li Yunlong repeatedly disobeyed orders and killed prisoners without being severely punished (the discipline of the Eighth Route Army is unimaginable today); Winter clothes from beginning to end; And the author's enthusiasm for cold weapon confrontation and yy, the so-called special forces organized by Li Yunlong in the original work ... although this is not in line with historical facts. Wait a minute. Some people say that it is the pinnacle of the anti-war drama, which I really disagree with. On the other hand, some people say that this is the beginning of anti-Japanese drama. I can't agree either. The fiction of Liang Jian does not reach the level of "drama". Even if it is related to later dramas, it is because the latecomers are not skilled enough, leaving behind dross and losing the essence. This pot of Bright Sword doesn't recite. According to the logic of these people, the 86th edition of The Journey to the West can be regarded as the originator of the third-rate drama. Isn't that ridiculous? )

On the other hand, if we relax the standard of evaluation, or even treat it completely with strict war film standards, but treat it as a screenwriter of a novel, then we will find that "Bright Sword" is really a rare good play.

First, people. A novel, a TV series, and well-shaped characters, no matter whether it is successful or not, it is absolutely no problem to catch the audience. In this regard, "Bright Sword" scored full marks. Li Youbin's Li Yunlong is really successful. His wonderful performance successfully demonstrated the righteousness, bandits, domineering and aura of Li Yunlong, a peasant-born, low-educated but flexible general (these four are indispensable, otherwise it would not be Li Yunlong). Imagine that most of us living in human society are limited by education, ethics, social norms and other factors, and it is difficult to achieve that flying personality, dare to say and do, dare to love and hate, dare to be angry and sad, dare to laugh and dare to cry. From the perspective of psychology and literature and art, the emotions trapped in the body and spirit must be expressed in some way anyway, and the whole person will feel carefree. Among them, literary and artistic works, especially novels and TV plays, are most easily chosen as the carrier of this expression: when people watch novels and dramas, they will consciously or unconsciously substitute themselves into them, imagine themselves as someone in the book or drama (usually the protagonist), and then share joys and sorrows with them, cry and laugh together. Naturally, it's hard not to like this character when his experience really touches you and makes you feel sad. This is why fictional characters, such as Li Yunlong, the Monkey King, Li Kui jy, Swallow and Bai Jingqi, are very eccentric and fearless and will be loved by people for a long time. It is because people have experienced life experiences that are rare or not in life to a great extent through substitution, and many feelings and imaginations that are stuck in their hearts are rarely expressed and blown out. Imagine, when we were together in the legendary swordsman and Li Yunlong, beating up the Japanese aggressors, when we were together with him, daring to kill people at all costs for the sake of our daughter-in-law and brothers, when we experienced his joys and sorrows almost without any obstacles, and watched his fascinating life with a smile, who could not help but shout "Shuang" from the heart? In particular, such a comfortable experience of watching the drama is something that we can't have when we look at the usual main melody works and look at the gentle and moral generals of our party like Confucius. In contrast, Li Yunlong's image is particularly precious. Although he is so imperfect and has many shortcomings, we will still really like this man with true temperament. Of course, refined and brave Zhao Gang, wise and brave Chu, calm and domineering Kong Jiehe, a simple and brave monk with a little cunning, loyal, even cold and full of a unique charm, all make people unforgettable. In a word, it is the * * * nature of all successful narrative works to write people as people and to write out their truth and complexity. It is also worth mentioning that there are several real generals of our party in this drama, namely Chen Geng, Peng, Zuo Quan, Liu Bocheng and Su Yu. Unlike their elegant preaching in many other dramas, these are as good in form and spirit as the actors in real red dramas. What we can see in "Bright Sword" is only the rough and domineering professionalism of these generals and their distinctive personalities who dare to laugh and scold. How can such a group of revolutionary soldiers who are completely different and eye-catching not be liked by the audience? Successful characterization is the most attractive place for Liang Jian.

Followed by the plot. In fact, friends who have seen the original work know that the anti-Japanese part only accounts for less than half of the original work, and the description is far less delicate than that of the TV series (the reason will be discussed later). If it weren't for the efforts of the original author Dou Liang and screenwriter Jiang Qitao in re-creation, but just copying the original, the TV drama version wouldn't be so beautiful today. The movie "Bright Sword" focuses on Li Yunlong's anti-Japanese career. The battles, big and small, and the rich life details of the characters run through the whole drama, and the climax is repeated, which makes people want to stop (many people think that the scene after the founding of the People's Republic is not as good as before, mainly because there is no climax. Of course, it is also related to the castration of the original). Good-looking characters, good-looking plot, these two points, as a TV series with rave reviews and high box office, "Bright Sword" has been successful.

Third, feelings. This TV play is full of spirit. It has created a group of revolutionary soldiers who love to serve their country, such as Li Yunlong, Ding Wei, Kong Jie,,, Chu and so on. Although they have some shortcomings or contradictions, once the situation changes suddenly, their swords will be drawn, and they are indomitable good people. When we saw Sun Desheng's "cavalry company, attack!" Zhao Gang resolutely shouted: "If you meet the brave in the narrow road, you must play the prestige of the independent group!" Ding Wei's domineering "Of course it's mine, what I like is mine!" And Li Yunlong's anger again and again, what we feel is the lasting impact and shock of real man's true colors and heroism on the soul. It should be said that this kind of shock is of great practical significance: it is not only a powerful clean-up of the decadent wind caused by palace fighting and ethics in the field of film and television dramas in the past decade, but also a vivid display of the immortal feats of the producers of * * * during the Anti-Japanese War-a heavy blow to the Japanese aggressors and the enemy's rear (the enemy's rear refers to enemy-occupied areas, not what some people call "the enemy's rear"). This is undoubtedly a powerful counterattack against the increasingly popular rumors on the Internet, such as "swim without hitting" and "seven-point response". At the same time, the outstanding soldiers represented by Chu also showed us the achievements of the Kuomintang in resisting Japan, and this objective description attitude was appreciated by many audiences. It can be said that Liang Jian is an anti-Japanese literary work subordinate to the whole nation.