When he was in middle school, Liu's father was doing business in Guangzhou, and he went to Guangzhou to study with his father. My father is a wealthy businessman, who also loves the art of painting and calligraphy, and is willing to make friends in the field of painting and calligraphy. Because Liu often follows his father and listens to his predecessors to talk about the essentials of painting and calligraphy, Liu always makes a piece of paper automatically when he sees it and observes the pen and ink skills of his predecessors. His father also bought some famous paintings and calligraphy works for his reference.
Gradually, Liu has a certain foundation of painting and calligraphy, and sometimes he is directly enlightened by cooperating with famous artists. At the end of the Qing Dynasty, Master Gui Nanping also accepted his disciples to learn calligraphy, and sometimes Liu personally wrote the signature of Master Gui. Taishi thinks highly of Liu as a plastic material, and recommends him to paint with Chen Xuexue, a master of Lingnan Painting School. Chen has always refused to accept an apprentice, but because he is in-laws with Master Gui, Liu became Chen's apprentice because of his kindness.
Liu, at the age of weak crown, made rapid progress in painting and calligraphy under the guidance of famous teachers. After the victory of the Anti-Japanese War, Guangzhou's economy was depressed, but when Liu's works were exhibited in Guangzhou, the money from selling them could buy a private house. On the eve of the liberation of Guangzhou, he was invited by the Chinese Institute of Hong Kong to teach in Hong Kong. At a painting and calligraphy exhibition, an education official of Malaysia's western industry appreciated Liu's works very much and hired him to work in education in North Borneo. Since then, he has become an overseas Chinese in North Borneo (now Sabah), Malaysia. Having lived in Malaysia for nearly half a century, he was the president of the Yanhuang Culture Research Association in that country, and traveled around the world when he entered middle age. He has held art exhibitions in more than 65,438+000 countries and regions such as Southeast Asia, Europe, America and Australia, lectured at the University of Western Australia, and created works while collecting wind. He spent more than 65,438+0 years traveling around Australia. At the invitation of the University of California, he went to teach in the United States, and his works became the exhibition collection of the school.
In addition, Liu Jiaoshou's works are treasured by art galleries, museums and cultural institutions in San Francisco, new york, Britain, France and Australia. The Great Hall of the People also received two works. The earlier the moonlight at home, the brighter it will be! And the latest peak in the world all reflect his patriotism and love for his hometown. The first peak in the world is Liu Jiaoshou's large-scale work, with a picture frame of more than 20 square meters, which shows the elegance of the Chinese nation and the personality of China people.
Mr. Liu is also a comprehensive China painter. He is good at flowers and birds, landscapes, figures and various animals, and has his own beauty. As a disciple of Mr. Chen, a master of Lingnan Painting School, Liu Jiaoshou's artistic achievements are incomparable to those of other masters, and he has also won the highest honor at the national level in the world, such as 1999 Korea Asian Art Exhibition, and won the highest award-the Asian Prize. In the same year, Premier Mahadi awarded him the title of Head of Government B.S.K for his solo exhibition in Sabah, Malaysia. He has lived in Malaysia for more than 60 years and acted as an ambassador to publicize and carry forward Chinese culture overseas. In recent years, he has held many exhibitions in Singapore, Hong Kong, Macao and the Pearl River Delta region. The work "The First Peak in the World" was sent to the Great Hall of the People for collection.